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Hirson Denis: My Thirty-Minute Bar
Mitzvah

My Thirty-Minute Bar Mitzvah

A Memoir

Race and Ethnicity in Psychology

This volume shares innovative methods to treat inequities. Many of these utilize the strengths of culturally grounded approaches to care, including radical healing, training young people of color in civic engagement, and embracing the power of spirituality and creativity.

Written by psychologists, mental health care providers, and researchers, the contributions in this volume challenge inequities from myriad personal and professional perspectives. Many of the contemporary and novel methods used to confront inequities discussed in this book capitalize on the strengths of culturally grounded approaches to help and treatment. These include radical healing, training young people of color in civic engagement, and embracing how spirituality and creativity can help people and communities solve problems and thrive in adverse circumstances. From reconsidering the #MeToo movement to proposing powerful ways to prevent the further legal and cultural prosecution of immigrants in the United States, this book proposes solutions to the most harmful and visible inequity problems across the country. As the only book that addresses the psychology of inequity at the personal and national levels and across different cultural contexts, this volume is a must-read for those looking to solve inequity problems and help victims heal from their insidious effects.

Social Actions and Movements

The Psychology of Inequity

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

One Day at a Time

Anthem Impact

This study investigates how medieval intellectuals compared their own cultures with others. It aims to establish Cultural Comparisons as an area of medieval studies by looking at some of the outstanding texts, mainly from the twelfth to the fourteenth centuries.

How Medieval Thinkers Analysed Cultural Differences

In 2018, India Sturgis - successful journalist, mother and wife - was admitted into the Priory hospital with anxiety so crippling she was deemed a risk to herself. On her slow journey back to herself, it became clear to her that anxiety doesn't discriminate, anyone can suffer from it regardless of external circumstances - but anyone can learn to cope with it too. On her personal journey to uncover the coping strategies that work, India tried every imaginable avenue: antidepressants, benzodiazepines, psychotherapy, group therapy, art therapy, drama therapy, CBT, aromatherapy, mindfulness, meditation, hypnosis, EFT, talking therapy, cranial electrotherapy stimulation, neurofeedback, photobiomodulation, supplements, changing her diet, yoga, cold water swimming and more. She combines this personal exploration with the latest medical and lifestyle thinking from world leading experts to produce a clear-sighted, comprehensive and - ultimately - human look at anxiety. This is what it's like to be in the grip of chronic anxiety - and come out the other side.

How to Eat an Elephant

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa’s foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition – including his adoption of izibongo, Zulu praise poetry – and the role of the artist as a chronicler of his people’s history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene’s profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art – in this 21st-century moment of climate crisis – as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

W&N Essentials

A New York Times Notable Book 'It is impossible to read Autobiography of a Face without having your consciousness raised forever' Mirabella 'Both book and life are unforgettable' New York Times At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her jaw removed, she faced the cruel taunts of classmates. It took her twenty years of living with a distorted self-image and more than thirty years of reconstructive procedures before she could come to terms with her appearance. In this lyrical and strikingly candid memoir, Grealy tells her story of great suffering and remarkable strength without sentimentality and with considerable wit. She captures what it is like as a child and a young adult to be torn between two warring impulses: to feel that more than anything else we want to be loved for who we are, while wishing desperately and secretly to be perfect.

