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Cristianini Nello: Machina Sapiens

Machina Sapiens

How Intelligent Machines Passed Turing’s Test (and What Happened the Next Day)

Routledge Research in Information Technology and E-Commerce Law

This book will provide critical insights into Internet governance through an in-depth examination of human rights law and will be of great interest to students and academics with an interest in IT law, Internet regulation and human rights law.

This book will provide critical insights into Internet governance through an in-depth examination of human rights law and will be of great interest to students and academics with an interest in IT law, Internet regulation and human rights law.

A Human Rights Perspective

Internet Governance

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

A Contemporary Introduction

Consciousness

Prosecuting the Powerful: War Crimes and the Battle for Justice

A Time of Loss

Routledge New Religions

George Ivanovitch Gurdjieff (c.1866-1949) is acknowledged as one of the most influential early teachers of a hybridised Eastern-Western esoteric spiritual tradition, and one of a few key influences on the contemporary New Age Movement and a myriad other alternative spiritualities and new religions. Positioning Gurdjieff's teachings within the field of New Religious Movements, this book examines the 'Work' (as Gurdjieff's system is commonly called), including his teachings presented in writings, music, and exercises known as 'Movements'. This critical introduction to the Gurdjieff tradition also provides an analysis of problems with unreliable sources and auto-mythology, examines major pupils and successors, and shows how the 'Work' functions in the contemporary spiritual marketplace. Offering an excellent introduction to anyone unfamiliar with Gurdjieff and his context, this book also provides further depth for scholars and an invaluable companion to literature examining Blavatsky, Steiner, Theosophy, and Anthroposophy.

George Ivanovitch Gurdjieff (c.1866-1949) is acknowledged as one of the most influential early teachers of a hybridised Eastern-Western esoteric spiritual tradition, and one of a few key influences on the contemporary New Age Movement and a myriad other alternative spiritualities and new religions.   Positioning Gurdjieff's teachings within the field of New Religious Movements, this book examines the 'Work' (as Gurdjieff's system is commonly called), including his teachings presented in writings, music, and exercises known as 'Movements'. This critical introduction to the Gurdjieff tradition also provides an analysis of problems with unreliable sources and auto-mythology, examines major pupils and successors, and shows how the 'Work' functions in the contemporary spiritual marketplace. Offering an excellent introduction to anyone unfamiliar with Gurdjieff and his context, this book also provides further depth for scholars and an invaluable companion to literature examining Blavatsky, Steiner, Theosophy, and Anthroposophy.

A Critical Introduction

Gurdjieff

Routledge Studies in Environmental Communication and Media

Environmental Communication and the Media provides readers with a framework for understanding the process of creating and interpreting media messages about environmental topics. The book includes both practical and theoretical information about persuasion, diffusion, audience analysis and adaptation, intercultural and international communication, and media effects.

Environmental Communication and the Media provides readers with a framework for understanding the process of creating and interpreting media messages about environmental topics. The book includes both practical and theoretical information about persuasion, diffusion, audience analysis and adaptation, intercultural and international communication, and media effects.

Environmental Communication and the Media

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or 'othered' body and thinking through 'medieval things': such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference. This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor's area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or ’othered’ body and thinking through ’medieval things’: such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference.   This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor’s area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The Ashgate Research Companion to Medieval Disability Studies

Routledge Studies in Critical Realism

Through an extensive critical review of the major traditions of social theory from the perspective of social realism, this book develops the argument that social theory to date has been hamstrung by its resort to conflationary-reductive analytical modes. Deploying social realism as a tool of explanatory critique of influential sociological theories of contemporary society, such as risk, liquid modernity, reflexive modernity, and postmodernity, this book is essential reading for students and scholars of critical theory, critical realism, philosophy and sociology.

The failure of social philosophers to make sense of an object of knowledge that embodies real divisions and polarities has generated a fundamental problem of social theory: the fallacy of reductive-conflationary analytical and explanatory models in sociological research. This book seeks to define the problem of sociology as one of developing appropriate theoretical and methodological tools for describing and analysing a multi-faceted social reality. Through an extensive critical review of the major traditions of social theory from the perspective of social realism, this book develops the argument that social theory to date has been hamstrung by its resort to conflationary-reductive analytical modes. Part I presents a realist critique of the traditional rivals of holism and individualism while Part II offers a realist critique of the major paradigms of sociological elisionism. In Part III the author builds on these critiques by exploring how the ontology of social realism can sustain a robust social theory that resolves the traditional dilemmas and antinomies. Deploying this social realism as a tool of explanatory critique of influential sociological theories of contemporary society, such as risk, liquid modernity, reflexive modernity, and postmodernity, this book is essential reading for students and scholars of critical theory, critical realism, philosophy and sociology.

Machina Sapiens

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