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"A terrific model of feminist media historiography! Jennifer S. Clark expands our understanding of 1970s American television, the women's liberation movement, and the deep connections among gender, labor, and activism while innovating new strategies to examine the media industries."—Elana Levine, author of Her Stories: Daytime Soap Opera and US Television History
"A massively important and enlightening contribution to the field, offering a nuanced treatment of industry cooperation and compromise. Clark uses rare archival findings and a wide range of cultural objects and case studies to generate fresh, bold conclusions around second-wave feminism and American television."—Annie Berke, author of Their Own Best Creations: Women Writers in Postwar Television
"A massively important and enlightening contribution to the field, offering a nuanced treatment of industry cooperation and compromise. Clark uses rare archival findings and a wide range of cultural objects and case studies to generate fresh, bold conclusions around second-wave feminism and American television."—Annie Berke, author of Their Own Best Creations: Women Writers in Postwar Television