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Cox C: Nobody Asked For This / B

Nobody Asked For This

Turning discord into dialogue and building better relationships in work and life

The Art of Disagreeing

allostatic load navigates the racialized interplay of chronic wear and tear during tumultuous years marked by global racial tensions, an ongoing pandemic, the commodification of care, and the burden of systemic injustice. Moving between diaristic intimacy and the remove of news reportage, Désil's second poetry collection invites readers to hold the vulnerability and resilience required to navigate deep healing in a world that does not wish you well, in a world that is inflamed and consequently inflames us, in a world where true restoration and health must co-occur with the planet and with each other.

A follow-up collection from the author of the astonishing long poem eat salt | gaze at the ocean (Talonbooks, 2020), Allostatic Load chronicles the lived experiences of a Black woman in a tumultuous year marked by global racial tensions. Interweaving personal narratives with collective struggles, the poems delve into themes of identity, ancestral trauma, and the relentless pursuit of social justice. Through poignant exploration, Désil unveils the interplay of chronic wear and tear – allostatic load – and the burden of systemic injustice and neglect, inviting readers to witness the vulnerability and resilience required to navigate the complexities of healing.

Allostatic Load

Women and Psychology

Linda Burnett offers a genuinely new perspective on motherhood, arguing that most feminist scholarship is unduly reluctant to acknowledge the role of biological and material factors involved. The importance of embodiment and affect in recent critical work makes this a timely intervention into research on motherhood which will be of interest to a range of scholars and students.

Linda Burnett offers a genuinely new perspective on motherhood, arguing that most feminist scholarship is unduly reluctant to acknowledge the role of biological and material factors involved. The importance of embodiment and affect in recent critical work makes this a timely intervention into research on motherhood which will be of interest to a range of scholars and students.

Maternal Subjectivities and Embodied Experiences

The Neurology of Motherhood

What does power sound like? Loud? Brash? Masculine? Here's the truth: if you're a woman, a person of colour, an immigrant or queer, there's often dissonance between how you speak and how we think powerful people sound, i.e. the wealthy white men who have historically set the standard. In this witty and warm guide, speech expert Samara Bay, who has worked with the likes of Gal Gadot, Penélope Cruz and Terry Crews, as well as global leaders in business and politics, offers a new approach to asserting your power in all areas of life. Permission to Speak is packed with expert tips and easy-to-follow exercises, demonstrating that you don't have to speak like the status quo to be taken seriously.

What does power sound like? Loud? Brash? Masculine? Here's the truth: if you're a woman, a person of colour, an immigrant or queer, there's often dissonance between how you speak and how we think powerful people sound, i.e. the wealthy white men who have historically set the standard. In this witty and warm guide, speech expert Samara Bay, who has worked with the likes of Gal Gadot, Penélope Cruz and Terry Crews, as well as global leaders in business and politics, offers a new approach to asserting your power in all areas of life. Permission to Speak is packed with expert tips and easy-to-follow exercises, demonstrating that you don't have to speak like the status quo to be taken seriously.

How to Change What Power Sounds Like, Starting With You

Permission to Speak

Victims, Culture and Society

Criminalising Sex Outside Marriage

Pushkin Press Classics

Selected Shorter Writings of Ithell Colquhoun

Medea's Charms

Routledge Advances in Sociology

This edited collection explores dramatic transformations in intimate life in contemporary Ireland, including the introduction of both divorce and civil partnerships. Yet intimate politics remain contested and abortions must be obtained abroad. Ireland offers fascinating insights into the influence of the media, and shifting cultural and social norms. The chapters examine these changes with research by leading scholars.

This edited collection explores the dramatic transformations in intimate life that have taken place in Ireland in recent years. A new multiculturalism, availability of divorce and the introduction of civil partnership for same sex couples all herald significant changes in Irish life. Divorce and solo parenthood are no longer the taboos they once were. Women participate in employment after marriage in far greater numbers than ever before. Yet certain patterns of intimate life remain entrenched. Abortions must still be obtained abroad. Lengthy separations are required before divorce can be formalised. An emphasis on traditional family forms underpins people’s experiences of infertility and assisted reproduction. The contemporary landscape for intimate life in Ireland offers fascinating insights into new and old family forms, the influence of the media, and changing cultural and social norms. This edited book explores these changes in a collection of chapters by leading scholars showcasing cutting edge theory and research.

Gender, Intimacy and Contemporary Ireland

The Palgrave Encyclopedia of Early Modern Women's Writing

This book spotlights the complexities of relationships, drawing on theories that have guided relationship scholars, classic studies, and current research- juxtaposed with the current Indian milieu. It would be useful to the researchers of Psychology, Applied Psychology, Mental Health, Sociology, Family Studies, and other allied disciplines.

Locate Your North Star

Navigating Intimate Relationships

Patipolitics looks at what it means to enjoy the body under technocapitalism, arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics looks at what it means to enjoy the body under technocapitalism, arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

Nobody Asked For This

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