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Oltolini M: Rediscovered Classics of
Japanese Animation

Rediscovered Classics of Japanese Animation

The Adaptation of Children’s Novels into the World Masterpiece Theater Series

Topics and Issues in National Cinema

The Settled Screen: Landscape and National Identity in New Zealand Cinema is the first title to explore the relationship between the representation of landscape and the development of both a national cinema and a national identity. Through the early years of New Zealand's cinema, prior to any formalized governmental support, those few feature length narrative films repeated wholesale the modes of representing the landscape and its inhabitants, while the developing documentary and travelogue industries would construct the fantasy of 'Maoriland' with New Zealand becoming internationally known as a green paradise, a Pacific idyll with an exotic, tamed, indigenous population. This precursor of the now contemporary 'Brand New Zealand' - itself a modern, politically-corrected version of these earlier narratives - would be adjusted and amended over time, especially with the formation of the New Zealand Film Commission in the late 1970s, but never entirely discarded. Beginning with a discussion on films in which landscape - and particularly the colonial or settler landscapes - have been represented in other Western cinemas, like The Searchers and Thelma &amp; Louise, Wilson compares in indigenous films like Whale Rider, To Love a Maori and The Piano to exemplify the simultaneous strands of New Zealand cinema: a way of marketing the country based on the success of such spectacular films as Peter Jackson's Tolkien epics, and the simultaneous attempts by Maori, immigrant and minority filmmakers to find a way to represent other stories in this land without recourse to the tropes of a by-now dominant national industry.

Landscape and National Identity in New Zealand Cinema

The Settled Screen

And Then I Know Love

In einer Beziehung mit dem Chef...!
 
 Shogo
 arbeitet in einer 
 Patisserie
 und ist bis über beide Ohren in seinen 
 Chef
 , den 
 Meisterpatissier Akira
 , verliebt, einen feinfühligen, gelassenen und immer aufmerksamen Mann. Die beiden werden ein
 Paar 
 und wohnen schließlich sogar zusammen. Im Laufe ihrer 
 gemeinsamen Momente
 und Unternehmungen lernen sie immer wieder 
 neue Seiten
 am anderen kennen, die dafür sorgen, dass sie einander 
 umso mehr lieben
 .
 
 Weitere Informationen:
 <ul>
 <li>Spice-Level: 2 von 4 Flammen. In diesem Boys-Love-Titel stehen die Gefühle im Mittelpunkt. Mit einzelnen expliziten Szenen.</li>
 </ul>
 
 Eine weitere gelungene Fortsetzung der süßen Boys-Love-Story aus der Feder von Honoji Tokita!

In einer Beziehung mit dem Chef...!Shogo
 arbeitet in einer 
 Patisserie
 und ist bis über beide Ohren in seinen 
 Chef
 , den 
 Meisterpatissier Akira
 , verliebt, einen feinfühligen, gelassenen und immer aufmerksamen Mann. Die beiden werden ein
 Paar 
 und wohnen schließlich sogar zusammen. Im Laufe ihrer 
 gemeinsamen Momente
 und Unternehmungen lernen sie immer wieder 
 neue Seiten
 am anderen kennen, die dafür sorgen, dass sie einander 
 umso mehr lieben
 .
 <ul><li>Spice-Level: 2 von 4 Flammen. In diesem Boys-Love-Titel stehen die Gefühle im Mittelpunkt. Mit einzelnen expliziten Szenen.</li></ul> Eine weitere gelungene Fortsetzung der süßen Boys-Love-Story aus der Feder von Honoji Tokita!

And Then I Know Love 5

RAINBOW

Japan, 1957. Über zehn Jahre sind vergangen, seit das Land im Zweiten Weltkrieg besiegt wurde. Zehn Jahre, in denen vor allem die Schwächsten der Gesellschaft unter den Entbehrungen der Nachkriegszeit zu leiden hatten.

Mario wurde wegen Körperverletzung verhaftet und zurück in die Shonan-Spezial-Erziehungsanstalt gebracht. Nun soll er jedoch nach dem Erwachsenenstrafrecht belangt werden - und das würde mindestens sieben Jahre Gefängnis bedeuten, wenn es ihm nicht gelingt, die Anklage durch die Staatsanwaltschaft zu verhindern. Angeleitet von Nomoto machen sich Marios frühere Zellengenossen daran, einen Plan zu schmieden. Doch ihnen bleiben nur noch 11 Tage bis zur Anklageerhebung ...

RAINBOW 04

Integration Europas und Ordnung der Weltwirtschaft

Europäische Außenpolitik wird in besonderer Weise durch das komplexe Beziehungsgeflecht der Europäischen Union mit China geprägt. In dieser Studie werden die Entwicklung, Funktionsweise, Problemfelder und Perspektiven der europäischen Chinapolitik im Spannungsfeld von supranationaler Dynamik und realpolitischen Interessen der EU-Mitgliedstaaten beleuchtet.

Institutionalizing and Strategizing in European Foreign Policy

The EU's China Policy

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

Unlocking Animation Layout focuses on the design and art skills you'll need to affect the viewer's experience and help the director tell the story. Packed with information you won't find anywhere else, this book is an invaluable resource for students and professionals who are interested in improving their animation layout skills.

Unlocking Animation Layout focuses on the design and art skills you’ll need to affect the viewer’s experience and help the director tell the story. Packed with information you won’t find anywhere else, this book is an invaluable resource for students and professionals who are interested in improving their animation layout skills.

Expert Techniques for Effective Backgrounds

Unlocking Animation Layout

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Mieruko – Die Geister, die mich riefen

Seit Michiru und Hana sich nähergekommen sind, versperren die Tentakel, die Michiru früher vollständig umgeben haben, Miku immer seltener die Sicht auf ihre erschreckend hübsche Klassenkameradin. Während Michirus Besessenheit langsam zu einer gesunden Freundschaft gedeiht, scheint der nächste Problemfall jedoch bereits ein Auge auf Miku geworfen zu haben ...

Mieruko-chan - Die Geister, die mich riefen 11

Pokémon Creative Colour

Rediscovered Classics of Japanese Animation

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema