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Pistorius J: Postcolonial Opera

Postcolonial Opera

William Kentridge and the Unbounded Work of Art

A lively and thorough exploration of the aesthetic, metaphysical, ethical, political, and legal implications of Taylor Swift's ongoing project of re-recording her first six studio albums.

A lively and thorough exploration of the aesthetic, metaphysical, ethical, political, and legal implications of Taylor Swift’s ongoing project of re-recording her first six studio albums. When Taylor Swift’s record label was sold in 2019, the six studio albums she recorded for them came under the control of a person with whom she has had years of bad blood: Kanye West’s former manager Scooter Braun. But rather than move on, Swift chose to take the unprecedented step of re-recording duplicate versions of those albums. With all of the profits made from selling, streaming, and licensing these “Taylor’s Versions” going directly to Swift, she could deprive Braun of potentially hundreds of millions of dollars. The gambit has already paid off. The first two Taylor’s Versions (of Fearless and Red) debuted at Number 1 on the Billboard charts and have sold over one million copies so far; and four more are still on the way. In this book, ten philosophers, a music producer and a composer/music technologist explore the philosophical richness of Swift’s project and the questions it raises: Are Swift's re-recordings new works of art or mere copies of the originals? Do the Taylor’s Versions of the songs have the same meanings as the original versions, or do they now mean something different? Is her re-recording project genuinely artistic or merely commercial? Is Swift standing up for artists’ rights or looking out for herself? Does the music industry exploit artists, and, if so, how should it be reformed? Together they show the philosophical dividends one of the most famous and acclaimed recording artists of her generation is capable of producing. For anyone interested in the complicated relationship between popular art and commerce this book is a must-read.

The Art of Taylor's Versions

Taylor Swift and the Philosophy of Re-recording

Jewish Lives

She Made the Earth Move

Carole King

33 1/3

"In this vivid, wide-ranging book, Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There is the ghost of the Velvet Underground, whose abrasive sound and ethos Cale nearly managed to exorcise. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and a cold war, and of Christmas, a surprising visitor who lends the proceedings a nostalgic, childlike air. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved"--

John Cale’s enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn’t do that without scaring up others. Paris 1919 was the result.
 
 In this vivid, wide-ranging book, Mark Doyle hunts down the ghosts haunting Cale’s most enduring solo album. There are the ghosts of New York – of the Velvets, Nico, and Warhol – that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale’s life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.

John Cale's Paris 1919

Ashgate Popular and Folk Music Series

Popular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture.

Popular Music in Spanish Cinema

'Fizzes with energy.' GUARDIAN'Insistent and propulsive and unforgettable.' MAAZA MENGISTE'A hugely original, lyrical odyssey.' JOHNY PITTSHours before performing at one of Europe's most iconic music festivals, Kalaf is detained on suspicion of being an illegal immigrant.

Whites Can Dance Too

The definitive story of the Hipgnosis design partnership, their iconic album artwork and their rock 'n' roll life

The visionary artists behind Pink Floyd and more

Us and Them: The Authorised Story of Hipgnosis

Composers Across Cultures

This is the first major biography of African American composer, pianist, and activist Margaret Bonds. It draws on extensive archival research to correct numerous misconceptions large and small about her and offers an account of her life and work that is detailed, yet accessible to scholars and non-specialists alike. Author John Michael Cooper places emphasis on identifying the cultural, familial, political, and racial factors that motivated Bonds as she rose from being a child prodigy from Chicago's South side to international renown. Special features are new insights into the chronology and nature of Bonds's collaborative friendships with contemporary notables including Langston Hughes, and a concluding survey of her hundreds of works categorized by genre. 

In response to the increasing globalization of music, the Composers across Cultures series, formerly the Master Musicians series, seeks to explore the inexhaustible diversity of music, and its common links to our shared humanity.

Margaret Bonds

Planet Clash

In this unique and deeply thoughtful collection, musician Alex Bleeker (Real Estate) and food and travel journalist Luke Pyenson (formerly of Frankie Cosmos) take readers on tour with a diverse lineup of inspiring indie musicians from around the world, sharing meals and travel experiences, peeking behind the curtain at this singular and singularly misunderstood way of life.

In this unique and deeply thoughtful collection, musician Alex Bleeker (Real Estate) and food and travel journalist Luke Pyenson (formerly of Frankie Cosmos) take readers on tour with a diverse lineup of inspiring indie musicians from around the world, sharing meals and travel experiences, peeking behind the curtain at this singular and singularly misunderstood way of life.

Eating on Tour with Indie Musicians

TASTE IN MUSIC

"An interdisciplinary approach to listening, in relation to the self, nation, age, witnessing and memory"--

Listening, Belonging, and Memory puts connected listening at the center of current debates around whose voices might be listened to, who by, and why. Arguing that listening has to be understood in relation to the self, nation, age, witnessing, and memory, it uses examples from digital storytelling, listening projects, and critical media analysis to highlight connections between listening and power. It centers on voices, stories, and silence, how they interweave, and are activated, maneuvered, reconfigured, and denied. It focuses on the small, microengagements
that crouch within the superstructures of violent border control and the censorious policing of sonic citizenry, identifying cracks in the reshuffling of histories and hierarchies that connected listening affords.

Listening, Belonging, and Memory

New Approaches to Sound, Music, and Media

"An exploration of YouTube as a platform for remix, reuse, and sampling"--

Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sampling that have come to characterise much of YouTube's audiovisual content. Through collaborative composition, collage and cover songs to reaction videos and political activism , users from diverse backgrounds have embraced the democratised space of YouTube to open up new and innovative forms of sonic creativity and push the boundaries of audiovisual possibilities. 
 
Observing the reciprocal flow of influence that runs between various online platforms, 12 chapters position YouTube as a central hub for the exploration of digital sound, music and the moving image. With special focus on aspects of networked creativity that remain overlooked in contemporary scholarship, including library music, memetic media, artificial intelligence, the sonic arts and music fandom, this volume offers interdisciplinary insight into contemporary audiovisual culture.

Repeatable Culture, YouTube and Music

Remediating Sound

A celebration of the life of trailblazing music journalist Tom Hibbert in this definitive anthology of his writing.

A celebration of the life of trailblazing music journalist Tom Hibbert in this definitive anthology of his writing.

The Life and Writing of Tom Hibbert

Phew, Eh Readers?

Postcolonial Opera

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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