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In this sapphic reimagining, Mary Shelley, the brilliant mind behind&nbsp;Frankenstein, finds romance, mystery, and inspiration for her literary masterpiece as a spirited adolescent.

“A beautiful, hallucinatory dream of a novel.” –J.M. Miro, Author of the National Bestseller&nbsp;Ordinary Monsters“A fantastically moody, unsettling novel."–Sarah Waters,&nbsp;New York Times bestselling author of&nbsp;The Paying Guests&nbsp;and&nbsp;FingersmithA "bold ... hypnotic" (The New Yorker) reimagining of Mary Shelley’s youth, vividly exploring innocence, young love, gothic mystery and the roots of her literary masterpiece, Frankenstein.Switzerland, 1816. A volcanic eruption in Indonesia envelopes the whole of Europe in ash and cloud. Amid this “year without a summer,” eighteen-year-old Mary Shelley and her lover Percy Bysshe Shelley arrive at Lake Geneva to visit Lord Byron and his companion John Polidori. Anguished by the recent loss of her child, Mary spends her days in strife. But come nightfall, the friends while away rainy wine-soaked evenings gathered around the fireplace, exchanging stories. One famous evening, Byron issues a challenge to write the best ghost story. Contemplating what to write, Mary recalls another summer, when she was fourteen…Scotland, 1812. A guest of the Baxter family, Mary arrives in Dundee, befriending young Isabella Baxter. The girls soon spend hours together wandering through fields and forests, concocting tales about mythical Scottish creatures, ghosts and monsters roaming the lowlands. As their bond deepens, Mary and Isabella’s feelings for each other intensify. But someone has been watching them—the charismatic and vaguely sinister Mr. Booth, Isabella's older brother-in-law, who may not be as benevolent as he purports to be…With gripping mastery and verve, Anne Eekhout brings to life a defining moment in Mary Shelley’s youth: the creative wellspring for one of the most original, thrilling, and timeless pieces of literature ever written. Provocative, wonderfully atmospheric and pulsing with emotion, Mary and the Birth of Frankenstein is a hypnotic ode to the power of imagination.Translated from the Dutch by Laura Watkinson

Eekhout A: Mary and the Birth of
Frankenstein

Mary and the Birth of Frankenstein

Named a Best Book of the Year by Scientific American, Harper's Bazaar and NPR. Named a Best Science Fiction and Fantasy Book of the Year by the Washington Post and Elle. Nominated for a Goodreads Choice Award in Science Fiction."Provocative...a&nbsp;Frankenstein&nbsp;for the digital age...a rich text about power, autonomy, and what happens when our creations outgrow us." —&nbsp;Esquire"Unexpected and subtle...delicious and thought-provoking." —&nbsp;New ScientistFor fans of Never Let Me Go and My Dark Vanessa, a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control.Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard.She’s learning, too.Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?"Annie Bot is a book to hold close to your heart when the walls start closing in." —&nbsp;Washington Post

Named a Best Book of the Year by Scientific American, Harper's Bazaar and NPR. Named a Best Science Fiction and Fantasy Book of the Year by the Washington Post and Elle. Nominated for a Goodreads Choice Award in Science Fiction."Provocative...a&nbsp;Frankenstein&nbsp;for the digital age...a rich text about power, autonomy, and what happens when our creations outgrow us." —&nbsp;Esquire"Unexpected and subtle...delicious and thought-provoking." —&nbsp;New ScientistFor fans of Never Let Me Go and My Dark Vanessa, a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control.Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard.She’s learning, too.Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?"Annie Bot is a book to hold close to your heart when the walls start closing in." —&nbsp;Washington Post

Annie Bot

A powerful tale of the love—and jealousy— between mothers and daughters&nbsp;by Agatha Christie, written under the pseudonym Mary Westmacott.Agatha Christie, famous for her ingenious crime novels, also wrote about crimes of the heart.&nbsp;Written under the pseudonym Mary Westmacott, Christie’s tales of romantic suspense further explore the human psychology she was so intrigued by, freed from the expectations of her mystery fans.&nbsp;&nbsp;In Christie’s fifth novel published as Mary Westmacott, the love between a mother and daughter turns to jealousy and bitterness. Ann Prentice falls in love with Richard Cauldfield and hopes for new happiness. Her only child, Sarah, cannot come to terms with the idea of her mother marrying again and wrecks any chance of her remarriage. Resentment and jealousy corrode their relationship as each seeks relief in different directions. Are mother and daughter destined to be enemies for life, or will their underlying love for each other win through?

