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Rowntree D: No One You Know

No One You Know

Dave Rowntree's Early Blur Photos

"Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture." -VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York-based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco's two new albums-their first in four years-and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York-based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco's visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

“Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture.” –VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York–based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco’s two new albums—their first in four years—and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York–based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco’s visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

From the Silence of Duchamp to the Noise of Boys

New Approaches to Sound, Music, and Media

1984-2016

David Bowie and the Transformation of Music Video

The classic thrillers of Alfred Hitchcock, including Vertigo, North by Northwest and Psycho, achieved much of their power from the music of legendary Academy Award winner Bernard Herrmann (Citizen Kane, Taxi Driver). In this book, author Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Their collaboration ended in a bitter break; but today, the music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. Smith takes us inside the friendship between "Benny and Hitch," and explains why Herrmann's pulse-quickening music has become the soundtrack of our own anxious times.

The Friendship and Film Scores That Changed Cinema

Hitchcock and Herrmann

Devil in a Coma

Frontline Adventures Linking Punk, Reggae, Afrobeat and Jazz

Rebel Musix, Scribe on a Vibe

An extremely rare and intimate look into the extraordinary life and death of legendary A$AP Mob founder A$AP Yams and the internationally acclaimed music and art collective that includes luminaries A$AP Rocky and A$AP Ferg. Never before has the history been told in words and pictures. As Forbes once said, “Hanging with ASAP Mob…is unlike any other experience in music.” This is the experience. A$AP Yams is one of the most influential figures in hip hop history. From his high school-aged A&amp;R work with Jim Jones' legendary Diplomats Records, to his pioneering role at the then-nascent intersection between hip hop and the internet with his #RNT Tumblr account, to the revolutionary geographically-agnostic sound of his early production for the A$AP Mob, Yams (née Steven Rodriguez) irrevocably changed the cultural and musical landscape for generations to come. Featuring hundreds of little and never-before-seen exclusive photographs, A$AP Yams: Making of a Mob explores the founding and history of one of the most iconic collectives of this young century. Produced in concert with the A$AP Foundation charity, all royalties will be donated to the Foundation's mandate of community outreach, food security, and drug education for the youth of New York City.

Making of a Mob

A$AP Yams

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ'ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¼low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene - Balakirev, Glinka, Rimsky-Korsakov and others - much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ«ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner.  The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions. In addition, the articles provide fascinating glimpses into the composer's personality and an appreciation of his elegant literary style. The volume is not only of importance for elucidating a time when Russian musical life was developing rapidly, but also in extending an understanding of nineteenth-century music in general.

Tchaikovsky's Writings about Music

Raised on Radio

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

A Memoir

Fearless and Free

A Portrait of Joni Mitchell in 53 Snapshots

I Dream of Joni

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

No One You Know

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