Malaysian Chinese (Mahua) literature is marginalized on several fronts. Cheow Thia Chan demonstrates that Mahua authors' grasp of their marginality in the world-Chinese literary space has been the impetus for-rather than a barrier to-aesthetic inventiveness.
Malaysian Chinese (Mahua) literature is marginalized on several fronts. Cheow Thia Chan demonstrates that Mahua authors' grasp of their marginality in the world-Chinese literary space has been the impetus for-rather than a barrier to-aesthetic inventiveness.