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Shokuryou Jinrui Re: Starving Re:velation

Inabe K: Starving Anonymous Re:velation
05

Starving Anonymous Re:velation 05

Manga has taken the world by storm. A richly diverse medium, the Japanese comics phenomenon has something for everyone-fantasy, horror, thrillers, romance, history, biography, sport, business, and even school textbooks. Manga A Visual History chronicles the evolution of manga from its samurai-era beginnings, through its post-WWII surge in popularity, to its meteoric rise overseas. The book explores the key writers and artists who have shaped an entire culture with their visions and stylings, the iconic characters now recognised worldwide, and manga's impact on anime and live-action film and TV. From classic favourites to lesser-known gems, Manga A Visual History is the definitive guide to Japanese comics. Featuring incisive insights from preeminent manga experts, this lavishly illustrated coffee-table compendium is a must for diehard otaku as well as the growing ranks of manga converts, who will treasure it for years to come.

Manga has taken the world by storm. A richly diverse medium, the Japanese comics phenomenon has something for everyone—fantasy, horror, thrillers, romance, history, biography, sport, business, and even school textbooks. Manga A Visual History chronicles the evolution of manga from its samurai-era beginnings, through its post-WWII surge in popularity, to its meteoric rise overseas. The book explores the key writers and artists who have shaped an entire culture with their visions and stylings, the iconic characters now recognised worldwide, and manga’s impact on anime and live-action film and TV. From classic favourites to lesser-known gems, Manga A Visual History is the definitive guide to Japanese comics. Featuring incisive insights from preeminent manga experts, this lavishly illustrated coffee-table compendium is a must for diehard otaku as well as the growing ranks of manga converts, who will treasure it for years to come.

Manga A Visual History

The Japanese Way of Whisky

Roman

Dancing Queen

Beiträge zur Altertumskunde

Das Schreckliche, Grausige und Eklige ist in Lucans Bellum civile konstitutiver Teil eines epischen Konzepts, das den Bereich zwischen Leben und Tod als breite "Todeszone" inszeniert. Als Leitmotive fungieren die Destruktion des menschlichen Körpers, epischer Bauformen und tradierter Werte, aber auch die situative Entgrenzung zwischen Ober- und Unterwelt, Leben und Tod, Mythos und Historie, durch die die epische Weltordnung unterwandert wird.

Das Schreckliche, Grausige und Eklige ist in Lucans Bellum civile konstitutiver Teil eines epischen Konzepts, das den Bereich zwischen Leben und Tod als breite „Todeszone“ inszeniert. Als Leitmotive fungieren die Destruktion des menschlichen Körpers, epischer Bauformen und tradierter Werte, aber auch die situative Entgrenzung zwischen Ober- und Unterwelt, Leben und Tod, Mythos und Historie, durch die die epische Weltordnung unterwandert wird.

Darstellung und Funktion des Schrecklichen, Grausigen und Ekligen in Lucans ›Bellum Civile‹

In der Todeszone

Humorvoller Wochenkalender 2026 mit niedlichen Tieren gegen StressStress im Alltag? Nicht mit Igel Ingo, Giraffe Irma und Esel Erwin! Denn dank Comedy-Autor Paulus Vennebusch kommen sie nun zu Wort und liefern dir 53 wunderbare Anregungen, den Alltag gelassen zu nehmen. Mit viel Witz regen sie dazu an, das Wochenende zu feiern, Lach-Yoga zu machen und auch sonst immer an deine Pausen zu denken, um wieder Kraft zu tanken. Und das geht dank der niedlichen Fotos ganz leicht, denn es ist wissenschaftlich bestätigt: Fotos von niedlichen Tieren tragen dazu bei, Stress zu reduzieren. Schon ein Blick auf diesen Kalender ermöglicht dir also ein wenig mehr Gelassenheit im Alltag. Dank seiner praktischen Größe lässt sich der Aufstellkalender zudem beliebig platzieren - ganz egal ob im Büro, auf dem Heim-Schreibtisch oder deinem Flurregal.&nbsp;Ein echter Blickfang im Büro oder zu Hause 
Durch die praktische Spiralbindung steht der Aufstellkalender stabil auf jedem Untergrund und die Wochenblätter lassen sich ganz einfach umblättern. Auf der Rückseite jedes Kalenderblatts findest du Platz für kleine Notizen. So kannst du die Kalenderblätter nach Ablauf der Woche auch mit kleinen Botschaften an Freunde und Familie weitergeben und ihnen eine kleine Freude machen.<ul><li>Wochenkalender zum Aufstellen für alle Fans von niedlichen Tieren (Maße: 13,5 x 14,0 cm)</li><li>Mit humorvollen Sprüchen von Comedy-Autor Paulus Vennebusch</li><li>1 Blatt pro Woche mit übersichtlichem Kalendarium und Notizfunktion auf der Rückseite</li><li>Mit stabiler Spiralbindung für einfaches Umblättern</li></ul>Mach dir selbst oder deinen Liebsten eine Freude mit diesem niedlichen Aufsteller und lasst euch von den gechillten Tieren durch das Jahr 2026 begleiten.

