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Cox C: Nobody Asked For This / B

Nobody Asked For This

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

Selected Poems

The Bonfire Party

The Identity Politics of Postcolonial Feminism provides an original analysis of the conceptual categories of essentialisms (situated and strategic) and the politics of location evoked and practised by five hyphenated South Asian postcolonial feminists in the contemporary Anglo-North-American academy: Himani Bannerji, Inderpal Grewal, Chandra Talpade Mohanty, Sherene H. Razack and Gayatri Chakravorty Spivak.&nbsp;

Strategies of Essentialism

The Identity Politics of Postcolonial Feminism

Routledge Interdisciplinary Perspectives on Literature

This book explores zombies, vampires, and witches in contemporary popular culture from a feminist perspective, analyzing a range of novels, television series, and films. Though some popular texts (from Harry Potter to Twilight) still use historically inherited conventions, many millennial texts (like True Blood, Maleficent, and The Walking Dead) utilize feminist-friendly monster-figures to critique regressive patriarchal ideologies, champion female monstrosity and female agency, and/or envision alternative socio-cultural formations. This book contributes to discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

This book explores three monstrous figures prominent in contemporary popular culture—zombies, vampires, and witches—from a feminist perspective, visiting a range of novels, television series, and films from the 1990s-2010s. Though some popular mainstream texts (from Harry Potter to Twilight) still participate in historically inherited conventions, feminist analysis reveals that many millennial texts utilize monster-figures to critique regressive patriarchal ideologies and/or champion female monstrosity and (human) female agency. Rather than using zombies, vampires, and witches to conserve the status quo, millennial monsters and human heroes, especially female ones, are often deployed to envision a more feminist, egalitarian future with less violence and more social justice. In a culture in which post-feminist voices contend that feminists have achieved their aims and are thus no longer needed, this book argues instead that there still is a dire need for critical, active feminism. Monsters, creatures both incredibly potent and popular, can serve as conduits through which to lay bare existing problems and reveal possible ways forward. Popular texts like True Blood, Frozen, Maleficent, World War Z, and The Walking Dead use powerful female monsters and heroes not only to resist those forces that wish to maintain the status quo, but also to envision alternative socio-cultural formations. This book will contribute to essential discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

Radical Monstrosity in Literature, Film, and TV

Feminist Perspectives on Contemporary Zombies, Vampires, and Witches

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

The Case for Feminist Revolution

The Dialectic of Sex

Longman Annotated English Poets

The appendices present a selection from the original sources, a list of variants from extant proofs, and key passages from Browning's fascinating and revealing correspondence. The aim is to enable readers not just to understand the poem as an object of study, but to take pleasure in its intellectual and emotional energies

The appendices present a selection from the original sources, a list of variants from extant proofs, and key passages from Browning’s fascinating and revealing correspondence. The aim is to enable readers not just to understand the poem as an object of study, but to take pleasure in its intellectual and emotional energies

The Ring and the Book, Books 7-12

The Poems of Robert Browning: Volume Six

Girl, Swooning

Selected Shorter Writings of Ithell Colquhoun

Medea's Charms

'A mental macchiato on every page. Stimulating, challenging, disarming, original, pithy, gritty and witty - a must read. Administer immediately' KATHY LETTE Why have divisive conversations become so flammable? Is there any value in cancelling historical figures? How has the so-called 'transgender debate' become so toxic and what can we do to genuinely help? Why are the most progressive people calling for censorship in comedy? Is cancel culture real and, if so, can shaming and shunning really work? How do we achieve progress in today's, y'know, screaming hellscape? We are understandably scared to have some of these conversations. But Deborah Frances-White is even more scared of not having them. Having grown up in a cult, she knows the value of freedom of speech, critical thinking and the ability to disagree while really fighting for change. In her new book, she encourages us to ask difficult questions, really listen and know when to negotiate and when to resist. Most importantly, she explores how to change minds, including our own. And she argues that we don't need to agree on everything in order to find a way out and a way forward on some of the biggest issues in today's world. Are you ready to talk?

THE NEW BOOK FROM DEBORAH FRANCES-WHITE, BESTSELLING AUTHOR OF THE GUILTY FEMINIST Six Conversations We're Scared to Have - from The Guilty Feminist will face up to one of the biggest challenges in feminism right now - how we can have difficult conversations well, how we can disagree well, how we can build bridges and change minds, including our own. In Deborah's own words, 'Six Conversations... is a book I simply have to write. This is a dialogue I've been having with those I trust in private for a long time. This is a conversation I need to be brave enough to have in public. I am part of a movement that has called Time's Up on top-down power at the expense of those who have been used and discarded. I want to live in a world where people in marginalised groups have a real voice that enacts fast change. I also speak as someone whose formative years were spent in a high control group, where people rarely said what they meant. We said what we needed to, to avoid punishment and shunning which meant our words often didn't match our thoughts and actions. I know what that fosters and where it ends. I feel compelled to look at the way our society is changing and look at how we can mature together and build better, stronger, more usable bridges more quickly to make the world a genuinely better place for those who desperately need it to be. And isn't that all of us right now?' Praise for Deborah Frances-White and THE GUILTY FEMINIST: 'Breathes life into conversations about feminism' PHOEBE WALLER-BRIDGE 'Genius' SUNDAY TIMES 'Funny, fresh, thought-provoking' OBSERVER 'Very funny, very clever, very thoughtful and very relevant' DOLLY ALDERTON 'Everything you wanted to know about feminism but were afraid to ask' EMMA THOMPSON 'Quite possibly the defining feminist of our generation' ELIZABETH DAY 'Encouraging every woman to say: "I get to be heard. I deserve to be seen" ' DAILY EXPRESS

'An essential guide for fostering nuanced and intricate conversations in today’s polarized society’ (Gillian Anderson)

Six Conversations We're Scared to Have

Nobody Asked For This

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