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Cook K: Praise and Blame in Greek
Tragedy

Praise and Blame in Greek Tragedy

Gods and Heroes of the Ancient World

Theseus

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

Shakespeare: The Critical Tradition

A companion to volume 1, Hamlet: Shakespeare: The Critical Tradition, Volume 2 presents key critical accounts of Hamlet from 1885-1964. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. 

The volume features criticism from leading literary figures, such as Sigmund Freud, T.S. Eliot, A.C. Bradley, Helena Faucit Saville and Matthew Arnold. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. The volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

A companion to volume 1, Hamlet: Shakespeare: The Critical Tradition, Volume 2 presents key critical accounts of Hamlet from 1885-1964. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from leading literary figures, such as Sigmund Freud, T.S. Eliot, A.C. Bradley, Helena Faucit Saville and Matthew Arnold. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. The volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

Shakespeare: The Critical Tradition, Volume 2

Hamlet

Cambridge Classical Texts and Commentaries

Indispensable for students and scholars of Latin literature, ancient rhetoric, and Roman law, this new critical edition, destined to become the new standard, is accompanied by a thorough commentary that overturns long-held assumptions about Roman legal procedure and reveals Cicero's innovative rhetorical manipulation of the occasion.

Indispensable for students and scholars of Latin literature, ancient rhetoric, and Roman law, this new critical edition, destined to become the new standard, is accompanied by a thorough commentary that overturns long-held assumptions about Roman legal procedure and reveals Cicero's innovative rhetorical manipulation of the occasion.

Cicero: Divinatio in Q. Caecilium

Leadership in Xenophon’s Anabasis

Understanding Classics

"This book provides a short and accessible introduction to Strabo's life, times and cultural context. It outlines the importance of geography and geographical writing in the Augustan period and its development in ancient Greece and Rome, as well as explaining Strabo's significance and impact in antiquity and beyond. Jessica Lightfoot also explores how Strabo engages heavily with the works of Homer and other prominent Greek literary figures of the past. Our ancient geographer has much to tell us about myth, fiction and literature and their relation to geographical and historical prose"--

Strabo

An epic new history of Ancient China told through the prism of a dozen extraordinary tombsThe three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

An epic new history of Ancient China told through the prism of a dozen extraordinary tombs The three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

Life and Afterlife in Ancient China

A Pocket Guide to an Epic Civilization, Including Key Events, People, Trivia and More

The Little Book of Ancient Egypt

Classical Diaspora

This open-access volume explores the reception of Graeco-Romano culture from Ireland's earliest medieval scholars such as Columbanus and John Scottus Eriugena to later writers including James Joyce, Seamus Heaney and Colm Tóibín. Migrations and classical antiquity have played a key interconnected role for successive centuries in the experiences of the Irish diaspora, in the articulations of those experiences, as well as in the influences of Irish classicism abroad. Throughout subsequent centuries ancient Greece and Rome were repeatedly evoked in literature, art, and historiographies associated with migrations as vehicles for the expression of varied political and cultural positions. The chapters in this collection explore how the early Irish peregrini left their mark on continental scholarship; how the model of ancient Rome was coopted for political purposes; the ways in which Protestant writers adopted the notion of ancient Romanitas as a key to the British imperial project; and, finally, how the Catholics perceived ancient Rome as being subsumed into the universalism of the Roman Catholic Church. As such, this collection, the first of its kind, seeks to create a holistic overview of the distinctive cultural classical in Irish culture throughout the ages. What we learn is how deep articulations of migration through classical media have penetrated Ireland's diasporic culture. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Research Council.

Irish Migrations and Classical Antiquity

Classics after Antiquity

"The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond"--

The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond.

A Cultural History of the Western Tradition from the Eleventh Century to the Present

Translating Virgil

Quellen und Forschungen zur Literatur- und Kulturgeschichte

Dämonen und Teufel tauchen in der Literatur des Spätmittelalters häufig und in vielerlei Gestalt auf. In den vorliegenden Studien wird dieser Komplex diabolischer Bedrohungen erstmals mit einem Schwerpunkt auf der mittelalterlichen niederdeutschen Literatur systematisch untersucht - und damit zugleich ein Stück der in der Germanistik tendenziell vernachlässigten niederdeutschen Literaturgeschichte geschrieben. Es stehen drei Gattungstraditionen im Mittelpunkt: die Novellistik, die Exempel und die Legenden.
Neben den niederdeutschen Texten wie ,Bruder Rausch', dem ,Verlorenen Sohn', dem ,Großen Seelentrost', der Zeno- und der Brandan-Legende werden dabei auch - im Sinn einer notwendigen Vergleichsfolie - hochdeutsche, mittellateinische, altfranzösische und mittelniederländische Texte einbezogen.
Als Figuren des Diabolischen gelten dabei nicht nur die narrativ konstituierten Protagonisten, sondern vor allem die spezifischen Umgangsweisen mit jenem negativ Numinosen, dessen Bearbeitung literarische Erfahrungen stets überschreitet. Methodisch geht die Arbeit von dem hermeneutischen Grundanliegen aus, jene Fragen zu finden, auf welche die untersuchten Texte die Antworten darstellen und integriert dabei historisch-anthropologische mit diskursanalytischen Ansätzen.
Das Buch richtet sich an Literaturwissenschaftler und Mediävisten aller Fachrichtungen.

Dämonen und Teufel tauchen in der Literatur des Spätmittelalters häufig und in vielerlei Gestalt auf. In den vorliegenden Studien wird dieser Komplex diabolischer Bedrohungen erstmals mit einem Schwerpunkt auf der mittelalterlichen niederdeutschen Literatur systematisch untersucht – und damit zugleich ein Stück der in der Germanistik tendenziell vernachlässigten niederdeutschen Literaturgeschichte geschrieben. Es stehen drei Gattungstraditionen im Mittelpunkt: die Novellistik, die Exempel und die Legenden.Neben den niederdeutschen Texten wie ‚Bruder Rausch‘, dem ‚Verlorenen Sohn‘, dem ‚Großen Seelentrost‘, der Zeno‑ und der Brandan‑Legende werden dabei auch – im Sinn einer notwendigen Vergleichsfolie – hochdeutsche, mittellateinische, altfranzösische und mittelniederländische Texte einbezogen.Als Figuren des Diabolischen gelten dabei nicht nur die narrativ konstituierten Protagonisten, sondern vor allem die spezifischen Umgangsweisen mit jenem negativ Numinosen, dessen Bearbeitung literarische Erfahrungen stets überschreitet. Methodisch geht die Arbeit von dem hermeneutischen Grundanliegen aus, jene Fragen zu finden, auf welche die untersuchten Texte die Antworten darstellen und integriert dabei historisch-anthropologische mit diskursanalytischen Ansätzen.Das Buch richtet sich an Literaturwissenschaftler und Mediävisten aller Fachrichtungen.

Studien zur niederdeutschen Erzählliteratur des Mittelalters

Figuren des Diabolischen

Praise and Blame in Greek Tragedy

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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