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A Roman force undertakes a dangerous expedition to find the source of the River Nile in this historical adventure from acclaimed author Simon Turney.

Turney S: Terra Incognita

Terra Incognita

A Far-flung Life

Virago Modern Classics

Julius

Every Lifetime After

The Soulbound Saga

The Tainted Khan

The Regicide Report

The Peak

They Can't Burn Us All

The beautifully rendered fiction debut in the U.S. of preeminent WWII historian James Holland offers a unique angle on the conflict, chronicling the impact of the war on one British family and their small village The village of Alvesdon has been home to the Castells for generations. But the year is 1939, and peace and tranquility are about to be shattered once more by the storm clouds of war in Europe. As three generations of the family gather, they must face the prospect of their lives being transformed beyond recognition. When Britain declares war on Germany, the younger members of the family and farm workers are called up to fight. Those who remain must battle to keep the home fires burning and the farm afloat. The gentle certainties of rural life are replaced by the urgent clamor of war in the air, at sea, and on land, where events unfold with dizzying rapidity and unexpected consequences. Stretching from the glorious summer of 1939 to the Battle of Britain the following year, and with his unparalleled insight and storytelling about World War II, acclaimed historian James Holland's novel paints a compelling and immersive portrait of a family and a community whose way of life will be forever transformed by the horrors of war.

Alvesdon

An epic fantasy infused with the mythology of West Africa

A Testimony of Blood

Empire series

Empire XV: Field of Blood

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city’s spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini’s creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942. Mussolini was eager to reveal the ruins of the past to emphasize the ways in which Fascist Italy was a visible improvement on Imperial Rome, and how antiquity relied on modern policies for its very survival. Towards these ends, the Fascist regime was a great supporter of archaeological scholarship and many prominent archaeologists wrote analyses of Roman monuments in genuine support of Fascist principles. The construction of Fascist doctrine and aesthetics developed hand-in-hand with the rise of modern Roman archaeology. This volume seeks to excavate the cultural layer that Fascist ideology placed upon contemporary archaeology, and to understand the ways in which this context continues both to obscure and enlighten our vision of Roman antiquity.

Roman Archaeology Under Italian Fascism

Now I Surrender

Terra Incognita

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