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A descendant of the legendary sailor Sinbad, young Sebrena has always been drawn to the sea and finds herself living out the stories from One Thousand and One Nights.

JLG Gold Standard SelectionThis lush reimagining of the classic characters from&nbsp;The One Thousand and One Nights&nbsp;is for fans of&nbsp;The Last Mapmaker,&nbsp;Mañanaland, and&nbsp;Graciela in the Abyss.&nbsp;Sabrena’s family has always claimed they are descended from the legendary sailor Sinbad. But when the sea calls Sabrena to a whole new world, she’ll have to fight for her own story.Sabrena’s destiny—her qadr—is strong. Or so her family has always said. After all, according to her dad, they are the descendants of the legendary Sinbad the sailor, who sailed the seven seas in&nbsp;The One Thousand and One Nights. But Sabrena has felt anything but strong lately. Mostly, she has felt worried. Worried about being the new girl in a school everyone else has attended since kindergarten, worried about Grandma’s memory failing and her stories getting more outlandish, worried about Mom deciding that Grandma can’t even live at home anymore. Worried about the strange—almost fantastical—things that keep happening whenever she’s around water.And then, one day, the sea’s call will not be denied. It floods into her life and sweeps her away, to be fished out of an ocean both strange and oddly familiar. It only takes her a moment to realize that she’s in the stories spun by the legendary queen Scheherazade. Yet no one has ever heard of Sinbad, nothing seems to be going quite as it does in the tales as she knows them, and a frightening jinn is terrorizing the kingdom. Can Sabrena find the courage to claim her destiny before it’s too late?

Riazi K: Sabrena Swept Away

Sabrena Swept Away

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Reading Champion

This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE)

Independent reading Turquoise 7

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Human Rights Law in Perspective

This book conceptualises the European Court of Human Rights' judgments on Islamic dress as manifestations of the fascist impulse in modern human rights law. The author argues that human rights are thus not an antidote to fascism but are constituted through a fascist inflection and implicated in circulating fascism in the everyday. The inability of human rights to say 'no' to laws regulating and criminalising Islamic dress in Europe engenders an institutional Islamophobia in the law and Islamic dress debate in Europe. The author interrogates the historical emergence of human rights, through a methodology of interdisciplinary, theoretical oscillations between feminism, decolonial, phenomenological and neo-Marxist thought to establish the rights/fascism dialectic. She argues that beyond exclusion and erasure the ownership of rights discourse enables the exploitation of racialised and gendered bodies for the maintenance of material and epistemological privilege with a white, Christian, male norm. It is this moment of ownership, where rights are both propertied and property, that constitutes the rights/fascism dialectic. The author goes on to argue that the rights/fascism dialectic operates at the heart of the Islamic dress debate in Europe to create the impossibility and instrumentalisation of Muslim women's bodies in European public space. The book challenges shifting legal justifications by exposing the functioning of capital, colonialism, patriarchy and power at the European Court of Human Rights in key cases such as Sahin v Turkey and SAS v France. Theoretical insights of the rights/fascism dialectic are applied to the law and Islamic dress debate in the multicultural UK, assimilationist France and at the ECtHR. The conclusion is that the Islamic dress debate in Europe manifests the gender and racial differentiation and instrumentalisation that is essential to the maintenance of human rights and the modern, capitalist state in which rights are enmeshed.

This book conceptualises European Court of Human Rights’ judgments on Islamic dress as manifestations of the fascist impulse in modern human rights law. The author argues that human rights are thus not an antidote to fascism but are constituted through a fascist inflection and implicated in circulating fascism in the everyday. The inability of human rights to say ‘no’ to laws regulating and criminalising Islamic dress in Europe engenders an institutional Islamophobia in the law and Islamic dress debate in Europe.

The author interrogates the historical emergence of human rights, through a methodology of interdisciplinary, theoretical oscillations between feminism, decolonial, phenomenological and neo-Marxist thought to establish the rights/fascism dialectic. She argues that beyond exclusion and erasure the ownership of rights discourse enables the exploitation of racialised and gendered bodies for the maintenance of material and epistemological privilege with a white, Christian, male norm. It is this moment of ownership, where rights are both propertied and property, that constitutes the rights/fascism dialectic. The author goes on to argue that the rights/fascism dialectic operates at the heart of the Islamic dress debate in Europe to create the impossibility and instrumentalisation of Muslim women’s bodies in European public space.

The book challenges shifting legal justifications by exposing the functioning of capital, colonialism, patriarchy and power at the European Court of Human Rights in key cases such as Sahin v Turkey and SAS v France. Theoretical insights of the rights/fascism dialectic are applied to the law and Islamic dress debate in the multicultural UK, assimilationist France and at the ECtHR. The conclusion is that the Islamic dress debate in Europe manifests the gender and racial differentiation and instrumentalisation that is essential to the maintenance of human rights and the modern, capitalist state in which rights are enmeshed.

Rights and Fascism in Europe

Law and Islamic Dress

Sabrena Swept Away

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