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Mellor S: The Departed / B

The Departed

No Peace for the Living, If You Can’t Bury the Dead…

Giordano Bruno Novella

Virago Modern Classics

A timeless historical novel about poetry, music and power by the classic queen of Ancient Greek retellings

A Virago Modern Classic

The Praise Singer

A brand new Dr. David Hunter novel from international bestseller Simon Beckett

*THE BRAND NEW DR DAVID HUNTER NOVEL - the David Hunter television series THE CHEMISTRY OF DEATH debuts on Paramount+ on 19 Jan 23 * "The dead didn't frighten me. It was the living that gave me nightmares." An atmospheric and utterly gripping mystery set in the shadows of the Welsh mountains, that will chill the reader to their very bones Driving back through Wales in a fierce winter storm, forensic anthropologist David Hunter is forced to seek shelter at a remote village in the Eryri mountains. But a one-night stop-over becomes something very different after a gruesome discovery in depths of the local forest. With communications down and the only road washed out by the storm, Hunter is unsure who - if anyone - he can trust. And as long-buried secrets begin to emerge, he's knows that, whatever dark past the isolated community might be hiding, there's no one he can call on for help. This time he's on his own. Forensic anthropologist David Hunter is back in this pulse-pounding thriller that explores the wildness and danger of rural life and the intensity of small-town claustrophobia.

The brand-new Dr David Hunter thriller

The Bone Garden

From the prize-winning author of The Giant Dark comes a beautiful exploration of the ties that bind us and the scars they leave when they break. Aliyah and Ava arrive in England from opposite corners of the world with dreams built upon Emily Bronte, Brideshead Revisited and Richard Curtis films. Instead, in the shadow of their historic, fairytale campus, they get the sense that they don't belong. The two form a Vita-and-Virginia-like bond, building a world full of stories that they write together. For a time, they are inseparable in their identity as 'strange girls'. When the end of university looms, they will have to return to the world where a devotion like this seems impossible to maintain. Years later, Aliyah has everything Ava wants - a room of her own and a publishing deal - and, worse, the thing Ava was certain neither of them had ever wanted: a sensible doctor husband. Arriving back in London for a mutual friend's hen party, Ava is desperate to unpack the truth of what she really meant to Aliyah. Was what they had - whatever you call it - real? And what will become of the stories they tell themselves about one another?

One week, every three years. Two women come together to test the endurance of their bond and to ask: what if? 2013, England. Ava and Aliya meet at university just outside of London. Ava is the quiet American who didn't come to England to meet boys in Jack Wills sweatpants with gelled hair. She's here for Emily Brontë and Brideshead Revisited. Everything disappoints her until: Aliya. Aliya is shy, earnest and this is the first time she has been away from her parents who live in Pakistan and the sense of freedom is overwhelming. When they meet, there's an immediate spark. While everyone else is getting drunk on love, life, sex, drugs, they are getting drunk on each other. They move in together, become twin-like, wife-like in their devotion. They sleep in the same bed, read out loud to each other, finish each other's sandwiches. But in their very last week, something breaks between them and Ava flies back to America alone. Three years later, Ava swishes into London with her new boyfriend, a director opening a play in London. Aliya is nervous and feels stalled in a life that used to seem full of promise. Meanwhile Ava's been at drama school and her life looks glamorous and exciting. But as the cracks start to appear in the façade, the two begin to find their fragile connection again. Will this be the year they admit their feelings for each other? Or next time? Or the time after that? What readers are saying about Sarvat Hasin: 'Heartbreaking, beautiful, epic. I loved it.' Kiran Millwood Hargrave, author of The Mercies 'Blindingly brilliant . . . I cannot wait to read everything she writes.' Daisy Johnson, author of Everything Under 'A beautiful and imaginative reinterpretation that had me spellbound.' Jennifer Saint, author of Ariadne 'A wholly original story.' Guardian

