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The Ice is Listening

Adam lay ybounden

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

A Guide to Lyric Diction and Repertoire

Welsh Vocal Music

Church Music Society

Magnificat & Nunc dimittis

Repertoire for mixed voices to encourage connection and growth

Accessible and Beautiful

New Horizons

Magnificat and Nunc Dimittis

Saint Thomas Service

Peace be mine

Elements in Musical Theatre

This Element compares productions of Offenbach's Belle Hélène and Kálmán's Herzogin von Chicago, considering their choices regarding plot, text, performance style, music, and costumes and sets. In every case, there is some reinterpretation involved. Some versions tweak the original while others expand and alter it in a full Regietheater approach.

The Rebirth of Satire in Revivals of European Operettas

Routledge Library Editions: Medieval Culture, Society, & Religion

Originally published in 1972, Medieval Song assembles the whole tradition of early European poetry, from the writings of the late Roman Empire to the time of the Hundred Years War. It covers a vast range of languages and cultures, beginning with the Latin of pagan song and ending with the Middle English ballads of Chaucer's time.

An Anthology of Hymns and Lyrics

Medieval Song

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

A Critical Companion

Jason Robert Brown

for upper voices, SATB, and piano or chamber ensemble This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano, helps to characterize each colour within the over-arching narrative of the value of your own self-expression.

The Rainbow

The Ice is Listening

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