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The Experts at Dummies: Spider-Man For
Dummies

Spider-Man For Dummies

"Time Machines examines the relationship between art and technology in the decades following the French Revolution, focusing on optical telegraphy, a novel form of visual communication developed in the 1790s that remained in use until the mid-1850s"--

Telegraphic Images in Nineteenth-Century France

Time Machines

A New York Times bestseller, Your Brain on Art is the life-altering journey through the science of neuroaesthetics, which offers proof for how our brains and bodies transform when we participate in the arts

A New York Times bestseller, Your Brain on Art is the life-altering journey through the science of neuroaesthetics, which offers proof for how our brains and bodies transform when we participate in the arts

How the Arts Transform Us

Your Brain on Art

Farewell My Odin

Vengeful fury and Viking lore meet manga: Endorsed by Vinland Saga's Mokoto Yukimura.&nbsp;Unleash the wrath of the "War-Wolf" - epic battles between mighty warriors in a bygone era.

Vengeful fury and Viking lore meet manga: Endorsed by Vinland Saga’s Mokoto Yukimura.&nbsp;Unleash the wrath of the “War-Wolf” - epic battles between mighty warriors in a bygone era.

Farewell My Odin Vol.1

Anfang des 20. Jahrhunderts entstand eine materialistische Theorie, die sich mit ökonomischen und sozialen Verhältnissen der Kunstproduktion auseinandersetzte. Mit ihr ging eine Kritik am Kanon einher, die zuvor ausgeschlossene Alltagsgegenstände, Kinderzeichnungen, Volkskunst oder Fotografien als materielle Bedingungen einer Kultur begriff. Sammlungen von Kunstwerken und Artefakten wurden zu Denkumgebungen, um das Verhältnis von Geschichte, Form und Gesellschaft neu zu bestimmen. Wie Material- und Bildersammlungen auf Grundlage theoretischer Annahmen zusammengetragen wurden und auf diese zurückgewirkt haben, diskutieren die Beiträge des Bandes am Beispiel von Frederik Antal, Walter Benjamin, Bernard Berenson, Wilhelm Fraenger, Sigmund Freud, Henri Foçillon, Vernon Lee, Meyer Schapiro und Aby Warburg.

At the beginning of the 20th century, a materialist theory emerged that dealt with the economic and social conditions of art production. This was accompanied by a critique of the previous academic canon, now considering formerly excluded everyday objects, children’s drawings, folk art or photographs as the material conditions of a culture. Collections of artworks and artefacts became contexts of thought leading to a redefinition of the relationship between history, form, and society. The contributions to this volume discuss how collections of materials and pictures were tied to theoretical assumptions and had an effect on thought processes. Examples cited include Frederik Antal, Walter Benjamin, Bernard Berenson, Wilhelm Fraenger, Sigmund Freud, Henri Foçillon, Vernon Lee, Meyer Schapiro and Aby Warburg.

Materialismus und Kunsttheorie (1900–1960)

Bildersammlungen als Denkmaterial

Protrag returns to their old job in the fish market (as seen in Invitation from a Crab) to try to help improve the labor standards of this old industry. But they soon realize that the seafood world is full of so much bureaucracy, middlemen, and waste. What if they could cut most of that out by letting the fish handle so much of that grunt work. And what if the beings of the sea took back control over how their products were caught, packaged and even sold?! Imagine how liberating that would be for fish...

Protrag returns to their old job in the fish market (as seen in Invitation from a Crab) to try to help improve the labor standards of this old industry. But they soon realize that the seafood world is full of so much bureaucracy, middlemen, and waste. What if they could cut most of that out by letting the fish handle so much of that grunt work. And what if the beings of the sea took back control over how their products were caught, packaged and even sold?! Imagine how liberating that would be for fish...

