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A vibrant presentation of Stanley Tigerman’s imaginative architectural drawings and working methods

A vibrant presentation of Stanley Tigerman’s imaginative architectural drawings and working methods

Stanley Tigerman

Drawing on the Ineffable

Japanese Architects in a Global World

Beyond Japan

DK History Changers

Explore the world's most fascinating historical and contemporary buildings, from ancient pyramids to hi-tech skyscrapers, in this essential guide to architecture. Buildings that Changed History gives you an overview of the history of architecture from the ancient world to the present day. It takes you on guided tours of more than 50 masterpieces of every architectural style, from the Great Pyramid of Giza to Chartres Cathedral, Sydney Opera House, and the Guggenheim Museum in Bilbao. Each building is analysed visually. CGI cutaway artworks peel away roofs and walls to reveal the bones of the building, and close-up photographs home in on details of style. Buildings that Changed History takes a truly global look at both historical and contemporary architecture. It shows you how to "read" buildings and work out when they were constructed. What is the difference between a Doric and an Ionic column? How does a flying buttress work? Why do concrete balconies appear to float in thin air? You will find the answers here, along with a wealth of intriguing stories about the patrons, builders, and architects who made each architectural masterpiece possible. Reading Buildings that Changed History is like being taken on a personal tour by a guide who shows you exactly what to look at.

Buildings that Changed History

Learning to draw needn't be complicated or expensive, nor does one need a particularly spectacular subject to draw. In this, his first practical art book, artist Matthew Rice encourages readers to look at and draw the scenes around them - the desk they are sitting at, the view out the window, a bowl of produce from the supermarket. And it is by truly sitting with and engaging with our everyday world that drawing skills can be learnt and strengthened, confidence built, and a new mindful creative activity developed. A bowl of radishes can be a starting point when thinking about shading and form. The view from your kitchen window becomes an exercise in perspective and measuring lines. A bunch of flowers in a vase is the perfect subject to develop your skills in detailed drawing and three-dimensional structure. Little by little, by following the twelve step-by-step exercises in the book, readers will build the skills and techniques to approach drawing any scene with confidence and ease. "To know how to draw, you need to think about how to look, because to draw is to look and report in on what you have seen. As we learn to draw better we also learn to understand better: to analyze, explore and comprehend our world and its inhabitants. The exercise is more than an expression of a desire to decorate, to kill time or amuse. It is in fact a vital and near universal mode of communication that allows us to speak to those with whom we share no other common language." - Matthew Rice

How to Look and How to Draw

Architecture of Wales

Sir Percy Thomas was the most important twentieth-century architect in Wales, renowned for interwar civic buildings such as Swansea Guildhall and the Temple of Peace in Cardiff. His architectural practice, Sir Percy Thomas &amp; Son, designed much of the post-1945 welfare state and industry in Wales and beyond. In the late twentieth century, the Percy Thomas Partnership specialised in complex healthcare, industrial and public buildings, becoming an international practice. This comprehensive, meticulously-researched history examines the architecture of Percy Thomas in depth for the first time, and explores its wider social and political significance. Arguing that the practice sustained an ethical approach to architecture as a 'national service' for the benefit of society, this book gives new insights into the role of the architect and the changing relationships between the built environment and the state throughout the century. Its unique perspective from Wales promises to reshape our understanding of modern architecture.

Modern Architecture as a National Service

Percy Thomas

This book investigates authenticity, an important but controversial cultural concept, and its relevance for urban socio-spatial processes. Defining authenticity as an evaluative relationship with an origin, it unpacks a range of origins from a critical, non-essentialist perspective: self, author, substance, event, time, place, and society.

A Critical Inquiry

Authenticity and Urbanism

Un regard captivant sur l'âme culturelle de la Côte d'Azur à travers son architecture et les histoires ancrées dans ses intérieurs.

Un regard captivant sur l'âme culturelle de la Côte d'Azur à travers son architecture et les histoires ancrées dans ses intérieurs.
Cote d'Azur Design explore la Côte d'Azur à travers son architecture et ses intérieurs. Ce livre présente une sélection d'espaces distinctifs, allant de Menton à Arles. S'étendant du XVIIIe siècle à nos jours, ces projets révèlent les styles architecturaux et les aménagements intérieurs qui définissent l'emblématique Côte d'Azur. En explorant les influences culturelles ancrées dans son environnement bâti, ce livre offre un aperçu du patrimoine de design de la région, enrichi par les contributions d'experts de premier plan dans le domaine.

