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Sing we now of Christmas

The Pug Who Wanted to...

A festive bumper collection featuring two favourite festive stories about Peggy the pug - THE PUG WHO WANTED TO BE A UNICORN and THE PUG WHO WANTED TO BE A REINDEER!

A festive bumper collection featuring two favourite festive stories about Peggy the pug - THE PUG WHO WANTED TO BE A UNICORN and THE PUG WHO WANTED TO BE A REINDEER!

Includes Two Festive Stories!

Peggy the Pug's Christmas Collection

What the Ladybird Heard

What the Ladybird Heard at Christmas

The anarchic adventure of one very determined bauble, packed with Christmas chaos and funny festive mishaps.

A laugh-out-loud Christmas picture book

Bauble in Trouble

for SATB (with divisions) and piano Wilberg's arrangement of the American hymn His eye is on the sparrow is meditative and melodic, filled with unison lines and simple, but rich harmonies. This lilting setting opens with verses for unison upper- and lower-voices, before all parts combine ad build to create a full, and comforting sound.

His eye is on the sparrow

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

In the 1790s, the music of Gothic novels and plays was celebratory, calming rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort, and unease. This Element shows Melodrama brings about this change which had long-lasting effects on the music of the Gothic in fiction and poetry, on the stage and the screen.

The Music of the Gothic 1789–1820

Voice Junction

Fingernail Moon

Songbird

for SSA and piano Andrew Steffen's setting of Christina Rosetti's poem Echo is both contemplative, yet passionate. With lyricism at its heart, this piece moves between unison, canon, and homophonic harmony, guiding the listener through the emotional ebbs and flows of longing, nostalgia, and lost love.

In the Silence of the Night

Mr. Men & Little Miss Celebrations

Mr Men Little Miss Celebrations Mr Men Little Miss In Wales

Second Sons

Alcott Hall

Mr Men Little Miss Lunar New Year

Bird of Time

True stories of seasonal ghost hoaxes and strange phantom panics from the nineteenth and early twentieth centuries.

Festive Ghost Hoaxes, Ghost Hunts and Ghost Panics

Phantoms of Christmas Past

Sing we now of Christmas

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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