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Stunning recipes for patisserie, desserts and savouries with a contemporary Japanese twist.

Campbell J: Japanese Patisserie

Japanese Patisserie

Exploring the Beautiful and Delicious Fusion of East Meets West

Hollow Inside

Die Fabrik

Die Biographie des Tagebuchs der Anne Frank

»Ich will fortleben, auch nach meinem Tod«

Simple techniques and recipes to enjoy delicious Chinese food at home

School of Wok: Jeremy Pang's Chinese Kitchen

Bloomsbury Studies in World Philosophies

Unravelling the Difficulty of Living

Nishidian Philosophy and The Body

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

The Hidden Truth Behind the Alleged War Collaboration

The Kyoto School and the Japanese Navy

Mieruko – Die Geister, die mich riefen

Seit Michiru und Hana sich nähergekommen sind, versperren die Tentakel, die Michiru früher vollständig umgeben haben, Miku immer seltener die Sicht auf ihre erschreckend hübsche Klassenkameradin. Während Michirus Besessenheit langsam zu einer gesunden Freundschaft gedeiht, scheint der nächste Problemfall jedoch bereits ein Auge auf Miku geworfen zu haben ...

Mieruko-chan - Die Geister, die mich riefen 11

Meltdown at Fukushima

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historiansA magisterial work of political, social, and military history,&nbsp;Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world. Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called "one of the essential books about World War II" (Philadelphia Inquirer), now offer a shattering new history of Japan's long war in the Pacific, told exclusively from the perspective of the Japanese.&nbsp;Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near annihilation by 1945. Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs-including, in the final twelve months of the war, over one million civilian deaths-as well as heartrending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historians A magisterial work of political, social, and military history, Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world.Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called “one of the essential books about World War II” (Philadelphia Inquirer), now offer a shattering new history of Japan’s long war in the Pacific, told exclusively from the perspective of the Japanese. Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near-annihilation by 1945.

Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs—including, in the final twelve months of the war, over one million civilian deaths—as well as heart-rending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

Inside the Japanese Experience, 19371945

"Sacred War"

Inside Mari

Der Studienabbrecher Isao Komori hat beschlossen, sein zermürbendes Leben in Tokyo endgültig hinter sich zu lassen. Nun ist er in sein Elternhaus zurückgekehrt, um in der vertrauten Umgebung einen Neuanfang zu wagen. Doch schon bald holen ihn die Schatten der Vergangenheit ein. Mari stattet ihm gemeinsam mit Yori einen Besuch ab, um einen Blick in Isaos Tagebuch zu werfen. Darin befindet sich der Schlüssel zu Maris dunkelsten Erinnerungen - und die Wahrheit über Mari selbst, den zweiten Isao und die kleine Fumiko ...

Inside Mari 9

A beautifully illustrated collection of easy baking recipes by Alice Fevronia, a baker, artist and former&nbsp;GBBO&nbsp;finalist. From the author: 'Baking is a science, but it's also an art, and I think the two go hand in hand together seamlessly. I want this book to be as practical as it is beautiful, as I am fascinated by the science behind baking. It will be a guide for the amateur or beginner baker who isn't looking for a quick fix of baking or to follow a trend. It is for those who want to enjoy pouring over a beautiful book, learn something interesting that they can take forward on their baking journey, and dive into a world of illustrations that inspire them to get creative in the kitchen.'

Beautiful Bakes Made Easy

The Art of Baking

Japanese Patisserie

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