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From ESPN combat sports reporter Marc Raimondi comes a detailed narrative history of professional wrestling's legendary faction, The NWO (New World Order).

Raimondi M: Say Hello to the Bad Guys

Say Hello to the Bad Guys

How Professional Wrestling's New World Order Changed America

Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

The Wiregrass

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

Anthem Ethics of Personal Data Collection

Examines the evolving landscape of data privacy and ethics, arguing that businesses can build trust and drive growth by adopting transparent, consumer-focused data frameworks beyond legal compliance

Data privacy continues to be an important topic for discussion throughout changing technology, business, and legislation landscapes. The U.S. legislation continues to shift state-by-state, resulting in changes that are often difficult for companies to keep up with. This is (one reason) why businesses should adopt their own data framework principles to guide their business strategy. Developing data guidelines or principles is the practice of a business voluntarily going beyond data privacy legislation to create and implement a data collection and usage framework that prioritizes customer relationships through a lens of transparency and control. 
The book explores how consumer data are currently collected from everyday interactions, surveys, website usage, purchases, and more, then examines how that information feeds data and business strategies for companies around the world. Data collection is often complex-it requires different kinds of technology and uses different validation methods, all across different pieces of data-and this complexity can lead to issues with accuracy and tracking of when and how consumer data are used. Data are used to drive business strategies by helping companies find their most loyal users, bring in new customers, and increase usage, among other things. An underlying guide for data principles can lead to improved accuracy in data collection, help businesses stay transparent with consumers, generate more trust, and ultimately, increase business performance. 
As consumers become more educated and more aware about what data are collected and how they are used by companies, there is a growing need for businesses to develop a relationship with their consumers built on trust and mutual value. There is currently a gap between the amount of data collected, its usage, and how consumers trust and value the companies with which they do business. 
Finally, this book discusses how businesses can bridge that gap, between consumer trust and effective business strategy by developing their own set of data guidelines and principles that can improve business growth. These strategies are designed to help drive consumer trust by treating consumers like real people and understanding the relationship between data collection, usage, and consumer trust.

How Applied Data Principles Drive Trust and Business Growth

Navigating Data Standards in Business Strategy

The Tonality of Thought

What the Seasons of History Tell Us about How and When This Crisis Will End

The Fourth Turning Is Here

A practical and caring workbook to help you simplify your taxes as a self-employed person, including mindset-shifting exercises, practical checklists, and simple systems to keep your US taxes feeling doable. In the Taxes for Humans Workbook, author Hannah Cole delivers a hands-on workbook for&nbsp;freelancers, solopreneurs, creatives, and students doing their best to navigate the American tax system. This Workbook supplements Cole's Taxes for Humans book with mindset exercises, checklists, helpful illustrations, and other practical tools you can use immediately to get your taxes done with confidence and simplify them moving forward. The resources in this book will help you get financially comfortable, smarter, and more organized. You'll learn simple systems to improve your tax records and bookkeeping processes. Set up sustainable, effective systems that keep you organized and compliant with the tax laws that govern Schedule C workers. You'll also find: <ul> <li>Bookkeeping and organization tools you can apply right away to make sense of your&nbsp;finances.</li> <li>Visuals that make taxes feel clear and understandable for visual learners. </li> <li>Mindset prompts that help you manage the emotional side of doing your taxes, and get out of your way to clear, easy management of your small business/freelance dollars.</li> </ul> Perfect for freelancers, artists, and other self-employed people, Taxes for Humans&nbsp;Workbook offers the tools and resources you need to successfully navigate your taxes with calm, confidence and self-compassion.&nbsp;

Taxes for Humans Workbook

The Politics of Presidential Mercy

The Pardon

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

edition suhrkamp

Wie man Populisten besiegt

Gegen den liberalen Defätismus

The USAAF in North Africa and Sicily

Turning The Tide

An examination of how comics represent, confront, and sometimes perpetuate gendered violence. Lee Okan argues that comics, with their hybrid form of image and text, possess an ability to express the unspeakable dimensions of trauma while also raising ethical questions about spectatorship, representation, and storytelling. Through close analysis of contemporary and independent comics, as well as anthology collections, this book shows how artists navigate the tension between testimony and spectacle, visibility and exploitation. Rather than treating comics as an isolated medium, Okan situates these works within broader cultural and media discourses on sexual violence, arguing that comics shape and are shaped by feminist activism, visual culture, and reader response. Sexual Violence in Comics traces how creators reframe the terms of witness, challenge dominant narratives, and reclaim narrative authority, particularly in the wake of the #MeToo movement and beyond.

The Ethics of Visualizing Trauma

Sexual Violence in Comics

Say Hello to the Bad Guys

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