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Stammers John: Queries on Death, the
Infinite and Irrational Numbers / LF

Queries on Death, the Infinite and Irrational Numbers

Later Life Letter

SEDUCTIVE, SINISTER, GLAMOROUS, HORRIFIC: this collection brings together the best poems inspired by the undead, from Goethe and Byron to Emily Dickinson and Ishmael Reed A nest of vampires literal and metaphorical, this poetry collection ranges across centuries and languages to bring readers a bevy of dark delights. The undead have long provided the perfect vessel for humanity's fears and desires--from spine-tingling chills to sinister sexiness, vampires are the ultimate representation of the most frightening and alluring parts of ourselves. They've inspired poems that tell stories, proffer warnings, and imagine life from inside the eternal night, by authors like J.W. Goethe, Lord Byron, Emily Dickinson, Charles Baudelaire, Anna Laetitia Barbauld, Delmira Agustini, and Ishmael Reed, brought together with many more in this one-of-a-kind collection. With an introduction by Claire Kohda, author of Woman, Eating. Contents include: <ul><li>Chilling Tales: poems by Gottfried August Burger, Johann Wolfgang von Goethe, Robert Southey, Anne Bannerman, John Stagg, Lord Byron, Samuel Taylor Coleridge, Alfred Lord Tennyson, Rafael Campo</li><li> Dire Warnings: poems by Heinrich August Ossenfelder, John Keats, Henry Thomas Liddell, James Clerk Maxwell, Charles Baudelaire, Christina Rossetti, Madison Julius Cawein, Rudyard Kipling, Conrad Aiken, Edna St Vincent Millay, James Weldon Johnson</li><li> The Vampire Within: poems by Anna Laetitia Barbauld, Emily Brontë, Emily Dickinson, Walter Pater, Delmira Agustini, William Butler Yeats, Ishmael Reed, Dorothy Barresi, John Yau</li></ul>

Selected Vampiric Verses

White Teeth, Red Blood

A revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquence In ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge. Mann explores how Ovid's version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language's ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age. Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.

A revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquence In ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge. Mann explores how Ovid’s version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language’s ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age. Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.

Poetry, Science, and the Early Modern Sublime

The Trials of Orpheus

The first book to consider the poet Frank O'Hara's distinguished curatorial career for the Museum of Modern Art, and his role in shaping the international reception of American modern art during the Cold War period.

The first book to consider the poet Frank O’Hara’s distinguished curatorial career for the Museum of Modern Art, and his role in shaping the international reception of American modern art during the Cold War period.

New York Poet, Global Curator

Frank O’Hara and MoMA

Girl, Swooning

Yevgeny Onegin

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

Metamorphoses Reimagined offers a twenty-first-century retelling of Ovid's masterpiece that decenters the human.

Metamorphoses Reimagined

A New York Times Book Review Editors’ Choice “A comprehensive biography of . . . one of the most acclaimed poets of her generation and a face of American feminism.”—New York Times A major American writer, thinker, and activist, Adrienne Rich (1929–2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich’s correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations.

A Biography

The Power of Adrienne Rich

Poems

The Negroes Send Their Love

Weaving together literary and archaeological evidence, Emily Hauser illuminates the rich, intriguing lives of the real women behind Homer's Iliad and Odyssey. Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well--complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones, award-winning classicist and historian Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece - the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, and Penelope. In this captivating journey through Homer's world, Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that uncover thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on "women's work" of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history reveals the women of the Bronze Age Aegean as never before, offering a ground-breaking reassessment of the ancient world.

A New History of Homer's World Through the Women Written Out of It

Penelope's Bones

The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet.
Richard Siken’s long-anticipated third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself—“the mind that / didn’t work, the leg that wouldn’t move…”. Meditations on language are woven throughout the collection. Nouns won’t connect and Siken must speak around a meaning: “dark-struck, slumber-felt, sleep-clogged.” To say “black tree” when one means “night.”Siken asks us to consider what a body can and cannot relearn. “Part insight, part anecdote,” he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in “The field [that] had been swept clean of habit.”

I Do Know Some Things

Queries on Death, the Infinite and Irrational Numbers

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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