A Daughter’s a Daughter

“I highlighted just about every line in this book, and I can’t think of a better novel to make sense of our current era.” —Molly Odintz,&nbsp;CrimeReadsFrom the International Booker Prize-winning author-translator duo of Tomb of Sand, a powerful, kaleidoscopic novel about a fractured society, loosely based on the gathering violence that eventuated in the demolition of the Babri Mosque by religious extremists in 1992.In an unnamed city in India, violence is erupting between Hindus and Muslims, each side viewing the other with suspicion, rage, and blame. As their identities sharpen, friends and colleagues turn against each other. Hospital beds fill up and classrooms empty out. Curfews are imposed. Residents flee en masse.Three intellectuals find themselves paralyzed by anxiety and fear. Shruti, a creative writer, spends her time writing and rewriting the same sentence. Hanif is sidelined by his academic department for his secular beliefs. And Sharad finds it increasingly difficult to connect with Hanif, his childhood friend. The only one left to bear witness is the novel’s unnamed narrator, who hurries to transcribe everything that’s happening.Explosive, raw, and uncompromising, Our City That Year unfolds in a time of rising uncertainty and dread, when nothing will go back to being as it was before. Twenty-five years after its original publication in Hindi, Shree’s clarion call to bear witness to the toxic ideology of religious nationalism is timelier than ever, speaking to the growing divisions across global borders.Translated from the Hindi by Daisy Rockwell

“I highlighted just about every line in this book, and I can’t think of a better novel to make sense of our current era.” —Molly Odintz,&nbsp;CrimeReadsFrom the International Booker Prize-winning author-translator duo of Tomb of Sand, a powerful, kaleidoscopic novel about a fractured society, loosely based on the gathering violence that eventuated in the demolition of the Babri Mosque by religious extremists in 1992.In an unnamed city in India, violence is erupting between Hindus and Muslims, each side viewing the other with suspicion, rage, and blame. As their identities sharpen, friends and colleagues turn against each other. Hospital beds fill up and classrooms empty out. Curfews are imposed. Residents flee en masse.Three intellectuals find themselves paralyzed by anxiety and fear. Shruti, a creative writer, spends her time writing and rewriting the same sentence. Hanif is sidelined by his academic department for his secular beliefs. And Sharad finds it increasingly difficult to connect with Hanif, his childhood friend. The only one left to bear witness is the novel’s unnamed narrator, who hurries to transcribe everything that’s happening.Explosive, raw, and uncompromising, Our City That Year unfolds in a time of rising uncertainty and dread, when nothing will go back to being as it was before. Twenty-five years after its original publication in Hindi, Shree’s clarion call to bear witness to the toxic ideology of religious nationalism is timelier than ever, speaking to the growing divisions across global borders.Translated from the Hindi by Daisy Rockwell

Our City That Year

"For fans of Elizabeth Strout and Andrew Sean Greer, a brilliant, poignant literary breakout about the glamorous 82-year-old daughter of a notorious New Jersey mobster, who returns home after a lifetime denying her legacy, to a world very different from the one she left behind"--

Honey

"[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It's a stunner." -Publishers Weekly (starred review)"[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead" -Los Angeles TimesWinner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death. In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite--a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs. Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación-friends and sometimes rivals- stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death. Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo's importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize. Translated from the Spanish by Elizabeth Bryer

“[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It’s a stunner.” —Publishers Weekly (starred review)“[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead” —Los Angeles TimesWinner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.Translated from the Spanish by Elizabeth Bryer