Utterly unmissable literary fiction

Strange Girls

The Last Flight meets Killing Eve in this "timely and emotional" thriller that follows two mothers racing to uncover the truth behind a horrific attack (Julie Clark, New York Times bestselling author)—even after it becomes clear that the reality will destroy one of their families. Julia Bennett has worked hard to create a stable life for her daughter, Cora, in Southern California. So when Cora leaves for college, the worst thing Julia expects on move-in day is an argument with her ex-husband and his new wife. But a sudden attack leaves the campus stunned—and only Julia’s quick actions save Cora’s life. Shaken in the aftermath, and haunted by a dark secret, Julia starts to wonder: What if the attack wasn’t as random as everyone believes? Newly pregnant Ren Petrovic has an unusual career—she’s a trained assassin, operating under a strict moral code. Ren wasn’t on campus that day, but she knows who was: her husband, Nolan. What she doesn’t know is why Nolan has broken their rules by not telling her about the job in advance. The more Ren looks into the attack, the more she begins to question: Who really hired Nolan? And why did one woman in the crowd respond so differently from all the rest? Julia and Ren each want answers, but their searches quickly pit them against each other. One woman is a hired killer, but the other is a determined survivor. And both mothers will defend their families to the bitter end. "Slick, smart, layered, and full of surprises."&nbsp;—Lisa Unger "An exciting thriller perfect for fans of Mr. and Mrs. Smith and Pieces of Her."&nbsp;—Buzzfeed "Wholly addictive."&nbsp;—May Cobb "Chavez is at the top of her game."&nbsp;—Jeneva Rose "Fresh and surprising."&nbsp;—BookPage (starred review) Named a "Summer Must-Read" by CrimeReads&nbsp;•&nbsp;Book Riot&nbsp;• BuzzFeed • Fresh Fiction&nbsp;•&nbsp;BookBub&nbsp;• Wealth of Geeks&nbsp;•&nbsp;Daily Times&nbsp;•&nbsp;Ground News&nbsp;•&nbsp;SheReads • Mercury News&nbsp;•&nbsp;East Bay Times&nbsp;•&nbsp;Boston Herald&nbsp;•&nbsp;The Orange County Register&nbsp;

Two unlikely mothers race to uncover the truth behind a horrific attack-even after it becomes clear that the truth will destroy one of their families-in this shocking thriller that is "both timely and emotional" (Julie Clark, New York Times bestselling author). "Slick, smart, layered, and full of surprises." -Lisa Unger "An exciting thriller perfect for fans of Mr. and Mrs. Smith and Pieces of Her." -Buzzfeed "Wholly addictive." -May Cobb "Chavez is at the top of her game." -Jeneva Rose "Fresh and surprising." -BookPage (starred review) Named a "Summer Must-Read" by CrimeReads Book Riot BuzzFeed Fresh Fiction BookBub Wealth of Geeks Daily Times Ground News SheReads Mercury News East Bay Times Boston Herald The Orange County Register Julia Bennett has worked hard to create a stable life for her daughter, Cora, in Southern California. So when Cora leaves for college, the worst thing Julia expects on move-in day is an argument with her ex-husband and his new wife. But a sudden attack leaves the campus stunned-and only Julia's quick actions save Cora's life. Shaken in the aftermath, and haunted by a dark secret, Julia starts to wonder: What if the attack wasn't as random as everyone believes? Newly pregnant Ren Petrovic has an unusual career-she's a trained assassin, operating under a strict moral code. Ren wasn't on campus that day, but she knows who was: her husband, Nolan. What she doesn't know is why Nolan has broken their rules by not telling her about the job in advance. The more Ren looks into the attack, the more she begins to question: Who really hired Nolan? And why did one woman in the crowd respond so differently from all the rest? Julia and Ren each want answers, but their searches quickly pit them against each other. One woman is a hired killer, but the other is a determined survivor. And both mothers will defend their families to the bitter end.

A Novel

Before She Finds Me

Great Theologians Series

Dietrich Bonhoeffer's theology emerged from the intersection of several contesting streams of the Protestant tradition: high theological liberalism, and the 'Luther renaissance' and 'dialectical theology' movements of the early decades of the 20th century. It is marked by consistent and intense engagement with the Bible read as Christian Scripture and so centred upon Jesus Christ. To appreciate Bonhoeffer's theology requires that we grasp his commitment to Christ as the self-communicative presence of the living God whose identity and agency determines not only Christian life and thought, but all of reality itself. Bonhoeffer's theology continues to influence the direction of contemporary Christian life as well as provoke serious theological reflection wherever it is engaged. Examining Bonhoeffer's theology as a whole, this book points readers to the essential concerns of Bonhoeffer's theology with an eye to the varied careers this theology has had since his death. Following an introductory discussion of his life and literary legacy, Part One considers Bonhoeffer's christology, arguing for its decisive significance to his vision of the nature and tasks of Christian theology. Part Two traverses Bonhoeffer's thought, treating in turn his ecclesiology, anthropology and ethics, and Christian politics. Exploration of each of these themes is deepened by examining the reception and impact Bonhoeffer's theology upon the intense church struggles of the last half of the 20th century, particularly those within the former East Germany, North America, and South Africa under apartheid

