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A lost classic of African literature - an engrossing political thriller and a turbulent tale of love and war.

A lost classic of African literature - an engrossing political thriller and a turbulent tale of love and war.

Girma B: Oromay

Oromay

November 18th 1987. Abigail, a mother of two is making her way home to North London from a day's work at Selfridges. At Kings Cross, she gets caught up in the horrendous fire that kills 31 and injures 100. She escapes physically unscathed, but disorientated and desperate to get home to her children - nine year old Robert and six month old Samantha - she slips away from the rescue staff and begins an odyssey that instead takes her further from home. The further she gets, the freer she feels; the longer she's away, the harder it becomes to return. Thirty years pass and Robert and Samantha (now Summer) chance upon a sketch of the two of them, in the window of a bric-a-brac shop in a rundown seaside town in Lincolnshire. It does not take them time to locate the picture's previous owner, living in an isolated cottage. Their Mother. A heartwarming and heartbreaking exploration of family from Jem Lester, author of SHTUM

November 18th 1987. Abigail, a mother of two is making her way home to North London from a day's work at Selfridges. At Kings Cross, she gets caught up in the horrendous fire that kills 31 and injures 100. She escapes physically unscathed, but disorientated and desperate to get home to her children - nine year old Robert and six month old Samantha - she slips away from the rescue staff and begins an odyssey that instead takes her further from home. The further she gets, the freer she feels; the longer she's away, the harder it becomes to return.Thirty years pass and Robert and Samantha (now Summer) chance upon a sketch of the two of them, in the window of a bric-a-brac shop in a rundown seaside town in Lincolnshire. It does not take them time to locate the picture's previous owner, living in an isolated cottage. Their Mother.A heartwarming and heartbreaking exploration of family from Jem Lester, author of SHTUM

The Mother of Invention

Hillary Jordan Untitled

A summer of secrets, scandal and indiscretions from the New York Times bestseller, Beatriz Williams

Secrets, scandal and indiscretions from the New York Times bestseller, Beatriz Williams

Tiny Little Thing

The Man with Many Names

Inspector Ramsay

The sixth and final novel in the Inspector Ramsay series by Sunday Times bestselling author Ann Cleeves. When a frightened girl turns up on Inspector Ramsay's doorstep, he finds himself drawn into an isolated community, where secrets and lies abound . . .

The sixth and final novel in the Inspector Ramsay series by Sunday Times bestselling author Ann Cleeves. When a frightened girl turns up on Inspector Ramsay’s doorstep, he finds himself drawn into an isolated community, where secrets and lies abound . . .

The Baby-Snatcher

The fifth novel in the Inspector Ramsay series by Sunday Times bestselling author Ann Cleeves. Inspector Ramsey is called to the murder of a reclusive farmer. But this is no simple crime, and when another is found strangled, all signs point to a therapy centre . . .

The fifth novel in the Inspector Ramsay series by Sunday Times bestselling author Ann Cleeves. Inspector Ramsey is called to the murder of a reclusive farmer. But this is no simple crime, and when another is found strangled, all signs point to a therapy centre . . .

The Healers

The Spanner in the Works

A dark psychological suspense-come-ghost-story; about one family, buried under the weight of their own secrets. And a visitor, determined to destroy them.

A dark psychological suspense-come-ghost-story; about one family, buried under the weight of their own secrets. And a visitor, determined to destroy them.

The Farm

The Bengali filmmaker, Ritwik Kumar Ghatak (1925-1976), wrote, produced, directed and/or acted in plays, feature films and documentaries in Bengal during the socially and politically tumultuous period from the late 1940s through the mid-1970s. Why Ghatak? Within the contexts of Bengali, Indian and world cinema, Ghatak is considered an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. He composed numerous essays on film and filmmaking in English and Bengali. Dozens of interviews have been recorded that present an artist who was contemplative, outspoken, at times misunderstood, at turns obstinate and contradictory. 

From his first film, Nagarik ("The Citizen," 1953) through his final film, Jukti Takko ar Gappo ("An Argument, a Debate, and a Story," 1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. Twice during his lifetime Bengal was physically rent apart - in 1947 with the Partition of India engendered by the departure of the British and in 1971 by the Bangladeshi War of Independence. In Ghatak's films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal's modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema.

The Bengali filmmaker, Ritwik Kumar Ghatak (1925-1976), wrote, produced, directed and/or acted in plays, feature films and documentaries in Bengal during the socially and politically tumultuous period from the late 1940s through the mid-1970s. Why Ghatak? Within the contexts of Bengali, Indian and world cinema, Ghatak is considered an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. He composed numerous essays on film and filmmaking in English and Bengali. Dozens of interviews have been recorded that present an artist who was contemplative, outspoken, at times misunderstood, at turns obstinate and contradictory. 

From his first film, Nagarik (“The Citizen,” 1953) through his final film, Jukti Takko ar Gappo (“An Argument, a Debate, and a Story,” 1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. Twice during his lifetime Bengal was physically rent apart – in 1947 with the Partition of India engendered by the departure of the British and in 1971 by the Bangladeshi War of Independence. In Ghatak’s films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal’s modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema.

Ritwik Ghatak’s Cinematic Sensibility

The new atmospheric mystery from the author of the acclaimed Where They Lie, Among the Ruins is a beautifully&nbsp;written tale about one woman’s need to find the truth, whatever the cost.&nbsp;

Among the Ruins

The Beloved

Oromay

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