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Catalogue complet

Högselius P: Neutrality’s Empire

Neutrality’s Empire

Swedish Colonialism in the Industrial Age

The One Day You Were My Husband

Histories of Internationalism

Envisioning Modernity in the Era of Decolonization

Socialism, Internationalism, and Development in the Third World

Explaining how nations and narratives have been the products of transnational, cross-border forces of migration and cultural exchange, this open access volume presents a global history of the basic ideas that govern our understanding of the modern world and highlight the power of narratives in world history. From the Enlightenment forward, the nation and other global concepts have been conjured and repurposed to manage and make sense of what we now call globalisation. The authors in this volume show how social categories such as empire, race and labour were the centerpiece subjects of collective narratives. For the past two centuries, the practices of shared storytelling aimed to make sense of how groups like nations fit in the wider world. This volume explores how they created bonding narratives for co-members of these groups and bridging stories to explain how groups should relate to each other through trade, war, peace, and other worldmaking processes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Princeton University, USA.

Narratives, Nations, and Other World Products in the Making of Global History

The first coherent treatment of Lusophone Africa's independence struggles, including rich empirical chapters that draw on sources beyond the usual Western archives.

Anticolonial and Postcolonial Politics

Globalizing Independence Struggles of Lusophone Africa

Bloody Awful in Different Ways

The Neolithic Revolution, the Indigenous Critique, and the Myths of Civilization

Prehistoric Philosophy

The American Revolution and the Atlantic Working Class

Empire Ablaze

How Management Made the Modern World

Control Science

*Longlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

Student Editions

A Student Edition of this acclaimed adaptation, looking at how Chekhov's original play has been transposed to an African context, the Biafran War and how different productions of have dealt with the dramaturgical challenges.

Neutrality’s Empire

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