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Rilke R: Poems to Night

Poems to Night

<div>Bending genre as a planetary body might bend spacetime, Bashir’s poems live as music and film, as memoir, observation, and critique, as movement across both cosmic and poetic fields.I Hope This Helps&nbsp;reflects on the excruciating metamorphosis of an artist, “a twinkle-textured disco-ball Jenga set” constrained and shaped by the limits of our reality: time, money, work, not to mention compounding global crises. Think of a river constrained by levees, a bonsai clipped and bent, a human body bursting through shapewear. Begging the question, what can it mean to thrive in the world as it is, Bashir says, “Rats thrive in sewers so / maybe I'm thriving.” In these moving, sometimes harrowing meditations, Bashir reveals her vulnerable inner life, how she has built herself brick by brick into an artist.</div>

I Hope This Helps

A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine. 
 
Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the "power to narrate," as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation. 
 
HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.

Palestinian Poetry

HEAVEN LOOKS LIKE US

Two roads diverged in a wood, and I-I took the one less travelled by,And that has made all the difference.-Robert Frost

Poems to Change Your Life – Poetry for Life, Business, and Inspiration

The Poetry Business School

Myth, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds ('real' and 'imaginary') unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in Myth move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre's poems never stray too long or too far from the spell of unspoiled nature: "The palm trees nod / at the ocean / the ocean does / what it always does / trusts the moon completely."
Friends 'with benefits' tour the wonders of Grenada's landscapes; extraterrestrials visit the Caribbean and the locals don't seem phased; red birds "saunter airily like tourists," La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue/create futures that honour our truths, histories and legacies?

Myth

A new and selected collection of poetry from a legend of San Francisco’s literary community.From the early days of Gay Liberation to innovations in contemporary verse, Aaron Shurin’s has been a singular voice in American poetry. His work has unwaveringly maintained lyric presence while at the same time utilizing narrative tensions and structural constraints—especially in his chosen form of the prose poem. His queer eye has never wavered—yet his has never been a poetry confined to one audience, one mode. Elixir draws from a dozen books over a period of fifty years, presciently investigating issues of gender, homosexuality, identity, and subjectivity, via ecstatic diction, luxurious sound-scape, creative grammar, and radical form.

New and Selected Poems

Elixir

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

Classics after Antiquity

"The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond"--

The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond.

A Cultural History of the Western Tradition from the Eleventh Century to the Present

Translating Virgil

Elements in Poetry and Poetics

Poetry has always courted suffering. Surveying a wide range of texts about poetry's relationship to suffering, and drawing surprising links between very different voices, this book situates Louise Glück both in the tradition of Rainer Maria Rilke's lyrical suffering and in the tradition of T. S. Eliot's impersonal approach to poetry.

On Louise Glück

About Suffering

100 poems for the first 100 days of life

Tender

Clarendon Lectures in English

The question at the heart of Poetry's Nature is "How is poetry a living art?" Based on Stewart's 2023 Clarendon Lectures in English at Oxford, it explores four paradigms that illuminate poetry's relation to other natural phenomena. By reframing poetry in its relation to nature, Stewart hopes to reframe our relation to the world in which we live.

The question at the heart of Poetry's Nature is "How is poetry a living art?" Based on Stewart's 2023 Clarendon Lectures in English at Oxford, it explores four paradigms that illuminate poetry's relation to other natural phenomena. By reframing poetry in its relation to nature, Stewart hopes to reframe our relation to the world in which we live.

Four Lectures

Poetry's Nature

The Bonfire Party

Creating Critical Research Poetry critically engages with the ways in which research can poetically approach textual representations that narrate the unnarratable and contest the uncontested.

Creating Critical Research Poetry critically engages with the ways in which research can poetically approach textual representations that narrate the unnarratable and contest the uncontested.

Creating Critical Research Poetry

Poems to Night

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