Fish Society

An illustrated anthology of texts on artist Amanda Williams, edited in collaboration with Camille Bacon. What Black Is This You Say?, by Amanda Williams, convenes a broad set of contributors to respond to her own eponymous public artwork at Storefront for Art and Architecture in New York City (2021–2023). In this collection, the 17 colors and captions that appeared on the facade of Storefront—the project began as a series of Instagram posts of different hues of black, paired with witty and incisive comments on the multiplicity of Black culture—are expounded upon in poems, essays, and prose. With this anthology, Williams deliberately departs from traditional art criticism by gathering an intimate ensemble of her peers, friends, and collaborators, including Roxane Gay, Corinne Bailey Rae, and J Wortham, to comment on her work. What Black Is This You Say? is the first title in a new series titled Groundworks, produced in conjunction with Storefront for Art and Architecture. Storefront, founded in 1982, is known for its commitment to challenging and reframing the relationship between public and private space. In 1993, the gallery commissioned a project by the artist Vito Acconci and architect Steven Holl that replaced the exterior façade with a series of 12 movable panels that open the entire length of the gallery to the street, enabling endless possibilities of entry, navigation, and absorption into the gallery space.

An illustrated anthology of texts on artist Amanda Williams, edited in collaboration with Camille Bacon.

What Black Is This You Say?

Frühe Neuzeit

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

BLITMAP

Set in a digitally open-sourced science-fantasy universe, allowing fans and readers to own their unique slice of the Blitmap Universe. Set on the world of Blitmap and featuring a conflict between two warring factions. For fans of the Solarpunk and Sci-Fi genre as well as fans of the Blitmap NFT's. Set on the planet Blitmap, an ancient cataclysm looms on the horizon as the Blitnauts and the Logos battle for supremacy, while the Static's mystifying realm entraps and corrupts any who succumb to its lure. Written by rising-star Jack Timmer and renowned illustrator Matias Basla who worked on notable projects such as Jim Henson's The Dark Crystal and Claw and Fang. Blitmap delves further into the cultivated network of NFT's that have been developed by the Blitmap community.

Set in a digitally open-sourced science-fantasy universe, allowing fans and readers to own their unique slice of the Blitmap Universe. Set on the world of Blitmap and featuring a conflict between two warring factions. For fans of the Solarpunk and Sci-Fi genre as well as fans of the Blitmap NFTâ€™s.

Blitmap

From the first towns in Mesopotamia to today's global metropolises, cities have marked the progress of civilization. Which ancient civilization founded the precursor to Mexico City? Why was Venice the gateway to the East? What was the Belle Epoque? Which was the first city to build sewers? Cities That Changed History takes you there and tells you all of this and more. Written in the form of illustrated "biographies," the book is a celebration of cities ancient and modern-from Persepolis and Tikal, Paris and Vienna to Prague, Amsterdam, Tokyo, and Dubai-offering a rich overview of each city, bringing them to life with paintings, photographs, timelines, maps, and artifacts. Stunning images of city life and key moments in history are complemented by close-ups of revealing details and feature panels that provide additional context. A book not just about history but also about art, architecture, commerce, and politics, Cities That Changed History provides a fascinating insight into what has shaped the places where we live. Perfect for history, geography, and arts enthusiasts and a stunning gift for armchair explorers of all ages, it is your window into the world's most fascinating cities.

From the first towns in Mesopotamia to today's global metropolises, cities have marked the progress of civilization. Which ancient civilization founded the precursor to Mexico City? Why was Venice the gateway to the East? What was the Belle Epoque? Which was the first city to build sewers? Cities That Changed History takes you there and tells you all of this and more. Written in the form of illustrated "biographies," the book is a celebration of cities ancient and modern—from Persepolis and Tikal, Paris and Vienna to Prague, Amsterdam, Tokyo, and Dubai—offering a rich overview of each city, bringing them to life with paintings, photographs, timelines, maps, and artifacts. Stunning images of city life and key moments in history are complemented by close-ups of revealing details and feature panels that provide additional context. A book not just about history but also about art, architecture, commerce, and politics, Cities That Changed History provides a fascinating insight into what has shaped the places where we live. Perfect for history, geography, and arts enthusiasts and a stunning gift for armchair explorers of all ages, it is your window into the world’s most fascinating cities.