Architectures et intérieurs d’exception

La Côte d'Azur

Design Research in Architecture

Perry Kulper and Nat Chard work with conditions of uncertainty, developing a contingent architecture that provokes and absorbs the unforeseen as well as the more predictable relationships into which architecture can enter. In mainstream practice and research there is an emphasis on achieving a certain outcome. Those who wish to have a building made make a prediction - what they want to take place - while the architect attempts to make that prediction come true. In Kulper and Chard's work the outcome is unknown- they have developed their own working and research practices to take this into account. In different ways, they both use the act of making drawings as a way of engaging with uncertain conditions and enrolling a range of incomplete relationships. By acting on these sorts of relations they are breaking new ground by taking up the unpredictable, a marginal area relative to the ordained territories claimed for architectural discussions. Without the need or desire for a single resolved project they work in parallel, Kulper in a basement in Ann Arbor, Michigan and Chard from his attic in Winnipeg, Manitoba. The work of one is contaminated by the arrival of a new drawing or reference from the other, while the reflection on the exchanged material comes from the other person's position rather than confirming an agreed target. This condition is heighted by an unspoken policy of exchanging work with very little commentary so that any disturbance provided by these reflections is sincere and without contrivance. While Kulper and Chard have established rigor in their respective research methods, their collaboration disrupts the stability that such discipline provides. It is a collaboration that provides the sort of disturbances that bring a helpful and real uncertainty to the process of design. Proposing architecture for uncertain conditions touches many paradoxes and the work plays with paradox to nurture uncertainty - as another source of disturbance. The work also

Perry Kulper and Nat Chard work with conditions of uncertainty, developing a contingent architecture that provokes and absorbs the unforeseen as well as the more predictable relationships into which architecture can enter. In mainstream practice and research there is an emphasis on achieving a certain outcome. Those who wish to have a building made make a prediction - what they want to take place - while the architect attempts to make that prediction come true. In Kulper and Chard’s work the outcome is unknown- they have developed their own working and research practices to take this into account. In different ways, they both use the act of making drawings as a way of engaging with uncertain conditions and enrolling a range of incomplete relationships. By acting on these sorts of relations they are breaking new ground by taking up the unpredictable, a marginal area relative to the ordained territories claimed for architectural discussions.  Without the need or desire for a single resolved project they work in parallel, Kulper in a basement in Ann Arbor, Michigan and Chard from his attic in Winnipeg, Manitoba. The work of one is contaminated by the arrival of a new drawing or reference from the other, while the reflection on the exchanged material comes from the other person’s position rather than confirming an agreed target. This condition is heighted by an unspoken policy of exchanging work with very little commentary so that any disturbance provided by these reflections is sincere and without contrivance. While Kulper and Chard have established rigor in their respective research methods, their collaboration disrupts the stability that such discipline provides. It is a collaboration that provides the sort of disturbances that bring a helpful and real uncertainty to the process of design.  Proposing architecture for uncertain conditions touches many paradoxes and the work plays with paradox to nurture uncertainty - as another source of disturbance. The work also

Contingent Practices

Routledge Research in Architectural History

This book examines the emergence of modern company towns in Iran by delineating the architectural, political, and industrial histories of three resource-based 'company town' projects built during World War II. It will be of interest to researchers and students of architecture, history, international relations and Middle Eastern studies.

Company Towns, Architecture, and the Global Powers

Developing Iran

Creative Homes bietet einen eindrucksvollen Einblick in die Wohnsitze von führenden Kreativen in den Niederlanden.

Interiors and Design in the Netherlands

Creative Homes

Techniques, Exercises and Practice Projects to Master the Art of Drawing and Painting

Learn to Draw in an Hour a Day

The book explores and analyses the five dimensions of project management and explores how current trends can influence the efficiency of the design and construction process within a dynamic industry and changeable political and regulatory environment.

The book explores and analyses the five dimensions of project management and explores how current trends can influence the efficiency of the design and construction process within a dynamic industry and changeable political and regulatory environment.

Fundamental Aspects from Conception to Completion

Project Management for Construction

Stanley Tigerman

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