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Learn With Us Now: Level 3: Workbook

Print Student Workbook

My Unexpected Life on Page, Stage and Screen

Getting Away with Murder

New Perspectives on Language Assessment

Language Placement Testing

DK How to Be Good at

Master your English skills and become a reading and writing superstar with this colourful, easy-to-follow practice book. Need help telling your adjectives from your adverbs? Struggling to work out what that poem is really about, or where to begin with your essay? These workbooks will help to cement everything you need to know about English through practice questions and practical exercises. Easy-to-follow instructions allow you to try out what you've studied, helping you understand what you've learned in school or giving extra revision practice before that important test. This engaging and clear workbook accompanies DK's How to be Good at English course book, but can also be used on its own to reinforce classroom teaching. This English grammar book for children offers: - All core English language learning topics, grammar, reading comprehension, and writing. - Easy-to-follow instructions for children to use by themselves in a clearly laid out structure. - Answers at the back of the book for referring to at the end of the practices. Packed with fun, colourful illustrations and more than 300 practice exercises and activities to reinforce learning and spark creativity, How to be Good at English Workbook 1 is the ideal guide for native English students wanting to solidify their English fluency, as well as international students studying English Language and Literature. More in the seriesThis workbook is the companion to the study guide How To Be Good At English, and the latest addition to DK's successful How To Be Good At series, so why not check out our other core titles? DK's How to be Good at English course book for children aged 7-14 now has two accompanying workbooks: Workbook 1 covers ages 7-11 and Workbook 2 covers ages 11-14.

Master your English skills and become a reading and writing superstar with this colourful, easy-to-follow practice book. Need help telling your adjectives from your adverbs? Struggling to work out what that poem is really about, or where to begin with your essay? These workbooks will help to cement everything you need to know about English through practice questions and practical exercises. Easy-to-follow instructions allow you to try out what you've studied, helping you understand what you've learned in school or giving extra revision practice before that important test. This engaging and clear workbook accompanies DK's How to be Good at English course book, but can also be used on its own to reinforce classroom teaching. This English grammar book for children offers: - All core English language learning topics, grammar, reading comprehension, and writing. - Easy-to-follow instructions for children to use by themselves in a clearly laid out structure. - Answers at the back of the book for referring to at the end of the practices. Packed with fun, colourful illustrations and more than 300 practice exercises and activities to reinforce learning and spark creativity, How to be Good at English Workbook 1 is the ideal guide for native English students wanting to solidify their English fluency, as well as international students studying English Language and Literature. More in the series This workbook is the companion to the study guide How To Be Good At English, and the latest addition to DK's successful How To Be Good At series, so why not check out our other core titles? DK's How to be Good at English course book for children aged 7-14 now has two accompanying workbooks: Workbook 1 covers ages 7-11 and Workbook 2 covers ages 11-14.

The Simplest-Ever Visual Workbook

How to be Good at English Workbook 1, Ages 7-11 (Key Stage 2)

Considering the most recent scholarship on early modern English women writers, memorialisation discourses, and textual evocations of female subjectivity, this study brings together a radical evocation of otherness that serves to challenge the dominant political, religious and social discourses of the day. Focusing especially on writers Mary Sidney Herbert, Elizabeth Cary, Mary Wroth and Aphra Behn, Marion Wynne-Davies offers a new way of understanding female identity in the English Renaissance.

Drawing upon modern theoretical precepts and presenting new research on tombs of English women writers from the sixteenth and seventeenth centuries, this study investigates the ways in which early modern women writers construct and are constructed by discourses of mortality.  Marion Wynne-Davies analyses how women wrote about mortality, how they 'staged' death, how they were written about when they died and the construction of their tombs as a final statement of public gender roles.  Each chapter focuses upon a key women writer from the period”Mary Sidney Herbert, Elizabeth Cary, Mary Wroth and Aphra Behn”to present a new way of understanding female identity in the English Renaissance.  In each example, Wynne-Davies presents her research on the woman writer's tomb in order to explore the parallels and contrasts between how the writers constructed themselves and how they were constructed after death. Engaging with the theoretical approaches and undertaking research on texts and monuments, this book explores memorialisation in order to demonstrate that death is essential to our understanding of the subjectivity of women writers in early modern England.    Considering the most recent scholarship on early modern English women writers, memorialisation discourses, and textual evocations of female subjectivity, this study brings together a radical evocation of otherness that serves to challenge the dominant political, religious and social discourses of the day.

Early Modern Women Writers and Memorialization

Reading Champion

Independent reading Turquoise 7

Reading Champion: The Monkey's Heart

A special place for precious keepsakes

Baby Memory Box

Colloquial Series

The ideal introduction to spoken and written Tamil. Focuses on the standard language of Tamil Nadu in South India, while providing a useful introduction to formal speech and the written language.

