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Roe Nicholas: John Keats and the Perils
of Posterity

John Keats and the Perils of Posterity

The Cambridge Edition of the Complete Fiction of Henry James

The Cambridge Edition of The Portrait of a Lady (1881) offers the most authoritative and most comprehensively annotated text of Henry James's first masterpiece. Extensive textual variants provide complete collation of all published versions since its first appearance in serial form through the New York edition of 1908.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Widely considered James's first great work of fiction and highly innovative in its narrative techniques, The Portrait of a Lady follows the story of an ardent, idealistic American heroine, Isabel Archer, in a cosmopolitan Europe. It explores individual freedom amidst confining circumstance, romantic choice, and the consequences of disillusionment and betrayal. This edition, based on the most reliable of the work's first book appearances (Macmillan, 1882), provides an authoritative text of one of James's finest long novels, with extensive annotations,&nbsp;a detailed textual history and an analysis of the reasons for its long-held popular appeal. It will be of particular interest not only to James scholars, but also book historians and students of nineteenth-century Anglo-American literature and culture.

The Portrait of a Lady

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

The Bostonians is a brilliant tragicomedy, as fresh and sharp today as when it first appeared. This full critical edition of one of Henry James's most distinctive works will interest researchers, scholars and advanced students of Henry James, and of nineteenth- and twentieth-century British and American fiction and literature.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Bostonians is an extraordinary political and psychological drama narrating the struggle between Northern feminist Olive Chancellor and her cousin, former slaveholder and radical conservative Basil Ransom, for 'possession' of the beautiful, talented Verena Tarrant. The issues raised of the relations between the sexes, between North and South and between differing visions of 'progress' in America are as timely - and contentious - as when the novel first appeared. This fully annotated scholarly edition of one of James's most distinctive and important works features a detailed contextual introduction, full textual history and helpful explanatory annotation. It will be of interest to researchers, scholars and advanced students of Henry James, and of nineteenth- and twentieth-century British and American fiction and literature.

The Bostonians

The Pickering Masters

The Fiction of Sarah Harriet Burney

4th edition of the groundbreaking study of Geoffrey Chaucer's Knight, which argues that the character is not a paragon of Christian chivalry but a professional mercenary in the service of tyrants and despots. First published in 1980, it now includes new evidence.

Fourth edition of Terry Jones's groundbreaking study, featuring new material and research.

Chaucer's Knight

Henry James considered his late novel The Ambassadors (1903) 'quite the best, 'all round'' of all his works. This volume based on the first book edition provides extensive annotations, a detailed textual history of the work and a full introduction exploring the novel's literary, cultural and historical contexts.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. One of Henry James's last three great novels, The Ambassadors offers a witty, observant and profound exploration of the contrast between American and European cultures and of the desire to 'live all you can'. It follows the journey of self-discovery taken by a middle-aged literary gentleman, Lambert Strether, as he sheds his New England perspective and comes to appreciate cosmopolitan society and values, although not without personal cost. This edition, based on the work's first book appearance (Methuen, 1903), illuminates its literary and cultural contexts, contains comprehensive annotation, and provides a detailed textual history. It will appeal to James scholars, book historians and students of early twentieth-century Anglo-American literature and culture, and re-introduce readers to this masterpiece.

The Ambassadors

Oxford World's Classics

The Adventures of Sherlock Holmes is the series of short stories that made the fortunes of the Strand magazine, in which they were first published, and won immense popularity for Sherlock Holmes and Dr Watson.

The Adventures of Sherlock Holmes is the series of short stories that made the fortunes of the Strand magazine, in which they were first published, and won immense popularity for Sherlock Holmes and Dr Watson.

The Adventures of Sherlock Holmes

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

The Wickedest

The Last Man and The Journal of Sorrow

This is the first scholarly edition of an important group of critical writings by Henry James, the Prefaces to his New York Edition (1907-9). It will be of value to James scholars and to scholars and advanced students of 19th- and 20th-century British and American literature and book history.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. James wrote the eighteen Prefaces included in this volume to accompany the revised, selective New York Edition of his novels and tales (1907–9). They are unique and various writings: at once a digest of James's critical principles, an unsystematic treatise on fiction theory, an account of his rereading and revision of his own work, an oblique autobiography of the writing life and a public performance of authorial identity. This is the first scholarly edition of the Prefaces, and includes a detailed contextual introduction, a full textual history and extensive explanatory notes. It will be of value to researchers, scholars and advanced students of Henry James, and of 19th- and 20th-century British and American literature and book history.

The Prefaces

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

John Keats and the Perils of Posterity

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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