Tischkalender zum Aufstellen mit Wochenkalendarium für Büro oder den Schreibtisch

Mini-Wochenkalender 2026: Tierisch gechillt!

Picador Collection

Across the Nightingale Floor

And Then I Know Love

In einer Beziehung mit dem Chef...!
 
 Shogo
 arbeitet in einer 
 Patisserie
 und ist bis über beide Ohren in seinen 
 Chef
 , den 
 Meisterpatissier Akira
 , verliebt, einen feinfühligen, gelassenen und immer aufmerksamen Mann. Die beiden werden ein
 Paar 
 und wohnen schließlich sogar zusammen. Im Laufe ihrer 
 gemeinsamen Momente
 und Unternehmungen lernen sie immer wieder 
 neue Seiten
 am anderen kennen, die dafür sorgen, dass sie einander 
 umso mehr lieben
 .
 
 Weitere Informationen:
 <ul>
 <li>Spice-Level: 2 von 4 Flammen. In diesem Boys-Love-Titel stehen die Gefühle im Mittelpunkt. Mit einzelnen expliziten Szenen.</li>
 </ul>
 
 Eine weitere gelungene Fortsetzung der süßen Boys-Love-Story aus der Feder von Honoji Tokita!

In einer Beziehung mit dem Chef...!Shogo
 arbeitet in einer 
 Patisserie
 und ist bis über beide Ohren in seinen 
 Chef
 , den 
 Meisterpatissier Akira
 , verliebt, einen feinfühligen, gelassenen und immer aufmerksamen Mann. Die beiden werden ein
 Paar 
 und wohnen schließlich sogar zusammen. Im Laufe ihrer 
 gemeinsamen Momente
 und Unternehmungen lernen sie immer wieder 
 neue Seiten
 am anderen kennen, die dafür sorgen, dass sie einander 
 umso mehr lieben
 .
 <ul><li>Spice-Level: 2 von 4 Flammen. In diesem Boys-Love-Titel stehen die Gefühle im Mittelpunkt. Mit einzelnen expliziten Szenen.</li></ul> Eine weitere gelungene Fortsetzung der süßen Boys-Love-Story aus der Feder von Honoji Tokita!