A Novel

No Place to Bury the Dead

NEW YORK TIMES' 10 BEST SCIENCE FICTION AND FANTASY BOOKS OF THE YEAR“Haunting and hopeful, precise and lingering...” – Amal El-Mohtar, New York Times Book Review Winner of the Otherwise Award&nbsp;•&nbsp;Long-listed for the VCU Cabell First Novelist Award An Esquire and Literary Hub Best Science Fiction and Fantasy Book of the Year&nbsp;•&nbsp;An Autostraddle Best Queer Book of 2024&nbsp;•&nbsp;A Best Pride Read by People and Brit + Co&nbsp;•&nbsp;A Parade Best New Book Release&nbsp;•&nbsp;A Best New Science Fiction Book by New Scientist &nbsp;•&nbsp;A Most Anticipated Book of 2024 by Tor.com, Bustle, Literary Hub, Autostraddle, Gizmodo, IGN, and Lilith Magazine&nbsp;"Baffingly good." – Jordy Rosenberg, author of Confessions of the Fox"A miracle of physics and art." – Julia Phillips, author of Disappearing EarthFor fans of Emily St. John Mandel and Kelly Link, a profoundly imaginative debut novel set in numerous universes, which follows a queer physicist’s search for belonging across time and space.Raffi works in an observational cosmology lab, searching for dark matter and trying to hide how little they understand their own research. Every chance they get, they escape to see Britt, a queer sculptor who fascinates them for reasons they also can’t—or won’t—understand. As Raffi’s carefully constructed life begins to collapse, they become increasingly fixated on the multiverse and the idea that somewhere, there may be a universe where they mean as much to Britt as Britt does to them . . . and just like that, Raffi and Britt are thirteen years old, on the cusp of friendship, and maybe something more.A meditation on self-destruction and reconstruction, In Universes is a mind-bending tour across parallel worlds, each an answer to the question of what Raffi’s life would be like if they had made slightly different choices. The universes grow increasingly strange as Raffi flees the ever-present specter of guilt: women fracture into hordes of animals; alien-possessed bears prowl apocalyptic landscapes. But across worlds, Raffi—with their sometimes-friends, sometimes-lovers Britt, Kay, and Graham—reaches for a life that feels authentically their own.Blending realism with science fiction, In Universes explores the thirst for genius, the fluidity of gender and identity, and the pull of despair against the desire to lead a meaningful life, insisting on the transgressive power of hope even in the darkest of times.

NEW YORK TIMES' 10 BEST SCIENCE FICTION AND FANTASY BOOKS OF THE YEAR“Haunting and hopeful, precise and lingering...” – Amal El-Mohtar, New York Times Book Review Winner of the Otherwise Award&nbsp;•&nbsp;Long-listed for the VCU Cabell First Novelist Award An Esquire and Literary Hub Best Science Fiction and Fantasy Book of the Year&nbsp;•&nbsp;An Autostraddle Best Queer Book of 2024&nbsp;•&nbsp;A Best Pride Read by People and Brit + Co&nbsp;•&nbsp;A Parade Best New Book Release&nbsp;•&nbsp;A Best New Science Fiction Book by New Scientist &nbsp;•&nbsp;A Most Anticipated Book of 2024 by Tor.com, Bustle, Literary Hub, Autostraddle, Gizmodo, IGN, and Lilith Magazine&nbsp;"Baffingly good." – Jordy Rosenberg, author of Confessions of the Fox"A miracle of physics and art." – Julia Phillips, author of Disappearing EarthFor fans of Emily St. John Mandel and Kelly Link, a profoundly imaginative debut novel set in numerous universes, which follows a queer physicist’s search for belonging across time and space.Raffi works in an observational cosmology lab, searching for dark matter and trying to hide how little they understand their own research. Every chance they get, they escape to see Britt, a queer sculptor who fascinates them for reasons they also can’t—or won’t—understand. As Raffi’s carefully constructed life begins to collapse, they become increasingly fixated on the multiverse and the idea that somewhere, there may be a universe where they mean as much to Britt as Britt does to them . . . and just like that, Raffi and Britt are thirteen years old, on the cusp of friendship, and maybe something more.A meditation on self-destruction and reconstruction, In Universes is a mind-bending tour across parallel worlds, each an answer to the question of what Raffi’s life would be like if they had made slightly different choices. The universes grow increasingly strange as Raffi flees the ever-present specter of guilt: women fracture into hordes of animals; alien-possessed bears prowl apocalyptic landscapes. But across worlds, Raffi—with their sometimes-friends, sometimes-lovers Britt, Kay, and Graham—reaches for a life that feels authentically their own.Blending realism with science fiction, In Universes explores the thirst for genius, the fluidity of gender and identity, and the pull of despair against the desire to lead a meaningful life, insisting on the transgressive power of hope even in the darkest of times.

