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Joseph Conrad's Cultural Legacy

Centennial Essays

The MIBI Agreements and the Law

Routledge Studies in Entrepreneurship and Small Business

The only book to focus on British entrepreneurship and small businesses under Labour from an academically rigorous and analytical perspective, this book covers:<ul> <li>the nature of the Labour Government's policies for small firms: how far has Labour maintained the Conservative emphasis and how far has it provided a distinctive interpretation of its own? In what way does Labour's approach connect to its general economic and industrial policy?</li> <li>the way in which Labour has formed and implemented its small firms policy: to what extent has Labour maintained previous practices and what changes have been introduced into policy-making, stressing alternative themes?</li> <li>the impact on the small business constituency of Labour policy and practice since 1997: how distinctive does Labour's strategy and procedure appear to small business? </li> </ul>This book is a must read for all economics, and business and management students interested in, or studying entrepreneurship.

New Labour and Entrepreneurship

Small Business in Britain

War, Culture and Society

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Comparing North and South Korean Writing

Literature and Cultural Identity during the Korean War

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa’s foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition – including his adoption of izibongo, Zulu praise poetry – and the role of the artist as a chronicler of his people’s history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene’s profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art – in this 21st-century moment of climate crisis – as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

Routledge New Religions

Worldview, Ritual, Identity

21st Century Irish Paganism

Beaker Burials in Britain and North-West Europe 2600-1800 BC provides a comprehensive account of the current interpretations of Chalcolithic and Early Bronze Age Beaker burials, monuments and their social and cultural contexts in Britain, Ireland and the maritime zone of North-West Europe, from Brittany to Jutland.Burials of the Beaker people have long held a special place in the European imagination because of their highly distinctive and exotic material culture associations, their connection with the spread of copper metallurgy, striking modes of funerary display, and apparent rapidity with which these spread across western and central Europe through population movement, exchange and indigenous adoption. The impact of Beaker people's funerary practices, technologies, social ideals and cosmologies on 'native' communities led to diverse and often radical transformations in wider cultural repertoires, political organizations and social and economic life.Beaker Burials in Britain and North-West Europe 2600-1800 BC considers the Beaker people's funerary record in context of the full range of interpretive frameworks, with comparative reference to wider sources of evidence. There is a particular focus on ethnographic description and interpretation of death ritual, funerary architecture and the social, political, religious and cosmological significance of burials, body treatment and monumentality. A thematic structure allows for the coverage of key topics such as cultural geography and interaction, funerary ritual, monuments and landscape, cultural and social identities, personhood, power and politics, death and living society, and cultural change and history.

Beaker Burials in Britain and North-West Europe 2600-1800 BC provides a comprehensive account of the current interpretations of Chalcolithic and Early Bronze Age Beaker burials, monuments and their social and cultural contexts in Britain, Ireland and the maritime zone of North-West Europe, from Brittany to Jutland.Burials of the Beaker people have long held a special place in the European imagination because of their highly distinctive and exotic material culture associations, their connection with the spread of copper metallurgy, striking modes of funerary display, and apparent rapidity with which these spread across western and central Europe through population movement, exchange and indigenous adoption. The impact of Beaker people’s funerary practices, technologies, social ideals and cosmologies on ‘native’ communities led to diverse and often radical transformations in wider cultural repertoires, political organizations and social and economic life.Beaker Burials in Britain and North-West Europe 2600-1800 BC considers the Beaker people’s funerary record in context of the full range of interpretive frameworks, with comparative reference to wider sources of evidence. There is a particular focus on ethnographic description and interpretation of death ritual, funerary architecture and the social, political, religious and cosmological significance of burials, body treatment and monumentality. A thematic structure allows for the coverage of key topics such as cultural geography and interaction, funerary ritual, monuments and landscape, cultural and social identities, personhood, power and politics, death and living society, and cultural change and history.

An Ethnography of Death and Identity

Beaker Burials in Britain and North-West Europe 2600-1800 BC

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

A Caribbean History of Britain

Entangled Lands

Routledge SOLON Explorations in Crime and Criminal Justice Histories

How did the criminal justice system deal with the challenges and practical problems in its processes, both new and rediscovered, during the inter-war years? This book explores a neglected but significant area of crime and criminal justice history.

How did the criminal justice system deal with the challenges and practical problems in its processes, both new and rediscovered, during the inter-war years? This book explores a neglected but significant area of crime and criminal justice history.

Police, Courts and Institutional Adjustment

Processing Criminal Justice Between the Wars

Discovery Law

Environmental Cultures

Establishing the existence of a category of poems from the Modernist and contemporary periods which give agency to nonhuman beings and texts themselves, this book puts form, often neglected within ecocriticism, at the centre of its definition of ecopoetics.

Focusing on a category of poems from the Modernist and contemporary periods which give agency to nonhuman beings and texts themselves, this book puts form, often neglected within ecocriticism, at the center of its definition of ecopoetics. Grounding ecopoetics in posthumanist ontologies (new materialism, flat ontology and Latour’s work on agency), this book explores the way in which the poems collapse the human/nonhuman divide and re-instil wonder at the natural world. By juxtaposing readings of Modernist poets such as D. H. Lawrence, Wallace Stevens and Marianne Moore with contemporary poets such as Les Murray, Pattiann Rogers, Alice Oswald and Kathleen Jamie, the book provides fresh insight into well-known works and offers a new perspective on contemporary ecopoetry.

Writing with the Nonhuman in Modernist and Contemporary Poetry

An Ecopoetics of Agency

Jewish Lives

A revealing biography of one of the twentieth century’s most influential writers &nbsp; Philip Roth (1933–2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey—where his short stories and thirty-one books were often set—he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). &nbsp; In this original and lucid biography, Steven J. Zipperstein captures Roth’s complex life and the astonishing range of his self-reflective writings—from “Goodbye, Columbus” and Portnoy’s Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century’s most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America.

Stung by Life

Philip Roth

Joseph Conrad's Cultural Legacy

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