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Reshuffle art history with Queen of Arts, a beautifully illustrated deck of playing cards and book spotlighting the lives, work, and legacies of fifty-four remarkable women.

•	Klassisches Spielkartenset mit umfangreichem Booklet zu Leben und Werk der Künstlerinnen
•	Präsentiert 54 Künstlerinnen aus dem 16. Jh. bis heute
•	Grandiose Illustrationen

Die Geschichte der Kunst steckt voller Frauen! Dieses klassische Spielkartenset stellt Leben, Werk und Vermächtnis von 54 bemerkenswerten Künstlerinnen in den Mittelpunkt. Einst repräsentierten die vier Farben von Spielkarten die vier Gesellschaftsschichten im mittelalterlichen Frankreich: Herz stand für den Klerus, Pik für den Adel, Karo für die Kaufleute und Kreuz für die Landbevölkerung. Hier werden diese vier Farben als Seherinnen, Kämpferinnen, Influencerinnen und Dissidentinnen neu interpretiert und die vorgestellten Künstlerinnen nach diesen Kategorien zusammengestellt. Die umwerfenden Illustrationen machen Lust darauf, das beiliegende Booklet aufzuschlagen, um mehr über jede einzelne Künstlerin zu erfahren.

Miller L: Queen of Arts

Queen of Arts

Women Artists Playing Cards

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Speculative Visions and Critical Histories

Queens in Antiquity and the Present

Routledge Series on Identity Politics

Anna Sampaio's book provides an overview of Latina political participation and activism beginning in the late 19th century, highlighting the history and experiences of the three largest populations of Latinas in the U.S. - Mexican American, Puerto Rican, and Cuban American women. Their history of participation is not only central to our understanding of racial, ethnic and gender politics specifically, but American politics generally. This book serves as a tool that will inform students about the changing forms of political activism and participation of Latinas in the U.S. and about the ways that race and gender can serve as modes of analysis for conducting research.

Anna Sampaio’s book provides an overview of Latina political participation and activism beginning in the late 19th century, highlighting the history and experiences of the three largest populations of Latinas in the U.S. – Mexican American, Puerto Rican, and Cuban American women. Sampaio develops the history of Latina political engagement and activism over the course of five main chapters, beginning with a discussion of colonization, naturalization, and immigration focused on U.S. expansion into the Southwest and the islands of Puerto Rico and Cuba, and extending through the expansion of Latina/o labor in the first half of the 20th century, the social protest movements of the 60s and 70s, and the shifts in activism over the last 30 years. The book examines Latina political participation in each stage by considering how their identity, activism, and political participation were shaped and how they transformed the political landscape around them. At the same time, Sampaio uses ideas from feminist theory to adopt an analytical lens, highlighting questions of gender, race, class and their intersection throughout the periods of political history examined in these chapters. Whether it is organizing immigrant activists in response to restrictive legislation proposed in Congress, providing feminist critiques of leaders in the Chicano movement, or mobilizing voter turnout in key elections, Latinas have always engaged in politics. Their history of participation is not only central to our understanding of racial, ethnic and gender politics specifically, but American politics generally. This book serves as a tool that will inform students about the changing forms of political activism and participation of Latinas in the U.S. and about the ways that race and gender can serve as modes of analysis for conducting research.

Latina Political Participation and Activism in the U.S

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Looking at Women, Looking at War

In defence of female promiscuity...

In Defence of Female Promiscuity

The Essential John Berger

The Moment of Cubism

A Portrait of John Singer Sargent

Beyond Beauty

The Orient Within

Art and Identity in Spain, 1833-1956

Queen of Arts

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