And Then I Know Love 5

"Sweeping in scope, Antifascism and the Avant-Garde is a major contribution to both film studies and fascism studies. Julia Alekseyeva is singularly positioned to undertake a comparative study that moves with ease between decolonizing France, postimperial Japan, and the Soviet Union. Her insightful analysis reveals how filmmakers of the antifascist avant-garde undertook formal experiments and created affective atmospheres that subverted the positivism and rationality of traditional documentary, grounding their work in an understanding of the relationship between aesthetics and politics, between perception and antifascist consciousness."--Jackie Wang, author of Carceral Capitalism "As the clouds of right-wing populism gather on the horizon of late capitalism, Alekseyeva's brilliant and accessible study of experimental documentary filmmaking deftly argues for the value of art that celebrates ambiguity and uncertainty while simultaneously nurturing the militant optimism necessary to carry on the fight for justice."--Kristen R. Ghodsee, author of Everyday Utopia: What 2,000 Years of Bold Experiments Can Teach Us about the Good Life "Antifascism and the Avant-Garde explores the important and timely question of antifascist aesthetics--how antifascism can look and how it can operate. From a deep grounding in French and Japanese documentary film of the 1960s, Alekseyeva weaves a fascinating picture of echoes, resonances, and conflicts among filmmakers concerned with the use of cinema to counter fascism."--Jennifer Coates, author of Film Viewing in Postwar Japan, 1945-1968: An Ethnographic Study "A tour de force of genuinely global film studies. Alekseyeva maps out a fascinating net of site-specific but deeply interconnected cinematic quests for radical media literacy that spans the Soviet Union, Japan, and France--quests that only gain more burning significance in our current media situation. Astonishing in its breadth, and essential reading for anyone truly invested in global film dynamics."--Alexander Zahlten, author of The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies "With an extraordinary depth of expertise in French, Japanese, and Russian film, theory, and history, a political commitment to an internationalist approach and revolutionary phenomenology, and the curious eye and heart of a close reader of Marxist culture and avant-garde documentary, Alekseyeva introduces us to the critical tradition of antifascist documentary. Here we learn of a range of films and theories, all aligning the political and the psychological, pain and liveliness, pleasure and discomfort, subjectivity and objectivity. Alekseyeva compellingly argues that their shared antifascist aesthetic forefronts epistemological inquiry. While rooted in films from the 1960s, she demonstrates how this approach is and must be part of an ongoing and responsive project against power, one that teaches us how to see--a radical media literacy for radicals! In this critical contribution to documentary studies most broadly, Alekseyeva establishes how this tradition of engaged documentary contributes to a daily and human antifascist project, abetted by cinema: one of passion, critique, ambiguity, complicity, and disruption."--Alexandra Juhasz, producer of The Watermelon Woman and coauthor of We Are Having This Conversation Now: The Times of AIDS Cultural Production

Radical Documentary in the 1960s

Antifascism and the Avant-Garde

Rei, Kiki and Ai are three sisters whose lives have taken them on very different paths. They have lost both parents, one way or another, and each found their own ways of carrying on. Eldest daughter Rei is spiky and sensible, distracting herself with an all-consuming job at a financial corporation in London. Big-hearted Kiki is a single mother in Tokyo, juggling the demands of her young son and the cantankerous elderly residents of the care home she works in. And Ai, the free-spirited youngest, is a Japanese pop idol who has found fame and fortune but lost herself along the way. When Ai is embroiled in a scandal and suddenly thrust into the spotlight, Rei must pick up the pieces of her family once more. Reunited for the summer in their childhood home on the Japanese coast, the sisters are forced to confront the legacy of their mother's death, the stories they have told themselves ever since and the question of how they want to live. A transporting, funny and moving novel about love and loss, this new novel from the author of Fault Lines confirms Emily Itami as a talent to watch.

Rei, Kiki and Ai are three sisters whose lives have taken them on very different paths. They have lost both parents, one way or another, and each found their own ways of carrying on. Eldest daughter Rei is spiky and sensible, distracting herself with an all-consuming job at a financial corporation in London. Big-hearted Kiki is a single mother in Tokyo, juggling the demands of her young son and the cantankerous elderly residents of the care home she works in. And Ai, the free-spirited youngest, is a Japanese pop idol who has found fame and fortune but lost herself along the way. When Ai is embroiled in a scandal and suddenly thrust into the spotlight, Rei must pick up the pieces of her family once more. Reunited for the summer in their childhood home on the Japanese coast, the sisters are forced to confront the legacy of their mother's death, the stories they have told themselves ever since and the question of how they want to live. A transporting, funny and moving novel about love and loss, this new novel from the author of Fault Lines confirms Emily Itami as a talent to watch.