Dietrich Bonhoeffer's theology emerged from the intersection of several contesting streams of the Protestant tradition: high theological liberalism, and the 'Luther renaissance' and 'dialectical theology' movements of the early decades of the 20th century. It is marked by consistent and intense engagement with the Bible read as Christian Scripture and so centred upon Jesus Christ. To appreciate Bonhoeffer's theology requires that we grasp his commitment to Christ as the self-communicative presence of the living God whose identity and agency determines not only Christian life and thought, but all of reality itself.    Bonhoeffer's theology continues to influence the direction of contemporary Christian life as well as provoke serious theological reflection wherever it is engaged. Examining Bonhoeffer's theology as a whole, this book points readers to the essential concerns of Bonhoeffer's theology with an eye to the varied careers this theology has had since his death. Following an introductory discussion of his life and literary legacy, Part One considers Bonhoeffer's christology, arguing for its decisive significance to his vision of the nature and tasks of Christian theology.  Part Two traverses Bonhoeffer's thought, treating in turn his ecclesiology, anthropology and ethics, and Christian politics.  Exploration of each of these themes is deepened by examining the reception and impact Bonhoeffer's theology upon the intense church struggles of the last half of the 20th century, particularly those within the former East Germany, North America, and South Africa under apartheid

Theologian of the Word of God

Dietrich Bonhoeffer

The Dice Was Loaded From The Start

Bloomsbury Studies in Modern Architecture

The Colombian architectural firm ESUS (Esguerra, Saenz, Urdaneta y Samper) played a key role in the development of modern architecture in Colombia during the mid-20th century. Notable for their technical innovation, elaborate language and careful execution, ESUS' buildings also carry broader significance in terms of our understanding of how the international ideals of architectural modernism were adapted to local Latin American contexts. Yet until now there has existed no English-language study of their architecture and legacy. 
Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines ESUS' work from an array of perspectives including the technological, formal, material, urban, and global, showing in particular how their high-rise concrete buildings contribute to new understandings of the history of concrete architecture. 
Including previously unpublished archival documents, images, and drawings, this is an important new account in the expanding scholarly history of modernism in Latin America.

The Colombian architectural firm ESUS (Esguerra, Saenz, Urdaneta y Samper) played a key role in the development of modern architecture in Colombia during the mid-20th century. Notable for their technical innovation, elaborate language and careful execution, ESUS’ buildings also carry broader significance in terms of our understanding of how the international ideals of architectural modernism were adapted to local Latin American contexts. Yet until now there has existed no English-language study of their architecture and legacy. 
Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines ESUS’ work from an array of perspectives including the technological, formal, material, urban, and global, showing in particular how their high-rise concrete buildings contribute to new understandings of the history of concrete architecture. 
Including previously unpublished archival documents, images, and drawings, this is an important new account in the expanding scholarly history of modernism in Latin America.

Architectural Ideals in Modern Colombia

Esguerra Sáenz Urdaneta Samper

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa’s foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition – including his adoption of izibongo, Zulu praise poetry – and the role of the artist as a chronicler of his people’s history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene’s profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art – in this 21st-century moment of climate crisis – as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

Holiday Junction is a collection of shorts that are timeless as most memories are. The tales are also as fleeting as a weekend or a vacation. Whether recalling a reunion with an old friend or following along with a first date, the scenes in this anthology reveal the sensitive moments people share when their time is spent together.

Holiday Junction

The Ballad And The Source

A complete history of the sex lives of all the men who became President of the United states. Here are their biographies told through their relationships, perceived and real. There was a president who behaved like Harvey Weinstein; there was the exhibitionist president; two presidents who regarded the White-House typing pool as their private escort service; the president who gave drugs (including amyl nitrate) to secretaries; many presidents who visited prostitutes; presidents besotted with very young women; and let's not forget the story of one recent president who got drunk and danced naked. This book will change the reader's view of the role of President of the United States forever.

An utterly embarrassing sex history of the 44 men who became POTUS, from Donald Trump to George Washington and including Joe Biden as Obama's VP.

A Sex History of the White House

All the Presidents' Women

The Departed

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