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Shakespeare's First Folio 1623-2023

Text and Afterlives

Public Policy and Politics

A key source of theory and practice for students interested in engaging communities in the policy process, the third edition of this authoritative textbook provides the ideal introduction to the development of policy and practice in relation to community over the past sixty years.

Community and the ideas associated with it – civil society, social capital, mutuality, networks – are often seen by policy makers as the solution to persistent problems in society, most recently in response to the COVID-19 pandemic. 

Substantially revised and updated to reflect advances in research, theory and practice, this enables students to combine theoretical discussion of policy with practical national and international case studies such population movement, Covid-19, climate change, the rise of populism, new digital technologies inc. social media and virtual communities, changing understandings of identity, and rising inequality.

Addressing in particular the challenges, contradictions and dilemmas inherent in ideas of community empowerment, Taylor's indispensiable text asks how far communities of place still have relevance in a fast changing world and how far practices developed over the decades remain relevant to the challenges of the coming years. A pivotal assessment of the place of community in policy and practice today.

Public Policy in the Community

This rare self-portrait from pioneering publisher, writer and cultural activist Margaret Busby underscores her powerful legacy and celebrates some of the people and places that have shaped her exceptional lifeMargaret Busby has been at the heart of cultural life in the UK for over 50 years. From becoming Britain's youngest and first Black woman publisher when she founded publishing house Allison &amp; Busby, to editing the ground-breaking international anthologies Daughters of Africa and New Daughters of Africa, her many achievements are testament to her dedication to championing the lives and stories of others, particularly those throughout the world who have been marginalised by the mainstream. With little attention previously given to her own skills as a writer, Part of the Story is a unique opportunity to enjoy her own remarkable literary output. It brings together her writings on people, places, politics and publishing, and provides a rich insight into the many elements that have contributed to shaping her life, from her childhood in Ghana to the Black writers, intellectuals, artists and activists she has worked with, befriended, supported and championed for over half a century.

Writings from Half a Century

Part of the Story

Beaker Burials in Britain and North-West Europe 2600-1800 BC provides a comprehensive account of the current interpretations of Chalcolithic and Early Bronze Age Beaker burials, monuments and their social and cultural contexts in Britain, Ireland and the maritime zone of North-West Europe, from Brittany to Jutland.Burials of the Beaker people have long held a special place in the European imagination because of their highly distinctive and exotic material culture associations, their connection with the spread of copper metallurgy, striking modes of funerary display, and apparent rapidity with which these spread across western and central Europe through population movement, exchange and indigenous adoption. The impact of Beaker people's funerary practices, technologies, social ideals and cosmologies on 'native' communities led to diverse and often radical transformations in wider cultural repertoires, political organizations and social and economic life.Beaker Burials in Britain and North-West Europe 2600-1800 BC considers the Beaker people's funerary record in context of the full range of interpretive frameworks, with comparative reference to wider sources of evidence. There is a particular focus on ethnographic description and interpretation of death ritual, funerary architecture and the social, political, religious and cosmological significance of burials, body treatment and monumentality. A thematic structure allows for the coverage of key topics such as cultural geography and interaction, funerary ritual, monuments and landscape, cultural and social identities, personhood, power and politics, death and living society, and cultural change and history.

Beaker Burials in Britain and North-West Europe 2600-1800 BC provides a comprehensive account of the current interpretations of Chalcolithic and Early Bronze Age Beaker burials, monuments and their social and cultural contexts in Britain, Ireland and the maritime zone of North-West Europe, from Brittany to Jutland.Burials of the Beaker people have long held a special place in the European imagination because of their highly distinctive and exotic material culture associations, their connection with the spread of copper metallurgy, striking modes of funerary display, and apparent rapidity with which these spread across western and central Europe through population movement, exchange and indigenous adoption. The impact of Beaker people’s funerary practices, technologies, social ideals and cosmologies on ‘native’ communities led to diverse and often radical transformations in wider cultural repertoires, political organizations and social and economic life.Beaker Burials in Britain and North-West Europe 2600-1800 BC considers the Beaker people’s funerary record in context of the full range of interpretive frameworks, with comparative reference to wider sources of evidence. There is a particular focus on ethnographic description and interpretation of death ritual, funerary architecture and the social, political, religious and cosmological significance of burials, body treatment and monumentality. A thematic structure allows for the coverage of key topics such as cultural geography and interaction, funerary ritual, monuments and landscape, cultural and social identities, personhood, power and politics, death and living society, and cultural change and history.

An Ethnography of Death and Identity

Beaker Burials in Britain and North-West Europe 2600-1800 BC

A History of the United Kingdom as a Nuclear Power

A Very British Bomb

Glyph follows Ali Smith's 2024 novel Gliff and tells a story hidden in the first novel. Gliff is set in a near future rife with surveillance, where people can be labelled 'unverifiable' by the state. It follows siblings Briar and Rose as they attempt to survive in a world that strives to crush curiosity and meaning.

Glyph

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Policing in the UK is currently experiencing a seismic shift in its nature, organization and purpose. This book examines the fractured terrain of UK policing and is the first to consider the myriad of issues and problems in policing across the UK

Policing in the UK is currently experiencing a seismic shift in its nature, organization and purpose. This book examines the fractured terrain of UK policing and is the first to consider the myriad of issues and problems in policing across the UK

Governance and Accountability

Police and Policing in the UK

Routledge Archaeology of Northern Europe

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland. Central themes that cut across the book's broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence.

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland including the hillfort societies of southern England and the Welsh Marches; village communities of the Upper Thames Valley; the dense settlement landscapes, cemeteries and chariot burials of East Yorkshire; the hillfort communities of Northumbria and south-east Scotland; the broch-building societies of Atlantic Scotland; and the ritual landscapes of Iron Age IrelandCentral themes that cut across the book’s broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence. The text is supported throughout by box features expanding on individual sites, objects, themes or debates and the book focuses, where appropriate, on fresh and exciting new finds and discoveries from the last few years including, for example, the well-preserved bog bodies from eastern Ireland, recently excavated chariot burials from Newbridge and Ferry Fryston, Iron Age roads from East Anglia, the Midlands and Ireland, musical instruments from High Pasture Cave in Skye and Cnip in Lewis, the shrine containing gold torcs from Stirlingshire, and the impact of AMS dating on the chronologies of Iron Age art and burial.

The Archaeology of Britain and Ireland 800 BC – AD 400

Iron Age Lives

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

Shakespeare's First Folio 1623-2023

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