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Oltolini M: Rediscovered Classics of
Japanese Animation

Rediscovered Classics of Japanese Animation

The Adaptation of Children’s Novels into the World Masterpiece Theater Series

Mitch and Yonko haven't spoken in a year. As children, they were inseparable, raised together in an orphanage outside Tokyo-but ever since the sudden death of Mitch's brother, they've been mourning in their private ways, worlds apart. In the aftermath of the Fukushima nuclear catastrophe, they choose to reunite, finding each other in a city undone by disaster. Mitch and Yonko have drifted apart, but they will always be bound together. Because long ago they witnessed an unspeakable tragedy, a tragedy that they've kept secret for their entire lives. They never speak of it, but it's all around them. Like history, it repeats itself. Yuko Tsushima's sweeping and consuming novel is a metaphysical saga of postwar Japan. Wildcat Dome is a hugely ambitious exploration of denial, of the ways in which countries and their citizens avoid telling the truth-a tale of guilt, loss, and inevitable reckoning. 'Tsushima evades any label, her fiction transcends gender to focus on the existential loneliness that is at the heart of humanity.' Japan Times

Wildcat Dome

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

BFI Film Classics

Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner's wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in its sensibility, it received critical acclaim upon release, winning the Critics' Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film's de-dramatised aesthetic, one that rebukes the artifice and "slickness" of Hollywood. Gorfinkel considers Loden's craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.

Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner’s wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in its sensibility, it received critical acclaim upon release, winning the Critics’ Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film’s de-dramatised aesthetic, one that rebukes the artifice and “slickness” of Hollywood. Gorfinkel considers Loden’s craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.

Wanda

"Attachment Film, Emotion, and Cognition is the first empirical consideration of the biological importance of films about social bonds, such as romantic films and melodramas. Whilst romantic films and melodramas have suffered from the negative reputation of communicating non-adaptive emotions, films about relationships continue to fascinate, leaving film theory with unanswered questions related to the fascination and function of relationships films"--

Attachment Film, Emotion, and Cognition is a bold intervention that seeks to center the bodily and affective dimensions of film traditionally regarded as “feminine”.

The author uses attachment theory in an interdisciplinary framework with an emphasis on biology and a species-based understanding of pro-social behavior to approach films about attachment motivations. 

By blending affective and cognitive neuroscience research with tendencies deeply embedded in the humanities, this book makes a major contribution to the field of cognitive film theory. The focus on attachment theory also makes a meta-generic address via its focus on romance and melodrama that makes it useful for other narratives that overlap affective and generic boundaries. The book presents a model of attachment-film experiences with its inbuilt shifts in affective and cognitive regulative processes and makes an ambitious case for how engagement with attachment film viewing can be understood from both a universal and an individual perspective.

Attachment Film, Emotion, and Cognition

Meltdown at Fukushima

Unlocking Animation Layout focuses on the design and art skills you'll need to affect the viewer's experience and help the director tell the story. Packed with information you won't find anywhere else, this book is an invaluable resource for students and professionals who are interested in improving their animation layout skills.

From his days working under the Nine Old Men and creating layout for Disney classics like Aladdin and Hercules to more than a decade of teaching animation to the rising generation at CalArts, Dan Hansen has accumulated a lifetime of knowledge and is sharing it with you in Unlocking Animation Layout. Acting as your personal mentor, Hansen walks you through all of the elements of design and layout you’ll need to become a successful layout artist. Each chapter discusses a new concept using actual layout drawings from real films, includes a list of film examples of the idea in action, and offers an assignment that, once completed, can become part of your portfolio.While other books get in depth about the technical aspects of perspective or animation pipeline, they won’t bring you any closer to becoming a better artist. But Unlocking Animation Layout does just that, focusing on the design and art skills you’ll need to affect the viewer’s experience and help the director tell the story. Packed with information you won’t find anywhere else, this book is an invaluable resource for students and professionals who are interested in improving their animation layout skills.Key Features<li>Hundreds of full-color images, including previously unpublished layouts from animated features and drawings from actual students</li><li>Loaded with information and topics you won’t find anywhere else, like Disney’s special approach to Graphics and Contrast and Affinity </li><li>Lists of live action and animated films and timestamps to accompany each chapter</li>

Expert Techniques for Effective Backgrounds

Unlocking Animation Layout

And Then I Know Love

In einer Beziehung mit dem Chef...!
 
