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May A: Myths and Heroes in Creative
Writing

Myths and Heroes in Creative Writing

Re-Reading and Remaking

Methuen Drama Engage

British Theatre 2010-2019

Staging Systemic Violence

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

Early Modern Literature in Transition

The years 1660 to 1714 represent a fraught transitional period, one caught between two now dominant periodization rubrics: early modern and the long eighteenth century. Containing narratives of disruption, restoration, and reconfiguration, Emergent Nation: Early Modern British Literature in Transition, 1660–1714 explores the conjunctions and disjunctions between historical and literary developments in this period, when the sociable, rivalrous textual world of letters registered and accelerated changes. Each of the volume's four parts highlights the relationship of various literary forms to a different kind of transformation - generic, ideological, cultural, or local. The five chapters in each section rigorously probe the conditions that affected the period's literary transformations, and interrogate the traditions that canonical and less established writers inherited, adapted, and often challenged. In making a case for an early mimetically produced English nation, this book, through its concentration on literary evidence and transitions also makes innovative contributions to an understanding of nationalism in the period.

Emergent Nation: Early Modern British Literature in Transition, 1660–1714: Volume 3

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

This book shows you how professional screenwriters actually write scripts. This reference manual explores all aspects of the form, from essential format requirements to the expressive, literary qualities of screenplay language. Organized in three parts, this book systematically reveals the full essence of the screenwriter's craft.

Mastering Screenplay Form and Style

Transpacific Studies

African American Cultural Expressions and the Black Nuclear Pacific

Aerial Archives of Race

Warwick Series in the Humanities

Examining themes such as (inter)national bodily governance, racialised bodies, eco-feminist movements, spatial justice and bodily displacement, this collection provides a deeper analysis of the interconnected forms of violence perpetrated against marginalised human and non-human bodies

Territorial Bodies

Crisis and Body Politics in Twenty-First Century Cultural Production

Flame Tree Blank Notebooks

New title in the Flame Tree Blank Notebook collection, combining beautiful art with high-quality production, and featuring blank pages, a pocket at the back and two ribbon bookmarks. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets. A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ARTIST. Nina Pace is a painter, illustrator and surface designer based just outside of New York City. Her favourite subject is flowers. She is awestruck by the sheer variety of petal shapes, the detailed patterning and vein layouts. When creating a new piece, Nina takes this inspiration from nature and lets the design build organically. She loves to allow each element she’s drawing to flow from the last, where each one informs the other. Nina’s artwork embraces the full and glorious spectrum of colours embodied in the natural world. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Nina Pace: Love Oracle (Foiled Blank Journal)

Create a sense of security and abundance in your life by applying Julia Cameron's bestselling Artist's Way techniques to the topic of prosperity. In this dynamic creative-renewal program, internationally renowned bestselling author Julia Cameron presents a ten-week program for using your creative heart and soul to lead you to prosperity in all the areas of your life. With inspiring new daily tools and strategies that follow in the footsteps of Cameron's ground-breaking Artist's Way, this book guides readers in developing a life that is as full and as satisfying as they ever thought possible. Is it possible to keep a roof over ones head without losing track of the soul? Drawing on her decades of experience working with artists as an expert on the creative process, Cameron contemplates our modern trials whilst shining a clear light on the path to forging a direct relationship between the passion that ignites our creative work and the more practical aspects of living our lives. In this wise volume, Cameron gives readers the courage and permission to live their lives as they create their art: purposely and fully.

Creating a Life of Enough

The Prosperous Heart

Oxford Handbooks

The Oxford Handbook of Slavic and East European Folklore provides a broad survey of the folklore of the Slavic and East European world: Russia, Ukraine, and the Baltics, as well as Central and Southeastern Europe. The volume contains forty-three chapters that offer an array of distinctive yet comparable traditions and genres. It includes folklore of the life cycle; calendrical-cycle traditions, magic, and folk belief; folktales, epic, lyric songs, proverbs, and jokes; local Romani, Muslim, and Jewish musical genres; and material culture. The handbook presents an assortment of oral traditions for an audience of folklorists, students, and scholars who wish to explore the rich expressive culture of the Slavic and East European world.

The Oxford Handbook of Slavic and East European Folklore provides a wide-ranging survey of the oral traditions of the Slavic and East European world. It covers national, ethnic, racial, cultural, linguistic, and religious groups extending from the eastern zones of Russia to the western borders of the Czech Republic and from Estonia along the Baltic Sea to Greece at the southern tip of the Balkan Peninsula. The volume presents this broad world area - loosely connected by circumstances of geography, history, and politics - as a large and diverse cultural continuum. 

In forty-three chapters written by scholars ranging from folklorists who are natives of the Slavic and East European region to British and North American specialists in the field, Editor-in-Chief Margaret Hiebert Beissinger presents an extensive array of distinctive yet comparable traditions, rituals, and genres. Divided into five sections, the volume includes: the folklore and lyric genres of the life cycle (wedding, birth, and death rites); calendrical-cycle traditions, dance, magic, and folk belief; traditional prose and poetic narrative; oral traditions among minority ethno-religious and racial communities, as well as folk and popular music and song; and the folklore of everyday life, including aphoristic verbal forms and material culture. The volume's chapters focus on folklore of the nineteenth through the twenty-first centuries, from the very "traditional," to contemporary issues that influence folklore and expressive culture, such as life-changing pandemics, ethnic conflict, and war, as well as evolving gender roles. The handbook presents a wide assortment of materials for an audience of students and specialists alike: folklorists, ethnographers, anthropologists, ethnomusicologists, and literature scholars, as well as others who wish to explore the rich oral traditions of the Slavic and East European world.

The Oxford Handbook of Slavic and East European Folklore

Elizabeth Elstob's Writings on Anglo-Saxon (1709–1715?)

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Myths and Heroes in Creative Writing

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