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Easterling P. E.: Studies in Greek
Literature: Volume 1, Greek Tragedy

Studies in Greek Literature: Volume 1, Greek Tragedy

A Journey of Darkness and Light Through Britain’s Ancient Places

Stone Lands

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. The significance of metafiction to this field is very great—arguably even more so than within modern literature studies, despite the greater prevalence of metafictions in later texts—because it necessarily implies that a text is fictional, and that its author was aware of it as such. Some have argued that the ancients had no clear concept of ‘fiction’, nor the literary-critical tools to think about and analyse it. While some other scholars have recently begun to refer to metafiction in studies devoted to individual literary texts, no general study exists of the use of metafiction in ancient literature and the implications of this for our understanding of fiction in antiquity.This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an ‘archaeology’ of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

Classical Diaspora

"Pâeter Hajdu examines the cultivation of the Classics as an intellectual framework and crucial ingredient of the western aspect of Hungarian national identity. This book approaches the relationship of modern Hungarian culture to classical heritage from the various viewpoints of identity politics, education, translation history, scholarship, and its impact on literature. When the Hungarian nation-building project developed ideas of national identity, it necessarily incorporated the historical narrative according to which the Hungarians arrived at their current homeland in the Middle Ages, and only later did it adopt European culture. The duplicity of a mostly imagined Asian, pagan, barbaric or nomadic culture, and a Western, Christian, civilized identity, deeply rooted in European culture, has played and continues to play a role in the Hungarian discourse"--

Modern Hungarian Culture and the Classics

Leadership in Xenophon’s Anabasis

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

<div>Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.</div>

Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.

A Visual History

Ancient World

Routledge Classical Translations

Translation with Explanatory Essays

Musonius Rufus and his Contexts

A story of lying miracles, wonder and ways of the imagination.

The One and Only Tree

Cities of the Ancient World

From Enkomi to Famagusta

Salamis

Studies in Roman Space and Urbanism

This is the first volume to bring together the fields of ancient religions, sensory studies and movement studies, with the objective of introducing sensory studies as a methodological approach to religion. The volume's main theme is human movement through physical space as it pertains to religious experience in the ancient world. Each chapter discusses a more specific treatment of this theme, such as pilgrimage towards a sacred place or some physicalised aspect of ancient religious ritual.

This is the first volume to bring together the fields of ancient religions, sensory studies and movement studies, with the objective of introducing sensory studies as a methodological approach to religion. The volume’s main theme is human movement through physical space as it pertains to religious experience in the ancient world. Each chapter discusses a more specific treatment of this theme, such as pilgrimage towards a sacred place or some physicalised aspect of ancient ritual such as the aural and olfactory environment of festivals, funerals and weddings, or the relationship between Roman city walls and religious movement.Offering a substantial and innovative contribution to the burgeoning fields of sensory and spatial experience in the ancient world this volume will encourage further dialogue between otherwise disparate fields of research.

Movement, Sensory Spaces, and Religious Experience in Roman Antiquity

Griechische Dramen

Die neue Reihe Griechische Dramen erschließt die großen Tragödien und Komödien des klassischen Athen in neuen, textnahen Prosaübersetzungen mit eingehender sprachlicher und sachlicher Kommentierung. Ungewöhnlich ist die gewählte Form der Präsentation, die es erlaubt, Text und Erläuterungen ohne Umblättern mit einem Blick zu erfassen: Dem griechischen Text und seiner deutschen Übersetzung auf der linken Buchseite stehen auf der rechten Buchseite die Anmerkungen zu eben dieser Textpassage gegenüber. Diese Anmerkungen enthalten detaillierte Sacherklärungen, Überlegungen zu Struktur und Gedankengang, Stoffgeschichte, dramatischer Technik und szenischer Realisierung sowie Interpretationshinweise. Eine Einleitung bietet darüber hinaus die wichtigsten Angaben zu Autor, Stoff und Aufführungszeit und gibt Orientierung zu Dramaturgie und Gesamtinterpretation des Dramas. Ein unverzichtbares Hilfsmittel für Dozenten und Studierende der Klassischen Philologie ebenso wie für Vertreter der Germanistik und Neuphilologien, Komparatistik, Theaterwissenschaft und Theaterpraxis.

Plutos

Gods and Heroes of the Ancient World

Theseus

Studies in Greek Literature: Volume 1, Greek Tragedy

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