In Universes

“Louise Hegarty’s genre-splicing debut is a treat—clever, confident, and always surprising, a mystery story that ingeniously escapes the locked room of the genre to take on the biggest questions of life and death.”—Paul Murray, author of&nbsp;The Bee StingFor fans of Anthony Horowitz and Lucy Foley, a wonderfully original, genre-breaking literary debut from Ireland that’s an homage to the brilliant detective novels of the early twentieth century, a twisty modern murder mystery, and a searing exploration of grief and loss.A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age Murder Mystery themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken.In the morning, all of them wake up—except Benjamin.As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer. In this mansion, suddenly complete with a butler, gardener and housekeeper, everyone is a suspect, and nothing is quite as it seems.&nbsp;Will the culprit be revealed? And how can Abigail, now alone, piece herself back together in the wake of this loss?Gripping and playful, sharp and profoundly moving, Fair Play plumbs the depths of the human heart while subverting one of our most popular genres.

“Louise Hegarty’s genre-splicing debut is a treat—clever, confident, and always surprising, a mystery story that ingeniously escapes the locked room of the genre to take on the biggest questions of life and death.”—Paul Murray, author of&nbsp;The Bee StingFor fans of Anthony Horowitz and Lucy Foley, a wonderfully original, genre-breaking literary debut from Ireland that’s an homage to the brilliant detective novels of the early twentieth century, a twisty modern murder mystery, and a searing exploration of grief and loss.A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age Murder Mystery themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken.In the morning, all of them wake up—except Benjamin.As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer. In this mansion, suddenly complete with a butler, gardener and housekeeper, everyone is a suspect, and nothing is quite as it seems.&nbsp;Will the culprit be revealed? And how can Abigail, now alone, piece herself back together in the wake of this loss?Gripping and playful, sharp and profoundly moving, Fair Play plumbs the depths of the human heart while subverting one of our most popular genres.

Fair Play

Chloe Seager creates a fun yet thought-provoking novel about two very different women, Holly and Fliss, who are grappling with drastic changes in their relationships after Holly’s boyfriend wants to “open” their relationship and Fliss’s boyfriend wants to “close” theirs.After nine years of dating, Holly is sure her boyfriend Will is going to propose. But instead of popping the question, he shocks her by suggesting they open their relationship to date other people.For the last three years, Fliss and her boyfriend Ash have been in a happily open relationship. But now that they’re turning thirty, he wants to close it, throwing Fliss’s&nbsp;whole ethos of living life on her terms rather than society’s expectations into question.When Fliss overhears Holly crying in the toilets during her first date in nine years, they decide to ditch their dates and have dinner together. They strike up an instant friendship with Fliss agreeing to teach Holly everything she knows about being in an open relationship, while Holly, who’s been with one person for almost a decade, can help Fliss try monogamy.Fliss is willing to give up dating other people if it means staying with Ash, and Holly is willing to try anything if it means she gets her happy ending with Will. But perhaps both Fliss and Holly will learn that there’s no one size fits all when it comes to relationships . . .

Open Minded

A thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War from the bestselling author of&nbsp;Circe.