 Shogo
 arbeitet in einer 
 Patisserie
 und ist bis über beide Ohren in seinen 
 Chef
 , den 
 Meisterpatissier Akira
 , verliebt, einen feinfühligen, gelassenen und immer aufmerksamen Mann. Die beiden werden ein
 Paar 
 und wohnen schließlich sogar zusammen. Im Laufe ihrer 
 gemeinsamen Momente
 und Unternehmungen lernen sie immer wieder 
 neue Seiten
 am anderen kennen, die dafür sorgen, dass sie einander 
 umso mehr lieben
 .
 
 Weitere Informationen:
 <ul>
 <li>Spice-Level: 2 von 4 Flammen. In diesem Boys-Love-Titel stehen die Gefühle im Mittelpunkt. Mit einzelnen expliziten Szenen.</li>
 </ul>
 
 Eine weitere gelungene Fortsetzung der süßen Boys-Love-Story aus der Feder von Honoji Tokita!

In einer Beziehung mit dem Chef...!Shogo
 arbeitet in einer 
 Patisserie
 und ist bis über beide Ohren in seinen 
 Chef
 , den 
 Meisterpatissier Akira
 , verliebt, einen feinfühligen, gelassenen und immer aufmerksamen Mann. Die beiden werden ein
 Paar 
 und wohnen schließlich sogar zusammen. Im Laufe ihrer 
 gemeinsamen Momente
 und Unternehmungen lernen sie immer wieder 
 neue Seiten
 am anderen kennen, die dafür sorgen, dass sie einander 
 umso mehr lieben
 .
 <ul><li>Spice-Level: 2 von 4 Flammen. In diesem Boys-Love-Titel stehen die Gefühle im Mittelpunkt. Mit einzelnen expliziten Szenen.</li></ul> Eine weitere gelungene Fortsetzung der süßen Boys-Love-Story aus der Feder von Honoji Tokita!

And Then I Know Love 5

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

This collection analyzes Joshua Oppenheimer’s diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer’s use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

The Korean Cinema Book

"This book analyses emergent visual trends in Japan from the late 1960s to the present. Adopting a case study approach, it deconstructs the role that visual practices can play in shaping a variety of countercultural discourses related to politics, gender, identity, censorship, ethics and disasters. In demonstrating how photography, reportage, photojournalism and film can drive countercultural shifts in society, this book shows how visual art forms which transgress or subvert socio-cultural boundaries in Japan also have a wider impact due to the interconnectedness between these practices from a global perspective"--

This book presents innovative analysis of emergent visual trends in Japan from the late 1960s to the present day. Adopting a thematic approach, this interdisciplinary text deconstructs the role that visual practices played in shaping a variety of countercultural discourses related to politics, gender, identity, sexuality, censorship, ethics and disasters. The book makes the case that visual practices do not merely function as a way to record counterculture, but that such practices are in themselves contributing to dynamics of resistance. By considering a wide range of artists, photographers, film makers and practitioners, the book focuses on the way that visual culture transgresses, subverts or in the very least questions assumed socio-cultural boundaries in Japan. In doing so, the book foregrounds the crucial role that images play in our society today. Images are no just depictions of political shifts as and when they do occur, but they form part of this very shift in their own right. The book also highlights the interconnectedness between various visual practices and how they fit into wider geopolitical considerations on a global scale.

Political Shifts and the Dynamics of Resistance

Visual Counterculture in Japan

fate/

Before the most recent Holy Grail War, Shirou Emiya spent most of his days like practically every other high school teen. Growing up without his parents, however, meant his evenings were commonly spent cooking up meals for the many faces who would pass by his traditional Japanese residence. Whether friend or foe; stranger or comrade, Emiya gladly whips up classic Japanese dishes that often win over even the most seasoned warrior.

Before the most recent Holy Grail War, Shirou Emiya spent most of his days like practically every other high school teen. Growing up without his parents, however, meant his evenings were commonly spent cooking up meals for the many faces who would pass by his traditional Japanese residence. Whether friend or foe; stranger or comrade, Emiya gladly whips up classic Japanese dishes that often win over even the most seasoned warrior.

Today's Menu for the Emiya Family, Volume 6

The only authorised history of Hammer Films draws on exclusive access to the company's archive of stills and paperwork to give the complete history of the company and its leading figures, a film-by-film analysis of its horror and fantasy titles, and the most complete Hammer filmography ever published. Nearly seventy years ago, Hammer Films released their very first horror movie, The Quatermass Xperiment. The now-legendary British company went on to make such classics as The Curse of Frankenstein and Dracula (and their many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers, including the likes of George Lucas, Martin Scorsese and Tim Burton. Featuring a design refresh, this new version of The Hammer Story will include 32 additional pages and continue the story of Hammer Films as they came back from the dead in 2007 and began producing new horror films for a modern audience.

The Hammer Story: Revised and Expanded Edition

Rediscovered Classics of Japanese Animation

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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