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This book examines Luigi Dallapiccola's groundbreaking works created alongside the masterpieces of many Florentine artists and literati who guided his daily steps and his embrace of twelve-tone serialism as a spiritual dogma.

Mario Ruffini M: Luigi Dallapiccola,
America, and the Unlocking of Visionary

Luigi Dallapiccola, America, and the Unlocking of Visionary Creativity

List of FiguresAcknowledgmentsIntroduction: The "Epiphanies" of Luigi DallapiccolaChapter 1: LauraBehind the Scenes of Luigi Dallapiccola's Twelve-Tone MusicChapter 2: EntwurfFerruccio Busoni's "Sketch of a New Aesthetic of Music" and the Italian translation by Laura and Luigi DallapiccolaChapter 3: AmericaLuigi Dallapiccola in the United States: Residencies, Students, Commissions, Premieres, and HonorsValentina BensiChapter 4: Pittsburgh 1952: The World Premiere of "Quaderno musicale di Annalibera" with an analytical essayMarco Mazzè AlessiConcluding Thoughts: The Synthetic and Raisonnè Catalogs of Luigi Dallapiccola's Works: A 30-year JourneyAppendix 1Appendix 2Appendix 3BibliographyIndexAbout the Authors

Excelsior Editions

Chronicling Its Classic Jazz Recordings, 1949–1972

Listening to Prestige

World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

An Intimate Portrait

Picturing Prince

The Meaning of George Michael

Tonight the Music Seems So Loud

Stories Behind The Songs, Tours and Rise of an Icon

The Stories Behind the Songs, Tours and Rise of an Icon

Ariana Grande

A Memoir

Fearless and Free

New Approaches to Sound, Music, and Media

Vincenzo Bellini on Stage and Screen, 1935-2020

Routledge Research in Art History

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

The Nabis and Symbolist Theater

A thrilling new biography of Pyotr Ilyich Tchaikovsky—composer of some of the world’s most popular orchestral and theatrical music &nbsp; “A lively, argumentative and thoughtful reflection on one of the 19th century’s most important musical figures.”—Michael O’Donnell, Wall Street Journal &nbsp; Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire’s worth of music, and navigated the imperial Russian court to great advantage. &nbsp; In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky’s complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. &nbsp; Morrison reexamines the relationship between Tchaikovsky’s music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky’s Empire unsettles everything we thought we knew—and gives us a vivid new appreciation of Russia’s most popular composer.

A New Life of Russia's Greatest Composer

Tchaikovsky's Empire

Walking In The Footsteps Of David

BOWIELAND

In his brilliantly original Tonight the Music Seems so Loud, bestselling author Sathnam Sanghera portrays the extraordinary life, and times, of one of Britain's most beloved musical icons - George Michael.

A New Philosophy of Opera

Luigi Dallapiccola, America, and the Unlocking of Visionary Creativity

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