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Architectural Photographers

Carullo V: Richard Bryant

Richard Bryant

Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture - this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet's background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early 'discovery' of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet's approach to photography, her process and archive. Martino Stierli sets Binet's work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet's oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.

Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive. Martino Stierli sets Binet’s work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet’s oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.

Hélène Binet

This story is a modern bildungsroman-the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens. Jaffe's determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe's story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.
Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

Trips

The first monograph to present Roger Ballen's work in colour: a visual revelation that remains grounded in the chaotic, absurd psychological space of the Ballenesque. Having previously expressed no interest in colour photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening up to the potential of colour in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and Art Brut-like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts. The new colour images in Spirits and Spaces, created in conjunction with Ballen's artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy and tragedy apparently exist side by side. Both a visual revelation and an artistic evolution by one of contemporary photography's most unique voices, Spirits and Spaces is an essential and much anticipated photobook for all Roger Ballen fans.

Roger Ballen – Spirits and Spaces

Small garages and service stations are a vital - but fast disappearing - part of Britain's automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book. You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself? In the spirit of Ed Ruscha's Twentysix Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he's travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings. As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared - and the 'garage' was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilised - churches, cinemas, railway arches, fire stations, shops, factories - all proved versatile enough to find second lives as garages. As the era of the combustion engine draws to a close, Butler's enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.

226 Garages and Service Stations

'The sandy beaches of North East England are beautiful... the high-spirited happenings are spontaneous, generous acts of Geordie exuberance. Here you find yourself laughing with your fellow creatures; and before you know it, you too have been transformed into a child, adding your antics to the array of contented eccentricity.'

Writing In The Sand

A Psychobiographic Fiction

Pariah Genius

A career-spanning examination of the work of Robert Bergman and its place within the history of American art

Robert Bergman

Fortune of the Spirit

My Life of Blackness and Becoming

Saga Boy

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

The Photography Workshop Series

In the seventh installment of The Photography Workshop Series, Catherine Opie--well known for dynamic portraits and landscapes that speak to identity and community--offers insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

In the seventh installment of The Photography Workshop Series, Catherine Opie—well known for her dynamic portraits and landscapes that speak to identity and community—offers her insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. 







Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

Catherine Opie: The Photography Workshop Series

Shadow Boxers captures the lost era of club boxing, the world of real life Rockys that no longer exists.

The Lost Era of Club Fighting

Shadow Boxers

In a new body of work, a critically acclaimed photographer retraces Berenice Abbott's 1954 photographic journey along the Eastern Seaboard, documenting dislocation, loss, and a shifting American dream. In 1954, American photographer Berenice Abbott set out to document the historic US Route 1, already predicting seismic changes to small towns and major cities along the route brought by the rapidly expanding Interstate Highway System. Spanning all thirteen original colonies and beyond--from Fort Kent, Maine, to Key West, Florida--US Route 1 formed over the course of three hundred years from connecting sections of what was once known as the Atlantic Highway. Inspired by Abbott's acute and poetic observations on life along Route 1 and on the seventieth anniversary of her project, Florida-based photographer Anastasia Samoylova ventures on her own journey to revisit those communities forever transformed by the interstate. Working in color and black and white, Samoylova provides a closer look at the American landscape irreversibly altered by the unrelenting expansion of industry, commerce, and development, as well as the displacement and tenacity of people and wildlife.Copublished by Aperture and Norton Museum of Art.

Anastasia Samoylova: Atlantic Coast, Photographs along Route 1

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Richard Bryant

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel der Reihe: Architectural Photographers

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