Kakigori Summer

A pioneering look at an immensely creative period in Japanese art that developed amid the Cold War. Alicia Volk brings to light a significant body of postwar Japanese art, exploring how it accommodated and resisted the workings of the American empire during the early Cold War. Volk's groundbreaking account presents the points of view of Japanese artists and their audiences under American occupation and amid the ruins of war. Each chapter reveals how artists embraced new roles for art in the public sphere--at times by enacting radical critiques of established institutions, values, and practices--and situates a range of compelling art objects in their intersecting artistic and political worlds. Centering on the diverse and divisive terrain of Japanese art between 1945 and 1952, In the Shadow of Empire creates a fluid map of relationality that brings multiple Cold War spheres into dialogue, stretching beyond US-occupied Japan to art from China, Europe, the Soviet Union, and the United States, and demonstrates the rich potential of this transnational site of artmaking for rethinking the history of Japanese and global postwar art.

Art in Occupied Japan

In the Shadow of Empire

'Enemy cities were pulverized or fried to a crisp. It was something they asked for and something they got.'In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died in a final outburst of violence from the air. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final, terrible flourish to try to end the war. What place the firebombing and atomic bombs have in explaining Japan's surrender has remained a hot area of debate ever since. Richard Overy's remarkable new book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation 'bombing equals surrender' is no longer viable. This book explores the way in which the willingness to kill civilians and destroy cities became normalized in the course of a horrific war as moral concerns were blunted and scientists, airmen, and politicians endorsed a strategy of mass destruction they would never have endorsed before the war began, But it also engages with the new scholarship that shows how complex the effort to end the war was in Japan, where 'surrender' was entirely foreign to Japanese culture. This book puts together firebombing, atomic bombing, and the Japanese search for an end to the war into a single, striking narrative.

‘Enemy cities were pulverized or fried to a crisp. It was something they asked for and something they got.’ In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died in a final outburst of violence from the air. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final, terrible flourish to try to end the war. What place the firebombing and atomic bombs have in explaining Japan’s surrender has remained a hot area of debate ever since. Richard Overy’s remarkable new book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation ‘bombing equals surrender’ is no longer viable. This book explores the way in which the willingness to kill civilians and destroy cities became normalized in the course of a horrific war as moral concerns were blunted and scientists, airmen, and politicians endorsed a strategy of mass destruction they would never have endorsed before the war began, But it also engages with the new scholarship that shows how complex the effort to end the war was in Japan, where ‘surrender’ was entirely foreign to Japanese culture. This book puts together firebombing, atomic bombing, and the Japanese search for an end to the war into a single, striking narrative.

Tokyo, Hiroshima and the Surrender of Japan

Rain of Ruin

Campaign

A detailed examination of one of the crucial campaigns of World War II in Burma, in which British and Commonwealth forces achieved their first decisive victory over Japanese arms.

A detailed examination of one of the crucial campaigns of World War II in Burma, in which British and Commonwealth forces achieved their first decisive victory over Japanese arms.

The hard-fought Second Arakan campaign was a second attempt by Allied arms to advance in the coastal Arakan region in western Burma, following a failed first effort in early 1943. The battles fought shattered the myth of Japanese invincibility that had for over two years crippled the Allied cause, and for the first time offered the prospect of successful offensive operations against the Japanese in Burma.

Military historian Tim Moreman examines the wide range of actions that made up the Second Arakan campaign, from XV Indian Corps' initial push down the Burmese coast towards Akyab Island, to the key events of the major Japanese Ha-Go operation launched by Twenty-Eighth Army. These include the Battle of the Admin Box near Sinweyza, where the surrounded 7th Indian Division inflicted a serious defeat on the Japanese 55th Division; the reinforcement of Imphal and Kohima; and the seizure of Razabil, the Tunnels and Point 551 between March and May 1944. 

Packed with maps, diagrams, battlescene artworks and photographs that guide the reader through this complex campaign in easy to follow detail, this work provides a must-have illustrated companion to this decisive victory for British and Commonwealth arms over the Imperial Japanese Army.

Shattering the Myth of Japanese Invincibility in Burma

Second Arakan 1943–44

Starving Anonymous Re:velation 05

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