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Architectural Photographers

Carullo V: Richard Bryant

Richard Bryant

Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture - this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet's background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early 'discovery' of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet's approach to photography, her process and archive. Martino Stierli sets Binet's work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet's oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.

Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive. Martino Stierli sets Binet’s work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet’s oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.

Hélène Binet

From Augusta to Bristol, Brunswick and beyond, Johansson's chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago--he found Strand's views of New England "boring" at the time--and also wondering, "Why is American photography so focused on the west?" Johansson's Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson's work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

From Augusta to Bristol, Brunswick and beyond, Johansson’s chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England “boring” at the time—and also wondering, “Why is American photography so focused on the west?” Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

Gerry Johansson: Maine

Ukraine's overlooked modernist buildings are under threat from development, decommunization and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject. What does Ukrainian Modernist architecture look like and why isn't it better-known in the west? Photographer and architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine. These innovative buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognised. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation's attention is consumed by more existential matters, he has documented the unique identity of one of the least catalogued periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy. An introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available on the subject.

Modernist Architecture of Ukraine

Ukrainian Modernism

Unmoored from any sense of definite place, Di Giovanni's landscapes reveal a universal tension between landscape and civilizationFrom 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni's landscapes seem intimate and mythic, while the still lifes are vast and open--interior and exterior are interchangeable. True Places Never Are resequences this series of medium format photographs (originally released as three separate photobooks) and adds several previously unpublished images. The result is a fresh, cohesive body of work in which the location and chronology are secondary to the intangible meanings and associations suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search for metaphysical enlightenment: "It is not down on any map; true places never are."

Matteo Di Giovanni: True Places Never Are

A fascinating and original biography of Eadward Muybridge, charting how his pioneering work in motion picture ushered in a period of technological innovation.

Eadweard Muybridge and the Technological Wild West

River of Shadows

Critical insight into the mind and eye of an artist renowned for her work investigating history, identity, and power. Transcending medium, chronology, and geography, Carrie Mae Weems: The Heart of the Matter puts the artist-as well as her spiritual and philosophical journeys—at the center of the discourse. Weems is a touchstone artist, renowned for her work investigating history, identity, and power. A comprehensive monograph, The Heart of the Matter features generous presentations of landmark bodies of work, from Family Pictures and Stories (1981-82) to her most recent series on the Black church. Throughout the book, the artist's spiritual musings provide critical insight into the iconic artist’s mind and eye. Newly commissioned essays and additional contributions from esteemed thinkers and scholars across generations underscore the singular value of Weems’s vision in grappling with the complexities and injustices of the world around us. Carrie Mae Weems: The Heart of the Matter will accompany a related exhibition at Gallerie d’Italia, Turin, opening in April 2025. Copublished by Aperture and Allemandi

Carrie Mae Weems: The Heart of the Matter

"From taxi window to dog's eye view, from near and only slightly afar, Jeremy's is a quixotic, idiosyncratic and quite extraordinary eye." -Robin MuirJeremy Hackett (born 1953) is a quintessentially British fashion designer and business entrepreneur known for his menswear brand Hackett, which opened its first store on London's Kings Road in 1983. He is widely considered an authoritative voice on men's classic fashion, and in addition to regularly contributing to magazines such as Men's Health and Forbes, Hackett has published a book of anecdotal critiques of men's style entitled Mr Classic. In this latest artistic endeavor and departure from fashion, Hackett, a born-and-bred Londoner, presents a photo diary of the city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations and brief encounters with interesting, immaculately dressed characters to architectural motifs and classic cars in unusual locations, My London is a singular window into Hackett's unique view of the British capital.

My London

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

Preserving the decorative richness and symbolism of a rare example of Hispano-Muslim sculptureThe Courtyard of the Lions in the Alhambra, built by order of Muhammad V between 1362 and 1391, is the culmination of Nasrid architecture. Adrian Tyler's black-and-white photographs depict the lions before and after their 2020 restoration, providing a cache of archaeological images reminiscent of 19th century photography.

Preserving the decorative richness and symbolism of a rare example of Hispano-Muslim sculptureThe Courtyard of the Lions in the Alhambra, built by order of Muhammad V between 1362 and 1391, is the culmination of Nasrid architecture. Adrian Tyler's black-and-white photographs depict the lions before and after their 2020 restoration, providing a cache of archaeological images reminiscent of 19th century photography.

The Alhambra Lions

The twentieth anniversary edition of An-My Lê's acclaimed first book Small Wars, reissued with five new images and an afterword by Ocean Vuong.	For the past three decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling. 	First published in 2005, Small Wars brings together three interconnected series. In Viêt Nam, Lê returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in Small Wars, she engages a small community of Vietnam War reenactors; and in 29 Palms, she documents the preparations of marines in the California desert as they undergo training for conflict in Iraq and Afghanistan. Taken together, this trilogy brilliantly presents a complexly layered exploration of the issues surrounding landscape, memory, and the representation of violence and war. 	With great precision and clarity, Lê is able to evoke the work of nineteenth-century landscapes as well as that of the New Topographics--but by weaving in her own personal narrative of refuge and return, she pushes beyond both to produce a uniquely revelatory body of work. The twentieth anniversary edition of Small Wars is a lush reissue of the original, with five additional images and a new afterword by Ocean Vuong, who discusses how these bodies of work resonate twenty years later.

Twentieth Anniversary Edition

An-My Le: Small Wars

For the Erie Canal's 200th anniversary, López-Jensen's series centers the unseen labor that keeps the waterway operationalThe debut photobook The Work and the Water: Labor and Landscapes along the Erie Canal by Matthew López-Jensen (born 1980) is a work of environmental social practice centering the unseen labor required to keep the Erie Canal, a 524-mile inland waterway in upstate New York, operational. Over 40 photographs are accompanied by commentary from the more than 400 employees who work on the canal year-round, often out of view and in hazardous conditions. As the first artist-in-residence with the canal in its 200-year history, López-Jensen visited every lock in the system from Buffalo to Albany, from Whitehall to Seneca Falls. The archive of images he created helps communicate the potentials of the canal as a site for environmental restoration while also conveying the scale of this colossal piece of infrastructure that transformed the region in ways that are still felt today.

Labor and Landscapes along the Erie Canal

Matthew López-Jensen: The Work and the Water

Pedlars, Poseurs and Performers is a compelling insight into the world of the Portobello Street market. Fifty years of photographs, which go beyond the stalls, shops and cafés normally associated with it. Each picture features, where possible, the subject's name and the date the picture was taken. Some of the characters shared their stories with Brian Jaquest while being photographed in his studio.The non-conformist approach to the layout of the book represents the chaotic experience of a street market. The photographs and texts describe each category in the book's title: pedlars, poseurs and performers.This book is not only a visual record of the characters who have made the Portobello Street market famous over generations but is also a collection of fascinating photographs taken from the point of view of an insider. Pedlars, Poseurs and Performers is an in-depth photographic history which takes the reader into the ticking heart of the Portobello Road.

My Portobello Road

Pedlars, Poseurs and Performers

Richard Bryant

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