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Katherine Senior: The Darling Buds of
May - A Comedy

The Darling Buds of May - A Comedy

NHB Modern Plays

A perceptive, poignant and witty play about sisterhood and grief. Premiered at Hampstead Theatre, London, in 2025.

Personal Values

Methuen Drama Play Collections

Eleven plays that respond to the aftermath of the American-led invasion, providing a window into Iraq's cultural and theatrical landscape during a time of profound change.

Eleven plays that respond to the aftermath of the American-led invasion, providing a window into Iraq's cultural and theatrical landscape during a time of profound change.

Volume II

Contemporary Plays from Iraq

Student Editions

This Student Edition of Shelagh Delaney's 1958 plays offers a contemporary lens on the play and its then-radical exploration of themes including class, race, gender and homosexuality.

This Student Edition of Shelagh Delaney's 1958 plays offers a contemporary lens on the play and its then-radical exploration of themes including class, race, gender and homosexuality.

A Taste of Honey

Modern Classics

Sex, cake and the quest to be the 'perfect' housewife; Laura Wade explores the idealisation of gender norms in this incisive play, republished in Methuen Drama's Modern Classics series.

Home, I'm Darling

An updated and revised edition of James Graham's Olivier Award-winning play about the England football team.

2025 Edition

Dear England

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

In the 1790s, the music of Gothic novels and plays was celebratory, calming rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort, and unease. This Element shows Melodrama brings about this change which had long-lasting effects on the music of the Gothic in fiction and poetry, on the stage and the screen.

The Music of the Gothic 1789–1820

Indigenous Spaces

The Methuen Drama Anthology of Native American Plays

Norton Critical Editions

This Norton Critical Edition includes:
<ul>
<li>The First Folio (1623) text of Macbeth, with updated and expanded footnotes and introductory materials by Robert S. Miola.</li>
<li>Illustrations from a wide range of adaptations, including modern stage and film productions.</li>
<li>"The Actors' Gallery," collecting reflections from actors and actresses about their roles in major productions of Macbeth from the eighteenth to twenty-first centuries.</li>
<li>Sources and contexts highlighting early texts that influenced Shakespeare and that range in topics from witchcraft to regicide, with a brand-new category on the union of Scotland and England.</li>
<li>Nine selections-four new to the Third Edition-of literary and theatrical criticism.</li>
<li>A revised "Afterlives" section, featuring four examples of how Macbeth continues to be reimagined beyond the Folio.</li>
<li>An annotated list of online and print resources.</li>
</ul>

A Norton Critical Edition

Macbeth

"There is great imagination and intrigue here, and it is eminently entertaining." - The GuardianBackdropped by the bleak English moors, two sisters (and their dog) live a dreary existence, as they dream of forbidden love and power. So, when a hapless governess and a moor-hen arrive at their manor house, the two see a chance to claim what they've always wanted... no matter how destructive. A loving pastiche of the gothic genre, Jen Silverman echoes and channels the Brontë sisters in this irreverent celebration, that is equal parts brutal, lusty, and deranged. A macabre, queer thriller, The Moors is published in Methuen Drama's Modern Classics series, featuring a new introduction by Christine Scarfuto.

The Moors

Placeness and the Performative Production of Space

A fresh interpretation of George Orwell's classic story of&nbsp;rebellion and treachery, first performed by the National Youth Theatre of Great Britain.

Animal Farm

The Darling Buds of May - A Comedy

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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