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Christle Heather: Paper Crown / B

Paper Crown

'Don't worry, I'm here in the house where every room has a name, but children's names are often forgotten.'Uplifting and heart-breaking, this lyrical evocation of a childhood on the edge of society marks the arrival of a vital new voice. MINX reveals the vibrant but precarious world of a multi-racial Romani family: a world of grandfathers brewing moonshine in marrows, basement reggae parties, and a mother struggling to support her two daughters on the proceeds of her shadowy profession. Their powerful bond helps the sisters survive when they're taken into care, in a children's home that forcibly separates them. With a verve and playfulness that belies their pain, these poems explore what it means to belong. Through daring experiments with form and narrative, MINX captures how it feels to grow up between a culture whose traditional ways are being lost and a wider society that despises them.

'Don’t worry, I’m here in the house where every room has a name, but children’s names are often forgotten' Heart-breaking yet uplifting, this lyrical evocation of an Anglo-Romani childhood on the edge of society marks the arrival of a vital new voice. MINX draws us into the vibrant but precarious world of a multi-racial Romani family, whose troubled mother struggles to support her two girls on the proceeds of her shadowy nighttime work. The sisters develop a powerful bond, which helps them survive once they’re taken into care, under the punishing regime of a children’s home that separates them. Through a series of daring experiments with form and narrative, MINX captures how it feels to be caught between a culture whose traditional ways are being lost and a wider society that despises them. With a verve and playfulness that belies their pain, these poems explore what it means to belong: the search for a language and heritage erratically passed on and the cost of being forcibly assimilated.

Minx

Nominated for the 2024 Nordic Council Literature Prize, Kim Simonsen introduces a new perspective to Faroese literature rooted in the materiality of all natural organisms. The rhetorical title of the collection posits the crisis that is underway. Simonsen asks: as a species among species, all comprised of the matter of the universe, how has our compulsion to hierarchically categorize everything estranged us from ourselves, each other, and the rest of this world? Simonsen challenges our anthropocentric pursuit of knowledge, exploring the human relationship with itself as an element of the natural world. The collection follows the process as the narrator reckons with estrangement from his fellow organisms, and turns to the greater materiality of the world to find continuity, connection, and solace.

What good does it do for a person to wake up one morning this side of the new millennium

Poetry of how we shape what is lost or past, and how it shapes us. &gt; O'Donoghue's informal, even playful tone is that of a poet disarming themselves as well as their reader. He is neither plaintive nor nostalgic but confronts the possibility that what you are most attached to can be, in the end, what ties you down. The poems also enact the reluctance to return that arises out of a fear of finding yourself locked out.

The Anchorage

Mirror Nation

After Party

Bloomsbury Studies in Philosophy and Poetry

In this original study, Rachel Coventry expands Heidegger's philosophy of art to include his ontological account of poetry and technology. Following Heidegger's definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age.
 
 This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Does the digital thwart the aim of eco-poetry? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger's metaphysics.

In this original study, Rachel Coventry expands Heidegger’s philosophy of art to include his ontological account of poetry and technology. Following Heidegger’s definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age.
 
 This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Does the digital thwart the aim of eco-poetry? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger’s metaphysics.

New Aesthetics and Technologies

Heidegger and Poetry in the Digital Age

SUNY series in Islam

Collects and interprets the literary legacy of Nūrī, an early Sufi master known for his ecstatic behaviour, eccentric acts, and passionate poems of mystical love.

The Ecstatic Sufi Nūrī

A Lover of God

NATIONAL BESTSELLERThe #1 bestselling and beloved poetry anthology, now in paperback!“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.” &nbsp;–Margaret Renkl,&nbsp;New York Times“A lovely book to take with you to read at the end of your next hike.” –Los Angeles TimesPublished association&nbsp;with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.&nbsp;&nbsp;In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Poetry in the Natural World

Penguin Modern Classics

It is only James Joyce's towering genius as a novelist that has led to his comparative neglect as a poet. And yet his poems not only occupy a pivotal position in Joyce's career, they are also magnificently assured achievements in their own right. 'Chamber Music' is an extraordinary début, fusing a broad swathe of styles with characteristically sharp irony and joyful verbal exuberance. 'Pomes Penyeach' confronts painful personal issues of adultery, jealousy and betrayal and so paves the way for the more detached and fully realized treatment of these feelings in Joyce's masterpiece, Ulysses. Also included here is 'Ecce Puer', written for his new-born grandson, as well as juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge.

It is only James Joyce's towering genius as a novelist that has led to his comparative neglect as a poet. And yet his poems not only occupy a pivotal position in Joyce's career, they are also magnificently assured achievements in their own right. 'Chamber Music' is an extraordinary début, fusing a broad swathe of styles with characteristically sharp irony and joyful verbal exuberance. 'Pomes Penyeach' confronts painful personal issues of adultery, jealousy and betrayal and so paves the way for the more detached and fully realized treatment of these feelings in Joyce's masterpiece, Ulysses. Also included here is 'Ecce Puer', written for his new-born grandson, as well as juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge.

Poems

A perceptive, discursive exploration of poetry, race, and otherness from one of our most promising new voices in criticism.Vidyan Ravinthiran, a Sri Lankan Tamil English poet and second-generation immigrant, explores the feeling of being an outsider both on the page and in life. Discussing the civil rights history of South Asians within the UK as well as their placelessness in the US, Ravinthiran leaps adventurously between memoir and criticism, offering astute close readings of poets such as Tennyson, the Tamil poet Cheran, Solmaz Sharif, and Sharon Olds. He writes about Sri Lanka; intergenerational trauma; pandemic parenting in an autism family; relationships shaped by the internet; growing up with a speech impediment and being sent by one''s aspirational brown parents to speech lessons; and the relative invisibility of South Asians in Western television and film. This electric, compelling hybrid memoir examines the wider relationships among culture, race, and the self.

Life, Poems, and the Problem of Memoir

Asian/Other

The term "radical formalism" refers to strategies aimed at defamiliarising and revitalising conventional modes of formalistic reading and theorising form. These strategies disrupt and unsettle established norms while incorporating a metadiscursive awareness of their broader political implications. This volume presents a radical reconceptualisation of literary works from Greek and Roman antiquity. Engaging in an ongoing dialogue with critical theory and postcritique, as well as drawing inspiration from traditions rooted in Black art, poetry and philosophy—both directly and indirectly connected to the classical tradition—the essays in this collection explore subversions of canonical norms and resistances to the hegemony of textual order.
 
This collection not only provides new, provocative insights into a corpus of texts that has exerted a lasting impact on modern literature and philosophy, but also challenges current interpretive methods, recasting the very practice of reading in relation to form, poetics, language, sound, temporalities and textuality.

Reading, Theory, and the Boundaries of the Classical

Radical Formalisms

<div>Bending genre as a planetary body might bend spacetime, Bashir’s poems live as music and film, as memoir, observation, and critique, as movement across both cosmic and poetic fields.I Hope This Helps&nbsp;reflects on the excruciating metamorphosis of an artist, “a twinkle-textured disco-ball Jenga set” constrained and shaped by the limits of our reality: time, money, work, not to mention compounding global crises. Think of a river constrained by levees, a bonsai clipped and bent, a human body bursting through shapewear. Begging the question, what can it mean to thrive in the world as it is, Bashir says, “Rats thrive in sewers so / maybe I'm thriving.” In these moving, sometimes harrowing meditations, Bashir reveals her vulnerable inner life, how she has built herself brick by brick into an artist.</div>

I Hope This Helps

Paper Crown

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