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Nordvig M: Old Norse Mythology

Old Norse Mythology

An Introduction to the Poetic Edda and Prose Edda

The Tuonela Duet

The Bear and the Nightingale meets Spinning Silver in this epic Finnish fantasy

North Is The Night

Loeb Classical Library

The Downward Journey. Zeus Refuted. The Tragic Zeus. The Rooster. Prometheus. Icaromenippus. Timon. Charon. Sale of Lives

Lucian, Volume II

Albert Henrichs: Collected Papers / Dionysos: Myth, Image, Identity

A vivid and musical rendering of the poetry of Catullus, whose passionate verses have captivated readers for centuries &nbsp; “Catullus’s verses still ring true, reminding readers that the habits of the heart haven’t changed in millennia.”—Publishers Weekly &nbsp; In the fourteenth century, a manuscript surfaced in Verona that had been lost for more than a thousand years: the poems of Catullus (c. 84–c. 54 BCE), considered by many to be one of the greatest poets who ever lived. These poems, with their beauty, wit, tenderness, and heartbreak, are still as alive and moving today as they were two thousand years ago. &nbsp; They are dense, subtle, witty, ardent, fearless, deeply uncensored, nasty (sometimes), petty (sometimes), and always beautiful. It’s especially his love poems that have earned readers’ admiration over the centuries; the joy and the savage self-inflicted torments that he underwent in his “miserable, disastrous love affair” have been shaped into poems that for honesty and emotional power have few parallels in world literature. &nbsp; Stephen Mitchell, who is known for bringing ancient texts to vibrant new life, has now translated Catullus’s poems for a new generation of readers. These are the first translations of Catullus to reimagine his rhythms in English and thus to let contemporary readers hear the formal beauty of his verse as well as its content, which Robert Lowell calls “much more raw and direct than anything in English.”

Selected Poems

Catullus

This book gathers a group of scholars whose work has been influenced by the distinctive dialogue between ancient philosophy (and rhetoric) and critical theory promoted by the scholarship of James I. Porter. A classicist who has pushed classics beyond itself - beyond its traditional boundaries - Porter has demonstrated that antiquity cannot be studied without participating in what is sometimes dismissively labeled "reception." The collection here does not simply celebrate the work of a major figure in the field of classics through a series of Porterian writing experiments, but locates the futures of classics in its predisposition to endless transformation, alteration, reconfiguration, and fugitive or exilic deterritorialization. Philology is a practice of philosophy in that contact with the ghosts of antiquity and its diachronic manifestations in modernity confronts the interpreter with opportunities for unlearning as well as learning, unthinking as well as thinking, and for engaging with impossibilities as well as possibilities. The essays gathered here, unified by these themes, include contributions on ancient philosophy (Democritus, the sophists, Aristotle, and Lucretius); reflections on the sublime, which Porter has pivotally elucidated; interventions on the theme of philology and exile (in Nietzsche, Marx, Freud, and Derrida); and theoretical musings on the "agony of immanence," the "biomatic," the "atmospheric," and the relationship between immigration and classical reception.

Essays in Honor of Jim Porter

The Philology of the Future

Pacuvius. Minor Tragic Poets. Unidentified Dramatists

Fragmentary Republican Latin, Volume VII

Fundamentals of Ecocriticism and Environmental Literature

Manchester Medieval Literature and Culture

Fantasies of Music in Nostalgic Medievalism

Representation, Identity, and Power

Premodern Ruling Sexualities

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

Routledge Studies in Evangelicalism

This book is the first major study of the constellation of evangelists, mission halls, tent revivals, children's clubs, Bible institutes, musicians, advertising strategies, publishing enterprises, and philanthropic activity that constituted a vibrant substratum of British Evangelical Christianity between the mid-nineteenth and mid-twentieth centuries. This populist Protestant subculture has been well-charted in North America but virtually ignored in Britain. This lacuna is part due to a common assumption that secularization? corroded traditional religious communities during this era. By contrast, this book argues that this panoply of pan-denominational affinities and endeavours in fact represented an adaptation of the British Evangelical Protestant tradition to the age of mass democracy. In exploring the beliefs, worship and spirituality, gender roles, mission networks, revival events, material culture, and social protocols and taboos of popular Evangelicalism, the book presents a religious movement well-attuned to an age of popular politics, metropolitan culture, demotic advertising, and mass entertainment.

This book is the first major study of the constellation of evangelists, mission halls, tent revivals, children’s clubs, Bible institutes, musicians, advertising strategies, publishing enterprises, and philanthropic activity that constituted a vibrant substratum of British Evangelical Christianity between the mid-nineteenth and mid-twentieth centuries. This populist Protestant subculture has been well-charted in North America but virtually ignored in Britain. This lacuna is part due to a common assumption that secularization corroded traditional religious communities during this era. By contrast, this book argues that this panoply of pan-denominational affinities and endeavours in fact represented an adaptation of the British Evangelical Protestant tradition to the age of mass democracy. In exploring the beliefs, worship and spirituality, gender roles, mission networks, revival events, material culture, and social protocols and taboos of popular Evangelicalism, the book presents a religious movement well-attuned to an age of popular politics, metropolitan culture, demotic advertising, and mass entertainment.

Popular Evangelicalism in the Age of Mass Democracy

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

Philosophy, Literature, Theory

The Death Drive

Old Norse Mythology

Bibliografische Angaben

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