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Parten B: Somewhere Toward Freedom

Somewhere Toward Freedom

Sherman's March and the Story of America's Largest Emancipation

The Heiress Switch

The Undercover Heiress

The Other Bennet Sister

From the author of Book of the Little Axe, nominated for the Hurston/Wright Legacy Award, and the critically acclaimed 'Til the Well Runs Dry, a riveting literary novel with the sharp edges of a thriller about the abuses of history and the costs of revenge, set between Washington, D.C., and Johannesburg, South Africa

Prudence Wright seems to have it all: a loving husband, Davis; a spacious home in Washington, D.C.; and the former glories of a successful career at McKinsey, which now enables her to dedicate her days to her autistic son, Roland. When she and Davis head out for dinner with one of Davis’s new colleagues on a stormy summer evening filled with startling and unwelcome interruptions, Prudence has little reason to think that certain details of her history might arise sometime between cocktails and the appetizer course.

Yet when Davis’s colleague turns out to be Matshediso, a man from Prudence’s past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state, and which fundamentally shaped her sense of righteousness and justice. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and to excavate inner reserves of resilience and strength.

Lauren Francis-Sharma’s previous two novels have established her as a deft chronicler of history and its intersections with flawed humans struggling to find peace in unjust circumstances. With keen insight and gripping tension, Casualties of Truth explosively mines questions of whether we are ever truly able to remove the stains of our past and how we may attempt to reconcile with unquestionable wrongs.

Casualties of Truth

Beach House Rules

"We are a much-lectured people," wrote Robert Spence Watson in 1897. Beginning at mid-century, cities and towns across England used the popular lecture for purposes ranging from serious education to effervescent entertainment and from regional pride to imperial belonging. Over time, the popular lecture became the quintessential embodiment of Victorian knowledge-based culture, which itself ranged from the production of new knowledge in the most elite of learned societies to the consumption of established knowledge in middle-class clubs and the hundreds of humble mechanics' institutions initially founded to provide scientific instruction to workers. What did the "average" Victorian talk and think about? How did the knowledge-based culture of lecture and debate enable men and women to demonstrate both civic engagement and cultural competence? How does this knowledge-based culture and its changing expression give us ways to look at Victorian citizenship long before the extension of the franchise? With engaging and accessible prose Anne Rodrick draws from a variety of primary sources to provide fascinating answers to these pertinent questions. Based on the analysis of several thousand lectures and debates delivered over more than 50 years, this book digs deeply into what those individuals below the most elite levels thought, heard, debated, and claimed as a badge of cultural competence. By the turn of the 20th century, the popular lecture was competing for attention with new institutions of leisure and of higher education, and the discourse surrounding its place in contemporary England helps illuminate important debates over access to and deployment of knowledge and culture.

Knowledge-Based Culture and Participatory Citizenship

Lecturing the Victorians

The Enduring Search by Formerly Enslaved People to Find Their Lost Families

Last Seen

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

MONUMENTS

“Entertaining. . . . Briscoe folds some perceptive class critiques into her intoxicating blend of romance and suspense. This offers plenty of gothic pleasures.”—Publishers WeeklyNew York Times bestselling author Connie Briscoe updates Daphne Du Maurier’s classic Rebecca in this chilling tale of domestic suspense centered on a spirited woman named Angel who marries a Black billionaire, only to discover that he remains haunted by his first wife who took her own life—or did she?A mansion haunted by the ghost of a cool, charismatic first wife. A second bride from a small Southern town who may be in over her head. A brooding billionaire who grows icier the more his new wife questions him about the past.In Connie Briscoe’s propulsive and entertaining novel, the elements of one of the most famous Gothic novels of all time is reimagined in surprising, yet still suspenseful, ways.Angel is a private chef for the Harrison’s, one of the most powerful Black families on Martha’s Vineyard. Impossibly supercilious Jillian Harrison often spends the entire summer on the island, while her husband Irvin and their twenty-nine-year-old daughter Norma commute from Washington, DC, on weekends. They always join Jillian for the month of August, when the family throws a lavish garden party on the expansive lawn that is attended by nearly one hundred guests. This year’s guests include Everette Bruce, an influential Black billionaire, still in mourning for his first wife, Chloe, who committed suicide.To the imperious Jillian’s surprise, Bruce ignores her and instead becomes enchanted with Angel. Eager to get away from the controlling Mrs. Harrison, Angel accepts Everett’s invitation to become the private chef at Riverwild, his massive mansion along the Potomac River. Her meals and company provide comfort Everett, and soon he and Angel begin a whirlwind romance that culminates in marriage.Though Angel is confident and strong, over time, she begins to feel the enigmatic Chloe's ghost. The house’s staff, the head housekeeper Ida—a menacingly rigid thorn in Angel’s side—and even Everett, cannot seem to let the dead woman go, nor explain why the wealthy, stunning woman would kill herself. The more questions Angel asks, the more melancholic Everett becomes, revealing a far less charming side of himself. Just how well does Angel know Everett? Did she marry in haste?The answers lie somewhere in Riverwild . . .

A Novel of Secrets and Lies

Chloe

The Destruction of the Soviet Union and the Making of New Russia 1985-1991

The August Coup

The often-forgotten global story of how the Confederacy lost its bid for sovereign nationhood In 1861, proslavery secessionists severed ties with the United States, launched the Confederacy, and readied their new government to join the international community as a sovereign nation. In The First Pariah State, Robert Bonner tells the story of how a transatlantic publicity campaign dashed Confederate hopes by ostracizing its rebellion as an immoral, global menace. The international anti-Confederate campaign built on existing antislavery themes but moved far beyond them. Improvised indictments circulated secessionists’ most incendiary words across the world. The Union and its foreign allies condemned the marauding Southern navy for disrupting high-seas commerce, violating civilized norms, and preparing for the resumption of the African slave trade. Abraham Lincoln and Senator Charles Sumner sought to convert rhetorical barbs and maritime anxieties into novel doctrines of international law designed to counter rogue regimes. And Union opinion-makers, including Black abolitionists, worked with European supporters to stymie the South’s naval expansion, war finances, and diplomatic efforts to gain formal recognition. International worries about the Confederate rebellion waned after U.S. victory, and the Southern pariahdom of the 1860s left few enduring traces in international law or overseas remembrances. In fact, over the next century and a half, the pro-Confederate “Lost Cause” mythology proved to be as powerful abroad as it was within the restored United States.

How the Proslavery Confederacy Menaced the World

The First Pariah State

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City. "Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism."&nbsp;-Wall Street Journal"They fly in quietly-unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time." -from&nbsp;"New York Is a City of Things Unnoticed," Talese's first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who've seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton's apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese's New York reporting showcases a master of the form at his finest, making intelligible the city's vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter's eye and an artist's flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is-Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City.“Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism.”&nbsp;—Wall Street Journal“They fly in quietly—unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time.” —from&nbsp;“New York Is a City of Things Unnoticed,” Talese’s first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who’ve seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton’s apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut.With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest, making intelligible the city’s vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter’s eye and an artist’s flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is—Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

Gay Talese's New York

A Town Without Time

Brides for Sworn Bachelors

Daring To Dream Of The Duke

Somewhere Toward Freedom

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