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This book tells the story of four remarkable women who laid the foundations of English local archives in the early 20th century: Ethel Stokes, Lilian Redstone, Catherine Jamison and Joan Wake.

Shepherd Elizabeth: Pioneering Women
Archivists in early 20th Century Englan

Pioneering Women Archivists in early 20th Century England

1. Beginnings; 2. Women's education in England before 1920; 3. Women record agents; 4. Great Historical Enterprises: the Victoria County History of England and the Complete Peerage; 5. Women's work in World War One; 6. Women, family, friendships; 7. Life of Chaucer Project at the University of Chicago; 8. National Associations for Records Preservation and for Archivists; 9. Women Archivists I; 10. Women Archivists II; 11. Endings

Building on contemporary scholarship on post-network television, feminism, melodrama, and crime television, Alison Wielgus analyzes post-network female detective television through the lenses of genre, industry, and discourses of police abolition to argue for a radicalization of crime television that incorporates discourses of restorative justice and a feminist ethics of care. This book positions post-network female detective television as a primary site to examine the intersections of cultural discourses like #MeToo and Black Lives Matter, analyzing the roles of several components of the genre including serialization, circulation, family trauma, transnational victimhood, and discourses of police abolition, among others. Drawing on narrative and genre theory, this book argues that a melodrama/crime television dialectic undergirds post-network detective television, allowing the female detective to emerge as a contested figure representative of larger cultural tensions between gender and policing. While changing industrial measures have allowed for niche programing to evolve and more rigorously interrogate gender norms, Wielgus finds that this disruption rarely extends to the institution of policing itself. #MeToo's imperatives and precursors have worked toward deepening and complicating depictions of sexual assault and femicide with narrative nuance, but there remains an uneasy relationship between Black Lives Matter and policing discourses and the desire to position female detectives as heroic saviors in the production of copaganda narratives. Ultimately, this book identifies a central problem of crime television in the limitations the genre places on the construction and representation of the structural and societal functions of policing, even amid other strides in progressive representation.

Mother, Maiden, Cop

Female Detectives on Post-Network Television

A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend

Jane Austen's Bookshelf

Football in a State of Emergency

Injury Time

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

It's 1977, and punk rock has just hit Liverpool. The legendary Eric's club is home to the city's rebels, posers and misfits. It's a place of attitude, adventure and new possibilities, and it changes lives. Some become pop stars; Penny Kiley becomes a music journalist. The story traces Penny's relationship with the music scene from the turbulent political 1980s into the changing culture of the 21st century. Throughout these years, she never stops being a misfit, and the question remains: how do you navigate normal life when punk is dead and you don't know you're autistic? Atypical Girl begins as a coming-of-age story and ends as a midlife reinvention. What unites them is a search for identity and the role that music plays in all our lives.

Liverpool, Punk Rock and Trying to be Normal

Atypical Girl

How Black culture, resistance and community shaped modern Britain

We Were There

A Biography

Yoko

Equity and Inclusion through Policy and Practice

Coal

The Lost Lives and Hidden Stories of England’s Churches

Church Crawling

From the enclosures in seventeenth-century England to the food forests in modern Amsterdam, this is a big history of little spaces, of nature in urban life, and of gardeners and their gardens through time In the heart of bustling European and American cities lies an overlooked yet vibrant corner of resilience, ingenuity and magic: our gardens. From pre-Industrial England to modern-day Washington, via the Paris Commune, Barrackia in pre-war Berlin, Soviet allotments in Estonia, the orchards tended by Black migrants in Washington and food forests in contemporary Amsterdam, ordinary people, working with each other and with nature, cultivated life in the unlikeliest of places. Over the past three hundred years, these tiny gardens, often born from necessity and shaped by precarity, immigration and environmental crisis, thrived by recycling nutrients, remedying contaminated soil and transforming how we think about our relationship to the earth. Tiny Gardens Everywhere is a hymn to the most fertile agriculture in recorded human history, showing that it occurred not on farms - the product of gigantic exertions of fossil fuels and technology - but with little effort in small garden beds. And the resourcefulness, intuition and inherited methods of their growers accomplished many of today's sustainability goals in producing local, diverse and organic food. Acclaimed historian Kate Brown unearths the long and battered story of gardeners and their gardens, asking what happens when these urban Edens are not seen as retreats from the city but become part of its social fabric, alive with histories of displacement, conflict and resistance. This is a book about land, but also about community, repair and the quiet revolutions that begin when someone plants a seed in unloved ground.

A History of Urban Resilience

Tiny Gardens Everywhere

How the Michelin Guide Changed France and Food Forever

Forks in the Road

Pioneering Women Archivists in early 20th Century England

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