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Smith A: Television Goes Back to the
Future

Television Goes Back to the Future

Rethinking TV’s Streaming Revolution

Witchcraft in Movies, Television, and Popular Culture

Something Wicked

The Age of Liberal Revolution on Screen

The Filmmaker as Historian

Here for All the Reasons is a collection of personal essays that explore the many reasons why The Bachelor franchise lives rent free in Bachelor Nation's hearts and minds.

#BachelorNation on Why We Watch

Here For All the Reasons

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Global East Asian Screen Cultures

Power, Precarity and Working Cultures

Producing Chinese Reality Television

The Underdog TV Show That Lit'rally Inspired a Vision for a Better America

Parks and Rec

Doctor Who Target Jan 2

Roman

Liebe in Zeiten des Nervenzusammenbruchs

Doctor Who Target Jan 1

The Persistence of Television examines more than 60 years of television to identify the elements that have entertained and informed viewers from the beginning of mass broadcasting to the present day, proposing that most television viewing is rooted in traditional programming that is still largely received in conventional ways. 
The book includes the discussion of popular shows such as Doctor Who, Twin Peaks, Who Wants to be a Millionaire and David Attenborough's nature documentaries. On-screen faces, programmes and genres drawn from British, American and Australian television services are examined to demonstrate how continuity persists in the face of change. There's no denying the excitement or the value of the new, but the authors of this book argue that it runs in tandem with enduring aspects of the already existing.

The Persistence of Television examines more than 60 years of television to identify the elements that have entertained and informed viewers from the beginning of mass broadcasting to the present day, proposing that most television viewing is rooted in traditional programming that is still largely received in conventional ways. 
The book includes the discussion of popular shows such as Doctor Who, Twin Peaks, Who Wants to be a Millionaire and David Attenborough’s nature documentaries. On-screen faces, programmes and genres drawn from British, American and Australian television services are examined to demonstrate how continuity persists in the face of change. There's no denying the excitement or the value of the new, but the authors of this book argue that it runs in tandem with enduring aspects of the already existing.

People, Programmes and Practices that Endure

The Persistence of Television

Lebe deinen Traum und werde, wer du bistLeonie Maßmann berichtet über ihre abenteuerliche Weltreise auf einem kleinen Segelboot. Und davon, was es heißt, seinen Traum zu leben – mit allen Höhen und Tiefen. Denn unterwegs hat sie gelernt: ihrer Intuition zu folgen, Zweifel hinter sich zu lassen, Entscheidungen zu treffen, durchzuhalten, sich nicht entmutigen zu lassen, über sich hinauszuwachsen, Toleranz aufzubringen, ihre Komfortzone zu verlassen, spontan zu sein, Stillstand auszuhalten, die Perspektive zu wechseln, mit Extremsituationen und Angst umzugehen und, was Zusammenhalt bedeutet. Denn am Ende wird ihr Traum nicht nur wahr, er hilft ihr auch zu erkennen, wer sie ist.

Wie ich um die Welt segle und Antworten finde | Der SPIEGEL-Bestseller von @bluehorizon_exploration

Ein Ozean voll Fragen

Television Goes Back to the Future

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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