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Pinhay S: Producing Film and Television

Producing Film and Television

First In, Last Out

Chapter 1: Introduction: Why Producing?; Chapter 2: The UK Film Industry and the Business of Film; Chapter 3: Film Development; Chapter 4: Film Packaging; Chapter 5: Film Finance; Chapter 6: Making a Film; Chapter 7: Sales, Distribution, Exhibition and Recoupment; Chapter 8: Getting into Film Production; Chapter 9: The Business of Television; Chapter 10: Television Types and Genres; Chapter 11: TV Commissioning; Chapter 12: Managing Productions; Chapter 13: Making TV - Single Camera; Chapter 14: Making TV - Multi-Cam Studio, OB and Rigs; Chapter 15: TV Finance and Selling; Chapter 16: Getting Into TV; Chapter 17: Last Out

This book is the first dedicated edited collection that explores the virtualization of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies.

What is Real?

The Screens of Virtual Production

This new and updated 18th edition of Television Production offers a thorough and practical guide to professional TV production techniques. Learn how to anticipate and quickly overcome commonly encountered problems in television production as author Jim Owens details each role and process.

Television Production

In The Color Correction Coach: Organized Workflows for Color Grading Confidently and Profitably, veteran colorist Patrick Inhofer presents postproduction professionals and students with complete, repeatable processes for color correcting moving images. Featuring techniques performed in a variety of color correction software applications, this book provides skills and workflows that any aspiring colorist, editor, independent filmmaker, or motion graphics artist requires to master primary and secondary corrections, reference monitors, scopes, contrast, saturation, shot matching, controlling the eye, client relations, budgeting, and much more. A robust companion website features source footage that readers can download and edit, video webinars and tutorials, and instructor resources.

In The Color Correction Coach: Organized Workflows for Color Grading Confidently and Profitably, veteran colorist Patrick Inhofer presents postproduction professionals and students with complete, repeatable processes for color correcting moving images. Featuring techniques performed in a variety of color correction software applications, this book provides skills and workflows that any aspiring colorist, editor, independent filmmaker, or motion graphics artist requires to master primary and secondary corrections, reference monitors, scopes, contrast, saturation, shot matching, controlling the eye, client relations, budgeting, and much more. A robust companion website features source footage that readers can download and edit, video webinars and tutorials, and instructor resources.

Organized Workflows for Color Grading Confidently and Profitably

The Color Correction Coach

Cinematic Style as Philosophy

Robert Bresson

The Toronto New Wave cinema that emerged in Canada in the 1980s spawned the careers of David Cronenberg, Don McKellar, Vincenzo Natali, Patricia Rozema, Sarah Polley, and many other unsung Canadian auteurs who produced films that betray anarchistic philosophies and apocalyptic propensities. This book recognises the intersection of anarchist-apocalyptic themes that the movies stage and interrogate, as it develops a new analytical paradigm that is consonant with the Canadian film production exigencies in which the Toronto New Wave was immersed. Chapters include discussions of historical contexts and auteur interviews, combined with sophisticated film analyses, to explore key themes within the Toronto New Wave. Topics include David Cronenberg's earliest films and the anarchist-apocalypse effect they engendered; Don McKellar's cohort of collaborators and the anarchist idea of "kissing this world goodbye"; and the anarchist-apocalyptic critique of cybernetic technology. The book also examines Vincenzo Natali's anarchist-apocalyptic critique of industrial technology and class-based incarceration; films and auteurs dedicated to anarchist-queering and anarchist-gendering the apocalypse; including representations of zombies and the end of time in post-millennium neo-TNW films and beyond. The text's eloquent dance with film studies' admixture of theory, history, and analyses is a ballet of insight and essential reading for anyone interested in the study of film and the exciting anarchist-apocalyptic contributions made to it by the Toronto New Wave and some of its progeny. The idea of a pending social apocalypse is a prescient issue in contemporary cinema theory and this study offers an original approach to issues keyed to anarchist values and apocalyptic revelation in an historically important but under-represented Canadian filmmaking group.

Toronto New Wave Cinema and the Anarchist-Apocalypse

Filled with timeless principles and thought-provoking examples from a variety of international films, the third edition of Karen Pearlman's 'Cutting Rhythms' offers an in-depth study of the film editor's rhythmic creativity and expertise, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film.

Creative Film Editing

Cutting Rhythms

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Essential and Advanced Techniques

Creating Motion Graphics with After Effects

Using examples and hard-earned experiences from the Author's courses and lectures at the esteemed MFA in Documentary Film Program at Stanford University, this book explores what is unique about the short-form documentary and guides the reader through the process - from ideation to completion and distribution.

Creating Artful Short Documentary Films

A Guide to (Short) Documentary Filmmaking

Written by the head of physical production at New Line Cinema, The Creative Producing Handbook: An Insider's Guide to Production provides a detailed overview of creative film production and what it takes to make it as a producer or executive in today's industry.

An Insider’s Guide to Production

The Creative Producing Handbook

The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.

Highlights from The Collection of Motion Picture Costume Design

The Costumes of Hollywood

The art and craft of recording sound for movies comes to life in this book chronicling the career of one of the most experienced and respected sound mixers in Hollywood. Naked Under a Waterfall is a fresh and colorful look at a subject that has been largely overlooked until now. The production sound mixer is responsible for recording dialogue and sound effects and is a vital component of any film or TV crew, yet it's a craft relatively unexplored by writers on cinema. This practical book presents a balanced discussion of the evolution of the craft, aesthetics, techniques, and on-set dynamics. It will be of interest to anyone on the sound crew of a movie or TV production. In addition, it is not overly technical and therefore suitable for film students and amateur filmmakers.

The Craft of Production Sound Mixing for Film

Naked Under a Waterfall

Producing Film and Television

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