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Introducing a bold and unflinching new voice in femgore horror fiction.

Introducing a bold and unflinching new voice in feminist horror fiction.

Elland J: The Ladie Upstairs

The Ladie Upstairs

‘A fever dream of a novel’ Lucy Rose, author of THE LAMB

Brigid

Virago Modern Classics

Desert Of The Heart

A Fortune Most Fatal

The Bewitching

Discover a searing portrayal of escape and the power of home and a family, in this sequel to A PLACE CALLED WINTER

Love Lane

Early Mornings at the Laksa Cafe

From the Sunday Times bestselling author Nancy Revell. When Lucy's estranged mother dies unexpectedly, her grief is overwhelming. Lucy's cold mother disowned her when she married penniless horse-trainer Danny for love, leaving their blue-blooded family fortune in tatters. But Lucy always dreamed that one day, they'd reconcile. So when her widowed father Edward begs her and Danny's forgiveness for his part in their argument, she's overjoyed. Newly pregnant, she's determined to give her baby the family she longed for. Danny, however, isn't convinced: Edward's mended ways feel too good to be true. But Lucy's pregnancy is difficult, and she can't hear his worries. Until the worst happens, and their fragile family is tested to its very limit... Will love be enough to get them through?____________________________Readers love Nancy Revell:'This was so worth waiting for''An unforgettable story''Nancy is a fantastic storyteller''A great read and a superb writer''Everything I expected and more''This book held me from beginning to end''So looking forward to the next one''Wow. What an amazing read!''Just brilliant!'Praise for Nancy Revell:'Nancy Revell knows how to stir the passions and soothe the heart!' Northern Echo'Stirring and heartfelt storytelling' Peterborough Evening Telegraph'A well-written story with vivid characters' Anna Jacobs'An uplifting read with a very satisfying conclusion' Rosie Goodwin

A Daughter’s Love

Beautiful Children

Penguin International Writers

Women Without Men

A Degree of Truth

Soft Core

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

The Ladie Upstairs

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