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Catalogue complet

Tambling Kirsten: Shakespearean Objects
in the Royal Collection, 1714–1939

Shakespearean Objects in the Royal Collection, 1714–1939

From National Treasure to Family Heirloom

Red Band 2

Reading Champion: The Wishing-Chair: The Land of Surprises

October Files

How contemporary artist Glenn Ligon’s expansive body of work mines American history and literature to ask critical questions about modern culture. OCTOBER Files: Glenn Ligon (b. 1960) presents the first compilation of critical discourse on the multimedia work of one of the most influential American artists of the late twentieth and early twenty-first centuries. Often citing or annotating past literary (e.g., James Baldwin), artistic (e.g., Andy Warhol), and musical (e.g., Steve Reich) interventions, Ligon’s practice imaginatively explores the contradictions of speech, vision, authorship, identity, blackness and belonging in works that are at once historically resonant and materially sensuous. Spanning Ligon’s emergence in the postmodern multicultural milieu of New York in the late 1980s and early ‘90s, his starring turns at Documenta, the Venice Biennale, and other international exhibitions of the 2000–10s, and his formative impact on both new and canonical art histories, this volume provides a comprehensive accounting of the questions central to his work in painting, sculpture, video, installation, and print. With texts by writers from Wayne Koestenbaum to Rizvana Bradley, this File not only plumbs the depths of Ligon’s oeuvre, but also models the various approaches to critical writing that have defined art and culture of the past 30 years.

Glenn Ligon

Biotechne: Interthinking Art, Science and Design

From the British Bauhaus to Cybernetics

Organic Modernism

The Politics of Expertise and the Novosibirsk Scientific Center

Soviet Sci_beria

Arden Shakespeare Insights

Visualising Material Culture

Shakespeare's Objects

The Biography

Hugh Trevor-Roper

Tikhon Bellavin and the Orthodox Church in North America and Revolutionary Russia

The People's Patriarch

Classical Literature and Society

"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--

Euripides and Quotation Culture

Oxford World's Classics

''As flies to th' wanton boys are we to th' gods: They bite us for their sport.' Set in the recesses of British antiquity, King Lear broods on gift-giving, gratitude, service and love; the bonds that sustain human life within families, communities and the state. Concerned with what remains and what is possible when these bonds crack, cool off or come apart, the tragedy forces repeated confrontations with abysmal cruelty, which it yokes together with instances of compassion that seem chillingly frail by comparison. By the end of the twentieth century, Lear took its place not only as Shakespeare's greatest work, but also his best play for our times, fitting then, in its anguish and denials of consolation, as it is now. Its wild mixtures of levity and terror, kindness and malevolence, what came to be called its absurdity, was prized as especially modern. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The New Oxford Shakespeare

King Lear

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

Blacklists, McCarthyism, and the Making of Modern America

Red Scare

Brand new readers based on the wonderful world of Enid Blyton's The Wishing-Chair, especially written for children beginning to read. Each story is accompanied by colourful illustrations to engage the young reader and support the text. In this story, the Wishing-Chair whisks Mollie, Peter and Binky off on an adventure, but they get stuck in a witch's garden! Luckily, the witch's cat might be able to help them... Reading Champion is an independent reading programme carefully levelled to match book bands widely used in schools. This book is suitable for readers aged 4+ and has been levelled at book band Red 2.

Reading Champion: The Wishing-Chair: The Witch's Garden

Shakespearean Objects in the Royal Collection, 1714–1939

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