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Phillips Barnaby: The African Kingdom of
Gold

The African Kingdom of Gold

Britain and the Asante Treasure

The Lamar Series in Western History

How a generation of pioneers and their historians knowingly hid the violent history of Indigenous dispossession in the Pacific Northwest &nbsp; The small, mostly forgotten wars of the 1850s in the American Pacific Northwest were part of a broader genocidal war—the War on Illahee—to seize Native land for Euro-Americans. Illahee (a term for “homeland” in Chinook) was turned into the states of Oregon and Washington through the violence of invading soldiers, settlers, and serial killers. Clashes over the brutality of invasion—should it be celebrated, isolated, or erased?—left behind accidental archives of atrocity, as history writers disagreed over which stories they should tell and which stories they could sell. By the 1920s, the War on Illahee had been disappeared. &nbsp; Drawing on records from the perpetrators themselves, the papers of historians, and previously suppressed evidence from Indigenous survivors, Marc James Carpenter has written both a new history of pioneer atrocities within and beyond the wars on Native people in the American Pacific Northwest, and a new history of how these wars were remembered, commemorated, and forgotten. The overlapping distortions have embedded inaccuracies in our histories and textbooks all the way to the present. Beyond reshaping the history of the Pacific Northwest, this searing book opens broader conversations about settler colonialism, historical memory, problematic monuments, and the historical profession.

Genocide, Complicity, and Cover-Ups in the Pioneer Northwest

The War on Illahee

African Governance, Development, and Leadership

Election Administration and Reforms in Nigeria's Fourth Republic

From Cleopatra to Elizabeth II, this is an epic new history of royal women from the celebrated historian and author Kate Williams

From Cleopatra to Elizabeth II, this is an epic new history of royal women from the celebrated historian and author Kate Williams

A New History of Royal Women

Red Queens

Studies in Imperialism

Architecture and Imperialism in the British Isles, 1550-1950

Inner Empire

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

¿You are cordially invited to a most enchantingLondon Season...¿

You are cordially invited to a most enchanting London Season…

How To Charm A Viscount

Empire’s Other Histories

This book considers histories of home from the margins, highlighting the perspectives of displaced, colonised, and disenfranchised groups in imperial and settler colonial contexts.

This book considers histories of home from the margins, highlighting the perspectives of displaced, colonised, and disenfranchised groups in imperial and settler colonial contexts.

Colonized and Indigenous Peoples’ Imaginaries of Home

Dwelling on the Margins of Empire

Based on thousands of never-before translated letters and unpublished sources, Jackie Wullschläger's enthralling biography is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. Deeply moving, it immerses us in that passionate experience, transforming our understanding of the man, his art and the fullness of his achievement.

In the course of a long and exceptionally creative life, Claude Monet revolutionized painting and made some of the most iconic images in western art. Yet behind this great and famous artist is a volatile, voracious, nervous yet reckless man, largely unknown. Jackie Wullschläger's enthralling biography, based on thousands of never-before translated letters and unpublished sources, is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. He was as obsessional in his love affairs as in his love of nature, and changed his art decisively three times when the woman at the centre of his life changed. His work also responded intensely to outside cataclysms - the Dreyfus Affair, the First World War. Prime Minister Georges Clemenceau was his closest friend. Rich intellectual currents connected him to writers from Zola to Proust; affection and rivalry to Renoir, Pissarro and Manet. Monet said he was driven 'wild with the need to put down what I experience'. This rich and moving biography immerses us in that passionate experience, transforming our understanding of the man, his paintings and the fullness of his achievement.

The Restless Vision

Monet

Responses to Disaster in the British Caribbean, 1812-1907

Negotiating Relief and Freedom

Empire, Religion and Emotion

Protestant Missionary Children's Lives, C.1870-1950

The Common Writer in Modern History

Taking the period from the collapse of the Ottoman Empire and the establishment of the Turkish Republic in 1923 to the present day, this book examines Turkey's political trajectory, its economic developments and downturns and its positioning in the international arena. Breaking away from the Cold War paradigm and its focus on military coups and international security as well as approaches to Turkey which over emphasise the Ottoman past, this book also engages with cultural and social aspects of the period. Following a clear chronology, the book charts the rise of the Turkish nation-state, Turkey in the Second World War, the beginning of multi-party politics, the political plurality of the 1960s, the upheavals of the 1970s, the neo-liberal politics of the 1980s, the crumbling of the 1990s and the religious politics and presidentialism of the 2000s. Each period is divided into three sections and each chapter is accompanied by boxes inserted into the text which provide more extensive information on one particular aspect, such as cinema, political satire and social media. The book takes readers through the period providing both a clear chronological structure and an understanding of each period both from the perspective of its political and economic development and its cultural and social concerns.

A History from 1918 to the Present

The Republic of Turkey

The African Kingdom of Gold

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