Autobiography of a Face

No sex. No kids. No future? When Tom Feiling moved to Tokyo as a student in the early nineties, Japan was a beacon of the future: a rising superpower, a technology giant, a global symbol of prosperity, civility and success. When he returned twenty-four years later, the country was still a sign of things to come-but, he began to realize, it was no longer a beacon. It was a warning. This is a unique account of contemporary Japan, which travels from the quiet of its furthest flung villages to the aspiration and dynamism of its cities. It tells the story of how, from the mid-seventies onwards, Japanese society unknowingly embarked on a vast, silent process of transformation that is still unfolding today. It is still peaceful; it is still prosperous. But the Japanese population is dwindling at an alarming rate. As things stand, Japan's populace will shrink by a third with each new generation; by 2070 it will have lost the equivalent of the entire population outside of Tokyo, Osaka and Nagoya. Travelling through shrines and bars, rice fields and mango farms, coffee shops and old peoples' homes, Feiling meets with those affected by, and driving, this transformation. Through countless interviews and extensive research, he weaves together a powerful account of how and why men and women are ceasing to pair off and have kids. He reveals how sexual appetites and behaviours are both shaped by, and reshaping the evolving economy, and he considers both the dangers and the opportunities of the rise in solo living in Japan-and beyond. For although this is a Japanese story, it will soon be playing out all around the world. A low birth rate, an ageing society, and a shrinking population are visible everywhere from Spain to South Korea. Japan is simply further down the line. So this really is a journey to the future: sex robots and herbivorous men are now Japanese phenomena, but they may soon be coming for us all.

A Journey to the Future

Alone in Japan

This is a personal account of the being a lifeboat volunteer and an insight into the crews who keep it afloat.

Lifeboat at the End of the World

A paradigm-shifting exploration of the politics of health around the world, by an award-winning scientist “Zaman’s optimism . . . is welcome. . . . His sense of urgency is irresistible.” —The Wall Street Journal&nbsp;on Muhammad H. Zaman’s&nbsp;The Biography of Resistance In this groundbreaking new book, award-winning scientist and author Muhammad H. Zaman delves into the history of infectious disease and related policies in the United States since the dawn of germ theory, from cholera and meningitis to the recent COVID crisis, to show how vulnerable communities have been harmed in the name of research or disease control.
Infected is the epic story of compromised doctors, politicians, and the heroes who challenged them. Zaman shows that exclusionary immigration acts, the Tuskegee syphilis experiments, the development of biological weapons, the fake vaccination campaign in Pakistan, and the rhetoric around the COVID-19 pandemic are all parts of the same deeper story—one of medical science intertwined with power and politics.
This is a story that continues today, in poor nations that have long been impacted by foreign policy, and at the borders, where asylum seekers are denied lifesaving medicines regardless of the party in power. Melding science and history, Infected presents infection as a key to understanding our recent past, present, and future.

A paradigm-shifting exploration of the politics of health around the world, by an award-winning scientist “Zaman’s optimism . . . is welcome. . . . His sense of urgency is irresistible.” —The Wall Street Journal&nbsp;on Muhammad H. Zaman’s&nbsp;The Biography of Resistance In this groundbreaking new book, award-winning scientist Muhammad H. Zaman—an expert on how disease affects vulnerable communities—delves into the history of U.S. epidemics, from the earliest cases of syphilis, cholera, and smallpox to AIDS and the recent COVID crisis, to show how the country’s response (or lack thereof) to infectious disease in America is part of a critical, time-tested strategy in America’s toolbox of oppression of the weak, the poor, and the non-white.In the vein of Rebecca Skloot’s&nbsp;The Immortal Life of Henrietta Lacks&nbsp;and Dorothy Roberts’s&nbsp;Fatal Invention,&nbsp;Infected&nbsp;is the epic story of white supremacists, compromised doctors, racist politicians, and the heroes who challenged them. Zaman shows that exclusionary immigration acts, the Tuskegee syphilis experiments, the development of biological weapons, the early response to the AIDS epidemic, the fake CIA vaccination campaign in Pakistan, and the xenophobic rhetoric sparked by the COVID-19 pandemic are all parts of the same deeper story—one of medical science twisted in the service of social control.This is a story that continues today, on Native American reservations, in foreign zones occupied by the U.S. military, and on our borders, where asylum seekers are denied lifesaving medicines. Melding cutting-edge science and history,&nbsp;Infected&nbsp;presents infection as a key to understanding our recent past, present, and future.

