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This book examines the relationship between literature and philosophy.

Castelli A: Literature and Philosophy

Literature and Philosophy

Telling Tales of Nonsense

2. A Love That Kills: The Idiot 3. Philosophical and textual strands of Il Deserto dei Tartari 4. Shades of Love in Love in The Time of Cholera 5. Camus, the absurd Meursault, and Alexandros Panagoulis 6. Prisoners of Life: Dostoevsky's Hero and Anti-hero 7. The Bad Faith of the Nonexistent Knight 8. Neo-Platonic love in fictional obsession Epilogue

Bloomsbury Handbooks

The Bloomsbury Handbook to D. H. Lawrence

Studies in Publishing History: Manuscript, Print, Digital

Maura Ives's publishing history of "Goblin Market" maps its appearance in collected editions and in standalone volumes in Britain and the United States. Topics include the poem's composition, production, and marketing; contemporary reception; fine press, miniature, and mass market editions, including versions for children; and musical settings and adaptations. The volume concludes with an annotated list of archival sources and published versions of "Goblin Market," followed by an extensive bibliography.

As the lead poem in Christina Rossetti's first collection, Goblin Market and Other Poems, "Goblin Market" stands both historically and literally as the gateway to Rossetti's works. Despite its importance in the Rossetti canon, the publishing history of Rossetti's famous poem remains incomplete. Maura Ives offers the first extended treatment of this neglected topic, mapping "Goblin Market"'s publication history in collected editions and in standalone volumes in Britain and the United States. Topics covered include the poem's composition, production, and marketing; contemporary reception; fine press, miniature, and mass market editions, including versions for children; and musical settings and adaptations. The volume concludes with an annotated list of archival sources and published versions of "Goblin Market," followed by an extensive bibliography.  Memorable not only for its vivid imagery and its disconcerting combination of sensuality and Christian symbolism, the absorption of "Goblin Market" into popular culture is readily evident to this day, with Rossetti's poem serving as the title for a folk-rock duo, restaurants in Manhattan and Florida, and a number of books by other authors. Ives's publishing history of "Goblin Market" sheds light on the longstanding critical and commercial appeal of this fascinating Victorian poem and on book publishing from the Victorian period to the present.

A Publishing History

Christina Rossetti's Goblin Market

Bringing together Michel Foucault's aesthetics of existence and Richard Shusterman's somaesthetics, this volume provides a critical comparison of two of the most influential philosophical theories of the late 20th and early 21st centuries. Introduced by a comprehensive overview of both concepts by editors Stefano Marino and Valentina Antoniol, the ensuing chapters interrogate the affinities and variances between Foucault's and Shusterman's philosophies. Building on the interdisciplinary character of somaesthetics and aesthetics of existence, international scholars explore these ideas through a wide range of topics ranging from care of the self and of the social self to the ethical and political challenges posed by themes as white ignorance, construction of resistances, and production of subjectivities. Given the central role played by the body in both concepts, this volume also affords particular attention to the philosophy of sexuality. Demonstrating the value of reading these two thinkers together through the adoption of radical interpretive perspectives, Foucault's Aesthetics of Existence and Shusterman's Somaesthetics highlights the potentialities and the relevance of Foucault's and Shusterman's theories, even with respect to our actualité.

Ethics, Politics, and the Art of Living

Foucault's Aesthetics of Existence and Shusterman's Somaesthetics

Critical Concepts in Religious Studies

There is a substantial and growing literature on both theories and methods in the study of religion. This new four-volume collection will showcase the very best cutting-edge research and canonical literature.

Methods and Theories in the Study of Religion

Contemporary Critical Perspectives

Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk's literary output is one of experimentation and a desire to push against established cultural models. Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk's work, spanning novels including Saving Agnes, A Country Life, and Second Place, her 'autofictional' Outline trilogy, and her nonfiction A Life's Work, The Last Supper, Aftermath and the Coventry essays. Rigorous and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring themes of gender relations, class dynamics, maternal identity and creative freedom. The collection concludes with an in-depth interview with Cusk, conducted by Merve Emre, reflecting on her influences, writing and experiences. Mapping the formal and stylistic shift across her career and locating them within their specific contexts, this collection provides a crucial analysis of Cusk's influences, politics, and literary techniques that speak to many of the most pressing issues in contemporary literature.

Rachel Cusk

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

A Philosophical Guide to Our Most Misunderstood Emotion

How to Love

A Time of Loss

Environmental Cultures

Providing a methodology for identifying literary narratives of climate change, this book draws on historical narrative strategies and analysis of the current popular trends to assess the effectiveness of literary narratives on global issues.

Anglophone Literature and the Fight Against Climate Change

Anthem Impact

This study investigates how medieval intellectuals compared their own cultures with others. It aims to establish Cultural Comparisons as an area of medieval studies by looking at some of the outstanding texts, mainly from the twelfth to the fourteenth centuries.

How Medieval Thinkers Analysed Cultural Differences

Princeton Classics

How propaganda undermines democracy and why we need to pay attention.

How Propaganda Works

Arguably the greatest novel of the twentieth century, James Joyce's Ulysses remains as much of a shocking and redemptive testament to the human condition as it was when it was first conceived in 1914. Following the events of a single day in Dublin and the experiences of Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses' ceaseless verbal and formal inventiveness and its astonishing wide-ranging allusions continue to have a profound influence on contemporary culture. A new, annotated students' edition of one of the twentieth century's greatest novels, using the original 1922 text, now the preferred text of Joyce's masterwork, this annotated Student Edition includes extensive notes, line numbers and an introduction by world-renowned Joycean scholar, Andrew Gibson.

For Joyce, literature is 'the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerisation, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirm its standing as an imperishable monument to the human condition. A new edition of one of the twentieth century's greatest novels, using the original 1922 text - now the preferred text of Joyce's masterwork - this annotated Student Edition includes extensive notes, line numbers and an introduction by world-renowned Joycean scholar, Andrew Gibson.

Annotated Students' Edition

Ulysses

Literature and Philosophy

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