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Damluji M: Pipeline Cinema

Pipeline Cinema

The Cultural Infrastructure of Oil Extraction in Iran and Iraq

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

The Politics of Test-Bed Urbanism

Smart as a City

Anthem Impact in Music Business, Technology and Culture

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

Eine scharfsinnige Gegenwartsanalyse über moderne Anhängerschaft und die Macht der Sprache – bekannt aus dem Kult-Podcast »Sounds Like a Cult«&nbsp;Die wenigsten Menschen fühlen sich einem Kult zugehörig, und dennoch fallen viele in den verzweigten Kaninchenbau ihrer bizarren Gerüchte und Versprechungen. Dabei sind es nicht allein Sekten wie Scientology, die unseren Alltag durchdringen, sondern auch unscheinbare Lifestylekulte um Fitnessgeräte, Stars oder Produkte.&nbsp;Für die Linguistin Amanda Montell greifen vage Erklärungen wie Brainwashing oder Gedankenkontrolle zu kurz. Statt Kulte zu verteufeln, sollten wir vielmehr erkennen, mit welcher Sprache sie versuchen, einzelne Menschen von der Gesellschaft zu trennen und ihre Ideologie durchzusetzen. Von den wechselhaften Anredeformen des Sektenführers Jim Jones bis zum Love-Bombing der Netzwerk-Marketing-Profis – mit ihrer bissig komischen und persönlichen Auseinandersetzung mit unserem kultischem Denken lehrt uns Amanda Montell die Sprache der Kulte. Denn wir bemerken sie meist erst dann, wenn wir schon viel zu tief drinstecken. »Die meisten von uns waren noch nie Mitglied in einer Sekte, doch das heißt nicht, dass unser Leben von sektiererischem Denken unberührt ist. Wie diese scharfzüngige und witzige Serie zeigt, haben einige der weltgrößten Unternehmen ihren Erfolg durch das Kultivieren von Anhängern aufgebaut.«&nbsp;The New York Times

Der US-Bestseller endlich auf Deutsch ǀ Bekannt aus dem Kult-Podcast »Sounds Like a Cult«

Cultish. Fanatische Sprache und woran wir sie erkennen

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.

1946-59

Post-war Adaptations

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The Routledge Hollywood Centenary Series

Columbia-Sony

Routledge Contemporary Russia and Eastern Europe Series

Gazprom, one of Europe's most important energy companies, and the sole exporter of Russian gas to Europe, is often viewed simply as an agent of the Russian state, being used by the Russian state to exert political pressure on Russia's neighbours and more widely. This book presents a thorough examination of the Russian gas sector and Gazprom's place within it. It considers how the Russian gas sector has been modernized over recent decades, examines Russia's gas exports to different parts of the world, and explores how the international situation has changed, and continues to change, over time. The author concludes that the picture is complex; that Gazprom is both a commercially-oriented actor that lobbies strongly for its own interests and is at the same time subject to varying degrees of influence from the Russian government, the degree of influence depending on the policy area.

Gazprom, one of Europe’s most important energy companies, and the sole exporter of Russian gas to Europe, is often viewed simply as an agent of the Russian state, being used by the Russian state to exert political pressure on Russia’s neighbours and more widely. This book presents a thorough examination of the Russian gas sector and Gazprom’s place within it. It considers how the Russian gas sector has been modernized over recent decades, examines Russia’s gas exports to different parts of the world, and explores how the international situation has changed, and continues to change, over time. The author concludes that the picture is complex; that Gazprom is both a commercially-oriented actor that lobbies strongly for its own interests and is at the same time subject to varying degrees of influence from the Russian government, the degree of influence depending on the policy area.

The Political Economy of Russian Gas

Gazprom and the Russian State

Pipeline Cinema

Bibliografische Angaben

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Bibliografische Angaben

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