How Power, Politics, and Privilege Use Science Against the World's Most Vulnerable

Infected

Experts from the field of Indigenous education offer inspiring and vital perspectives, wonders, and responses for transforming the future for Native students"Indigenous peoples have always been futurists, always taking into the heart, mind, and prayer future generations, always understanding that Native Nation-building is a project of immediacy and longevity." -Theresa Stewart-Ambo, from Across Lands and Waters Across Lands and Waters is the first book to offer a future vision for Indigenous education in the United States-a rich tapestry of ideas, frameworks, and dreams for educators, youth, and communities about Indigenous peoples and ideas. Across Lands and Waters was developed as an urgent response to the erasure of Indigenous futures, bringing together scholars from Alaska to Hawai'i to Rhode Island, and places in between, including poets, psychologists, language revitalizers, hula practitioners, philosophers, and others. Across Lands and Waters offers a deep well of stories and perspectives from different Indigenous traditions. The contributors examine why we educate, what the role of schools, histories, and philosophies can be in overcoming racist and colonial legacies, and how to envision a radically different future. They discuss how a colonial system of education erases Indigenous realities; the vital importance of reclaiming Indigenous languages; the urgency of dismantling systems of oppression; the varied experiences of Indigenous peoples; and the crucial contributions of traditional ways of being and knowing. Graced with original artwork by the celebrated artist Maria Hupfield and contributions by Pulitzer Prize-winning poet Natalie Diaz, Across Lands and Waters is a groundbreaking project that will serve as a beacon for teachers everywhere.

Experts from the field of Indigenous education offer inspiring and vital perspectives, wonders, and responses for transforming the future for Native students “Indigenous peoples have always been futurists, always taking into the heart, mind, and prayer future generations, always understanding that Native Nation–building is a project of immediacy and longevity.” —Theresa Stewart-Ambo, from Across Lands and Waters Across Lands and Waters is the first book to offer a future vision for Indigenous education in the United States—a rich tapestry of ideas, frameworks, and dreams for educators, youth, and communities about Indigenous peoples and ideas. Across Lands and Waters was developed as an urgent response to the erasure of Indigenous futures, bringing together scholars from Alaska to Hawai‘i to Rhode Island, and places in between, including poets, psychologists, language revitalizers, hula practitioners, philosophers, and others.
Across Lands and Waters offers a deep well of stories and perspectives from different Indigenous traditions. The contributors examine why we educate, what the role of schools, histories, and philosophies can be in overcoming racist and colonial legacies, and how to envision a radically different future. They discuss how a colonial system of education erases Indigenous realities; the vital importance of reclaiming Indigenous languages; the urgency of dismantling systems of oppression; the varied experiences of Indigenous peoples; and the crucial contributions of traditional ways of being and knowing.
Graced with original artwork by the celebrated artist Maria Hupfield and contributions by Pulitzer Prize–winning poet Natalie Diaz, Across Lands and Waters is a groundbreaking project that will serve as a beacon for teachers everywhere.

Storying the Future of Indigenous Education

Across Lands and Waters

Out of the cocaine-fuelled, rock'n'roll debauchery of the 1970s came an iconic collaboration between an influential rocker and a visionary filmmaker. From The Last Waltz to The Wolf of Wall Street and The Irishman, the creative legacy of Robbie Robertson and Martin Scorcese has spanned decades. Filled with high octane exploits, bacchanalian parties and untold amounts of debauchery, this is the intimate and unvarnished behind-the-scenes story of a partnership that has shaped American culture like no other. PRAISE FOR TESTIMONY 'A book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the center of it all . . . Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word' Martin Scorsese 'Robust, wry, gritty and wise' Wall Street Journal 'Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie' New York Times 'Captivating... this is essential reading' Rolling Stone 'Robertson is an immensely capable storyteller and a keen observer' New Yorker

Insomnia

My Thirty-Minute Bar Mitzvah

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