This deluxe edition features elegant sprayed and stenciled edges; sparkling gold foil; endpapers featuring a map of Homer’s Greece; a guide to Greek gods, mortals, and heroes; essays by Madeline Miller; and discussion questions.A thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War from the bestselling author of&nbsp;Circe.A tale of gods and goddesses, kings and queens, immortal fame and the human heart.Achilles, “the best of all the Greeks,” son of the cruel sea goddess Thetis and the legendary king Peleus, is strong, swift, and beautiful—irresistible to all who meet him. Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods’ wrath.They are trained by the centaur Chiron in the arts of war and medicine, but when words comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the cruel Fates will test them both as never before and demand a terrible sacrifice.

The Song of Achilles Deluxe Edition

Darkly funny and provocative, this edge-of-your-seat thrill ride follows two unlikely fugitives?an SAT tutor who finds her rich employers brutally murdered and the bound woman she frees from their mansion?an irresistible debut novel perfect for fans of&nbsp;The Guest&nbsp;and&nbsp;My Sister, the Serial Killer.

“Fierce, fun, wild, and enraging.”&nbsp;—Chris Whitaker,&nbsp;New York Times&nbsp;bestselling author of&nbsp;All the Colors of the Dark“A real joy to read . . .&nbsp;Killer Potential&nbsp;earns Deitch a spot on the ‘new novelists to watch’ list.” —&nbsp;Associated PressAn electric debut novel following two young women after they flee a bloody murder scene in the Hollywood Hills and quickly become a runaway media sensationDestined for greatness, wanted for murder. . .A scholarship kid with straight As and big dreams, Evie Gordon always thought she was special, that she’d be someone. But after graduating from an elite university, she finds herself drowning in debt and working as an SAT tutor for the super-rich of Los Angeles.Everything changes one Sunday, when she arrives for her weekly lesson at the Victors’ Beverly Hills estate and, in lieu of a bored teenager, finds the bloody remains of the parents strewn through their beautiful back garden, and a woman crying for help within a closet. As Evie works to free her, the two are spotted—and within moments, they go from bystanders to suspects to fugitives.Suddenly at the heart of a manhunt and accompanied by a mysterious woman who refuses to speak, Evie knows the only way to clear her name is to find the real killer. But first she’ll have to break down the barriers of her companion, who is quickly becoming the most important person in Evie’s upside-down life. Their breathless spree takes them across the U.S. as developments in the case shock the nation and the press runs wild with Evie’s story: a gifted kid turned killer. She's now on the cover of every magazine and newspaper—anointed the new Charles Manson, a bloodthirsty ninety-nine percenter looking to start a class war. Evie is finally&nbsp;someone.By turns cuttingly hilarious and deeply insightful,&nbsp;Killer Potential&nbsp;is a strikingly original debut. A literary novel with the page-turning intensity of a thriller that asks timely questions about our belief in the romance of social mobility, and how the stories we’re sold about our potential can shape the course of our lives.

Killer Potential

The Alamaxa Duology

Following up on one of the most exciting fantasy debuts, The Daughters of Izdihar, Hadeer Elsbai concludes her Alamaxa Duology—inspired by Egyptian history and myth—with a tale of magic, war, betrayal, sisterhood, and love.The world is on fire...but some women can control it.The Daughters of Izdihar—a group of women fighting for the vote and against the patriarchal rule of Parliament—have finally made strides in having their voices heard...only to find them drowned out by the cannons of the fundamentalist Ziranis. As long as Alamaxa continues to allow for the elemental magic of the weavers—and insist on allowing an academy to teach such things—the Zirani will stop at nothing to end what they perceive is a threat to not only their way of life, but the entire world.Two such weavers, Nehal and Giorgina, had come together despite their differences to grow both their political and weaving power. But after the attack, Nehal wakes up in a Zirani prison, and Giorgina is on the run in her besieged city. If they can reunite again, they can rally Alamaxa to fight off the encroaching Zirani threat. Yet with so much in their way—including a contingent of Zirani insurgents with their own ideas about rebellion—this will be no easy task.And the last time a weaver fought back, the whole world was shattered.Two incredible women are all that stands before an entire army. But they’ve fought against power before and won. This time, though, it’s no longer about rhetoric.This time it’s about magic and blood.

The Weavers of Alamaxa

How to Sleep at Night

Mary and the Birth of Frankenstein

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