Colloquial Tamil is easy to use and completely up to date.Specially written by experienced teachers for self-study and class use, the course offers you a step-by-step approach to spoken Tamil. While emphasis is placed on colloquial spoken Tamil, you are given a useful introduction to formal speech and the written language as well.What makes Colloquial Tamil your best choice in personal language learning?<ul> <li>emphasis on authentic conversational language</li> <li>clear explanations on how to pronounce and write the language</li> <li>helpful grammar notes and reference grammar</li> <li>comprehensive vocabulary lists (Tamil-English and English-Tamil)</li> <li>lively illustrations and fascinating cultural insights throughout.</li> </ul>By the end of this rewarding course you will be able to communicate confidently and effectively in Tamil in a broad range of everyday situations.Accompanying audio material is available to purchase separately on CD/MP3 format, or comes included in the great value Colloquials Pack. Recorded by native Tamil speakers, this material is designed to help improve pronunciation, listening and speaking skills.

The Complete Course for Beginners

Colloquial Tamil

Blackwell Handbooks in Linguistics

The Handbook of Plurilingual and Intercultural Language Learning

Immersive 3D Viewers

See 30 ocean animals in incredible 3D with Enter the World of the Ocean: Immersive 3D Viewer. Box contains 3D lenses, 30 animal cards, and instruction leaflet.

Immersive 3D Viewer

Dive into the Ocean

In Other Voices is the essential coursebook for any student studying Interpreting and a companion to the bestselling In Other Words by Mona Baker.Following the highly successful format of Baker¿s textbook, In Other Voices offers the same bottom-up analysis of linguistic features that pose particular challenges in the context of Interpreting, extensively illustrated with authentic examples. Assuming no prior knowledge of linguistics or a foreign language, this textbook features:<ul> <li>A wide range of types and contexts of interpreting, including all modes (simultaneous, consecutive, whispered, liaison and signed language interpreting) and a variety of settings (conference, court, community, health institutions, business meetings)</li> <li>exercises for class work or self study</li> <li>further reading and a glossary of key terms</li> <li>a wide range of language examples with back translations to ensure accessibility</li> </ul>A companion website featuring further exercises and sample speeches

In Other Voices is the essential coursebook for any student studying Interpreting and a companion to the bestselling In Other Words by Mona Baker.Following the highly successful format of Baker’s textbook, In Other Voices offers the same bottom-up analysis of linguistic features that pose particular challenges in the context of Interpreting, extensively illustrated with authentic examples. Assuming no prior knowledge of linguistics or a foreign language, this textbook features:<ul> <li>A wide range of types and contexts of interpreting, including all modes (simultaneous, consecutive, whispered, liaison and signed language interpreting) and a variety of settings (conference, court, community, health institutions, business meetings)</li> <li>exercises for class work or self study</li> <li>further reading and a glossary of key terms</li> <li>a wide range of language examples with back translations to ensure accessibility</li> </ul>A companion website featuring further exercises and sample speeches

A Coursebook on Interpreting

In Other Voices

The Cambridge Jane Austen

Jane Austen's stylish masterpiece, Emma is a brilliant psychological comedy about the mind's deception of itself. It speaks to the tedium of family and social existence, yet does so in a sparkling, utterly beguiling manner. An 'imaginist' and a snob, the heroine Emma inhabits a comical world of secrecy, illusion and fantasies. Living a claustrophobic life in which she is always significant, Emma persuades herself that marriage is unnecessary for her; instead, she employs her charm and position to manoeuvre others, until she learns the truth about herself and her needs. A sharp portrait of entitlement and snobbery, Emma is simultaneously a story of family kindness and of a nurturing village community more fully realised in this novel than in any other Austen work. Prefaces and explanatory endnotes supplied by Janet Todd illuminate the cultural, historical and literary context, bringing Jane Austen's world to life.

The Collector's Edition

Emma

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O¿Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Although several Irish writers produced crime novels before 2000, most of these books were set outside Ireland and brought out by non-Irish publishing houses. This situation changed radically in the early years of the twenty-first century when numerous novels and series set in Ireland and written by Irish authors were published and began generating strong sales at home and abroad. Maureen Reddy examines this phenomenon, analyzing the conditions that gave rise to it and the commonalities among the novels. Reddy places what she calls Hibernian Noir in the context of the social and economic conditions in Ireland from 1998 to 2012 and relates that period to the post-World War I United States that gave rise to hardboiled detective fiction. As Reddy shows, Irish hardboiled fiction participates in the genre’s tradition of placing previously marginalized individuals in positions of narrative authority. At the same time, Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O’Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

Learn With Us Now: Level 3: Workbook

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