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Dickey J: Nan and the Lower Body

Nan and the Lower Body

Very Short Introductions

Agatha Christie is the author of over 80 books and the world's longest running play. This Very Short Introduction will explore this extraordinary success by considering the curious alchemy of her straightforward style and her convoluted plotting, and it will examine the construction of her most popular serial characters.

Agatha Christie is the author of over 80 books and the world's longest running play. This Very Short Introduction will explore this extraordinary success by considering the curious alchemy of her straightforward style and her convoluted plotting, and it will examine the construction of her most popular serial characters.

A Very Short Introduction

Agatha Christie

Champion of Black Social Dance and the Traditional Jazz Dance Company

Mura Dehn

NHB Modern Plays

Backstroke

The Revels Plays

By Christopher Marlowe

Dido, Queen of Carthage

Methuen Drama Play Collections

Between 2020 and 2022, theatre had to adapt and, in doing so, challenged ideas of what was possible - and what was even 'theatre'. Due to the global pandemic, an exceptional and wide range of works were made for, or adapted to, brand new conditions and limitations. While these works are defined by interpandemic conditions in the Anthropocene, they serve as portals to thinking about theatre-making in the future. Gathered in this collection are pieces adapted or made for podcast theatre, a livestream illusionist interactive performance, an audience-uploaded hybrid performance, one-on-one online interaction, lip-synch opera-theatre, climate crisis activist manifesto film/theatre, spoken word and gaming installation art and multi-location broadcast plays, providing an accessible introduction to 'Transmedia' theatre. Transmedia theatre has been a boundary-breaking and rich area of performance since the 1990s, but the (by necessity) explosion of works that were created during the early years of the pandemic signalled a new, exciting and accessible method by which theatre-makers could share their work and also challenge their own practices. While these specific works are markers of a specific time in performance history, they also point ways forward, not only in terms of form and function, but in how educators, students and fellow practitioners could conceive of re-staging these works in person and/or on digital platforms. For a generation that has grown up online, whose vocabularies of expression are as much digitally native as they are IRL, transmedia theatre, and the realm too of VR and AR story and audience design which it borders, holds a firm place in busting open the realm of the possible.

Between 2020 and 2022, theatre had to adapt and, in doing so, challenged ideas of what was possible, and what was even 'theatre'. Due to the global pandemic, an exceptional and wide range of works made for, or adapted to, brand new conditions and limitations. While these works are defined by interpandemic conditions in the Anthropocene, they serve as portals to thinking about theatre-making in the future. Gathered in this collection are pieces adapted or made for podcast theatre, livestream illusionist interactive performance, audience-uploaded hybrid performance, one-on-one online interaction, lip-synch opera-theatre, climate crisis activist manifesto film/theatre, spoken word and gaming installation art, multi-location broadcast plays, providing an accessible introduction to 'Transmedia' theatre. Transmedia theatre has been a boundary-breaking and rich area of performance since the 1990s, but the (by necessity) explosion of works that were created during the early years of the pandemic signalled a new, exciting, and accessible method by which theatre-makers could share their work and also challenge their own practices. While these specific works are markers of a specific time in performance history, they also point ways forward, not only in terms of form and function, but in how educators, students and fellow practitioners could conceive of re-staging these works in person and/or on digital platforms. For a generation that has grown up online, whose vocabularies of expression are as much digitally native as they are IRL, transmedia theatre, and the realm too of VR and AR story and audience design which it borders, holds a firm place in busting open the realm of the possible.

A Contemporary Anthology

Transmedia Theatre Plays

Oxford World's Classics

One of the most diverse and maverick intellectuals of the early modern period, Margaret Cavendish is known for critiquing a wide range of early modern cultural and philosophical beliefs. In this edition Lisa Walters brings together popular works such as The Blazing World, alongside lesser-known poems and prose pieces, like The Ambitious Traitor.

One of the most diverse and maverick intellectuals of the early modern period, Margaret Cavendish is known for critiquing a wide range of early modern cultural and philosophical beliefs. In this edition Lisa Walters brings together popular works such as The Blazing World, alongside lesser-known poems and prose pieces, like The Ambitious Traitor.

The Blazing World and Other Writings

Norton Critical Editions

This Norton Critical Edition includes:
<ul>
<li>The First Folio (1623) text of Macbeth, with updated and expanded footnotes and introductory materials by Robert S. Miola.</li>
<li>Illustrations from a wide range of adaptations, including modern stage and film productions.</li>
<li>"The Actors' Gallery," collecting reflections from actors and actresses about their roles in major productions of Macbeth from the eighteenth to twenty-first centuries.</li>
<li>Sources and contexts highlighting early texts that influenced Shakespeare and that range in topics from witchcraft to regicide, with a brand-new category on the union of Scotland and England.</li>
<li>Nine selections-four new to the Third Edition-of literary and theatrical criticism.</li>
<li>A revised "Afterlives" section, featuring four examples of how Macbeth continues to be reimagined beyond the Folio.</li>
<li>An annotated list of online and print resources.</li>
</ul>

A Norton Critical Edition

Macbeth

Delay

Elements in Theatre, Performance and the Political

This Element examines performance in postmillennial China through the lens of postsocialism. It explores how the ideological ambivalence and cultural paradoxes that characterise the postsocialist condition are embodied and represented in performance. This title is also available as Open Access on Cambridge Core.

Performance and Postsocialism in Postmillennial China

Rediscover Anton Chekhov's acclaimed works in radical, creative new ways. The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov's major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov's original drama is not only explored but reanimated and interrogated in revolutionary ways. From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov’s work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power. With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.

Seven Contemporary Plays

Adapting Chekhov in the 21st Century

Placeness and the Performative Production of Space

This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration. Its notes record the text's full collation with all extant early editions and major modern editions. Its commentary notes clarify the meaning of the text and aspects of its staging, guide the reader through the play's dramatisation of early modern French history, and place the play in its broader cultural and artistic milieu. An appendix reproduces a modernised and annotated version of the Collier Leaf, a fragment from a fuller but now lost version of the play. This Revels edition aims to encourage new contemporary critical study of Marlowe's powerful and provocative drama.

The Massacre at Paris

Nan and the Lower Body

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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