Cities that Changed History

Under Fire

This colorful and evocative graphic novel chronicles the fierce struggle for control of the Solomon Islands, telling the story of this pivotal campaign through the eyes of the men who were there. A New World power facing off against an ancient empire. A desperate struggle to control a Pacific archipelago. A high-stakes campaign that would tip the balance in a fiercely contested theater of war. On August 7, 1942, Guadalcanal was invaded, signaling the beginning of a campaign which would last over six months. The American troops who stormed the Solomon Islands forced the Imperial Japanese Navy to abandon Guadalcanal in a victory that marked the first step towards Japan's eventual defeat. This colorful graphic novel follows the stories of the troops on the ground, bringing the campaign vividly to life through the eyes of the soldiers, sailors, and pilots who fought on both sides. Combining an authentic historical narrative with striking visuals and expert storytelling, The Battle for Guadalcanal reveals a campaign that changed the course of the War in the Pacific.

A New World power facing off against an ancient empire. A desperate struggle to control a Pacific archipelago. A high-stakes campaign that would tip the balance in a fiercely contested theatre of war. 

On 7 August, 1942, Guadalcanal was invaded, signalling the beginning of a campaign which would last over six months. The American troops who stormed the Solomon Islands forced the Imperial Japanese Navy to abandon Guadalcanal in a victory that marked the first step towards Japan's eventual defeat. This colourful graphic novel follows the stories of the troops on the ground, bringing the campaign vividly to life through the eyes of the soldiers, sailors, and pilots who fought on both sides. Combining an authentic historical story with striking visuals and expert storytelling, The Battle for Guadalcanal reveals a campaign that changed the course of the War in the Pacific.

Hell in the Pacific

The Battle for Guadalcanal

Reading Champion

Reading Champion: Reading Champion Turquoise Band Graphic Readers 1

Unter den hochtechnologischen Bedingungen der Gegenwart wird Materialität in Wissenschaft wie Kunst zunehmend als Agent aufgefasst, der jenseits bewusster menschlicher Wahrnehmung in ökologischen, digitalen oder neuronalen Umwelten angesiedelt ist. In diesem Zusammenhang bezeichnet der Begriff des nonconscious (N. Katherine Hayles) sowohl Formen computergestützter Erfahrung als auch neuronale körperliche Prozesse. Die Beiträge dieser interdisziplinären Publikation fragen nach den Konsequenzen des Nicht-Bewussten als Werkstoff und Vorstellung für ästhetische Praktiken. So öffnen sie insbesondere die an Vorstellungen von Reflexivität und Intentionalität orientierte Theorie, Geschichte und Praxis zeitgenössischer Kunst für neue kritische Lesarten. <ul> <li>Gibt es eine Kunst ohne Bewusstsein? </li> <li>Neue Lesarten von Theorie und Geschichte zeitgenössischer Kunst </li></ul>

Under the present day's highly technological conditions, materiality in science as well as art is perceived increasingly as an agent located beyond conscious human perception in ecological, digital or neuronal environments. In this context, the term 
 nonconscious
 (N. Katherine Hayles) refers to forms of computer-based experience as well as neuronal bodily processes. The contributions to this interdisciplinary publication enquire into the consequences of the nonconscious as material and imagination for aesthetic practices. In particular, they encourage new critical readings of the theory, history and practice of contemporary art oriented towards notions of reflexivity and intentionality. 
 <ul><li>Is there art without consciousness?</li><li>New interpretations of the theory and history of contemporary art</li></ul>

Beiträge zur technologischen Ästhetik der Gegenwart

Kunst ohne Bewusstsein?

Spider-Man For Dummies

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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