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A study of psychoanalysis based on phenomenological philosophy, which offers new insights and develops neglected dimensions of the field.

Gunnar Karlsson uses phenomenological philosophy and its theory of knowledge to assist in the understanding of psychoanalysis. He considers the foundations for psychoanalysis as a science, what constitutes its domain and what truth claims it maintains. Karlsson's rigorous and original approach will appeal to both professionals and scholars.

Karlsson Gunnar: Psychoanalysis in a New
Light

Psychoanalysis in a New Light

Preface; 1. Phenomenology and psychoanalysis; 2. The life-world as the ground for sciences; 3. A critical examination of neuropsychoanalysis; 4. The conceptualization of the psychical in psychoanalysis; 5. The libido as the core of the unconscious; 6. The grounding of libido in the life-world experience; 7. Beyond the pleasure principle: the affirmation of existence; 8. The question of truth claims in psychoanalysis; Concluding remarks.

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Essays in Social Psychology

Categorization and Complexity in Intergroup Relations

Multiple Social Identities

A Primer of Concepts and Techniques

Analytic Methods for Clinical Research

Genders & Sexualities in Minds & Cultures

In this landmark collection of original essays, originally published in 1989, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism and explore the significance of its institutional context and write against the received views on 'French feminism' and essentialism. This Classic Edition of the book features a new introduction.

In this landmark collection of original essays, originally published in 1989, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism and explore the significance of its institutional context and write against the received views on 'French feminism' and essentialism. This Classic Edition of the book features a new introduction.

Between Feminism and Psychoanalysis

Ein wissenschaftlich-integratives Lehrbuch

Coachingpsychologie: Grundlagen, Methoden und Anwendungsgebiete

George Loewenstein has been at the forefront of progress in bringing together the disciplines of economics and psychology. One area in which he has made a major contribution is in the analysis of intertemporal choice: th extent to which and reasons why we are prepared to defer some immediate benefit for a greater benefit at a later date. This volume includes Loewenstein's most important papers on the topic and an introduction which sets the papers in an overall framework, taking account of current work in this area.

Intertemporal choice is merely the adult decision to defer some immediate benefit for greater benefit at a later date. This study includes papers on this cross-over topic that links economics to psychology.

Intertemporal Choice

Rethinking Art's Histories

Psychoanalysis, Politics and the Art of French Feminism

Counterpractice

In Action, Thought, and Society

An Introduction to Collective Intentionality

Foundations of Psychology

Introducing Theory of Mind

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

Handbook of Theory of Mind

Psychoanalysis in a New Light

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Inhalt

Bibliografische Angaben

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