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"Lover Girl is the dreamy debut from poet and breakout TikTok star Raegan Fordemwalt, enhanced with a new cover and never-before-shared poems and art."--Provided by publisher.

Lover Girl is the dreamy debut from poet and breakout TikTok star Raegan Fordemwalt, enhanced with a new cover and never-before-shared poems and art.

Fordemwalt R: Lover Girl

Lover Girl

New and Selected Sonnets

Transitions

The Wren

Words of Dark Love & Eternal Devotion

Our Hearts Entangled

A collection of lyrical and experimental poems, Mermaid Theory redefines the page to visually and textually enact the struggles and celebrations of Arab-American femininity. 
 
In her second full-length collection, Maya Salameh offers a profound exploration of Arab-American identity, weaving together themes of myth, science, and cultural heritage. Salameh's innovative poetic forms blur the lines between ancient myth and psychological scholarship. 
 
Mermaid Theory boldly reimagines Arab-American womanhood in the modern military age, deploying psychological evaluation forms, ritual incantations, and other texts as visual lyric poems to deepen the reader's engagement. Salameh transcends simple narratives of shame or violence to offer a nuanced portrayal of identity, exploring both the privileges and heartbreaks of diasporic exile. Her multilingual poetry bridges Arabic and English, enriching the poems' sonic texture.&nbsp;

Poems

Mermaid Theory

A Norton Short

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterised as "inaccessible", "irrelevant" or "intimidating". She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life's many uncertainties and losses, to build camaraderie with strangers and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets, alongside classic poems. By reimagining and re-examining the age-old art form, Fear Less is a warm invitation to find meaning, consolation and hope through poetry.

Poetry in Perilous Times

Fear Less

Afterburn

Haunting the Black Air

Milk Wood Memoir

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

Bramble

From the legendary avant-garde poet Kim Hyesoon, a landmark collection documenting her first and only work of digital performance art to date. “Poetry in Korea has been a vaunted form—and traditionally left to men. Kim broke away from the masculine styles that came before her. . . . Kim has pursued a vernacular that’s intensely Korean yet open to the world.” —E. Tammy Kim, New YorkerIn March 2014, Kim Hyesoon, the grand dame of contemporary Korean poetry, began to post anonymously on the online blog of Munhakdongne, a major South Korean publisher. Rather than use her own name, Kim Hyesoon’s chosen persona for these blog posts was Lady No. Fittingly, Lady No’s writings are dissenting, combative, subversive, and ontologically feminine; formally, they defy any attempt at easy categorization. They are neither poems, nor are they prose, but a radical innovation Kim calls shisanmun—an ungovernable style that heralds her internationally acclaimed works Autobiography of Death and Phantom Pain Wings.The entries in this seminal collection, arranged chronologically and in their entirety here for the first time, are an eclectic hybrid of opinion editorials, aphorisms, recipes, daydreams, travelogues, art criticism, as well as treatises on the metaphysics of poetry and the current state of international literature. They take place in and around the world but most often they return to a country called Aerok, a frightening yet familiar mirror of contemporary Korea. First unwittingly, and then with concentrated grief, they chart the course of one of the most politically significant years in recent South Korean history: the sinking of the MV Sewol on the morning of April 16th that killed 304 people, including 250 high school students, and the reverberations of this national tragedy that culminated in the impeachment and ouster of the country’s then-sitting president. Taken together, these writings bear witness to the people’s shame, mourning, and perseverance under a corrupt administration—a painful public reckoning not dissimilar from our own.&nbsp;&nbsp;Surreal but visceral, and inflected with both humor and rage, Lady No contains perhaps the most accessible of Kim Hyesoon’s writing to date and documents her first and only work of digital performance art. Totaling 179 individual entries and featuring 34 drawings by the artist Fi Jae Li, Lady No explores the inner and outer lives of contemporary Korean women and embodies the inextricable link between social justice and literary citizenship.

Lady No

Lover Girl

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