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Catalogue complet

Perkins-McVey M: Intoxicated Ways of
Knowing

Intoxicated Ways of Knowing

The Untold Story of Intoxicants and the Biological Subject in Nineteenth-Century Germany

The History and Persistence of Our Deadliest Infection

Everything Is Tuberculosis

The social dimension of human life shapes or constitutes what perception is for us, that is, how we perceptually relate to the world. &gt;Bringing social philosophy together with philosophy of mind and taking the next step in enactivist philosophy, this theory accounts for the social aspects of everyday experience. With influences from Wittgensteinian pragmatism, phenomenology, and analytic philosophy of perception, as well as engagement with social psychology, social cognition studies, and work in neuroscience, the book synthesizes different layers at work in perception, with a particular focus on non-visual senses. It explains the role of perception in the economy of social identities and thus links the individual with the social in a constitutive way.

Perceptual Practices, Direct Perception, and A World of Aspects

A Social Enactive Theory of Perception

Soviet Artillery Tractors of World War II

The Biography

Hugh Trevor-Roper

New Vanguard

Soviet Tanks at Stalingrad 1942–43

The two volumes of The Russian Experience of War demonstrate the critical significance of the war myth to Russia through primary documents.

The Russian Experience, The Napoleonic Wars to the Twenty-First Century

Voices of War

A photographic celebration of the great Spanish city, from Alfonso to Thomas StruthThis volume features more than 150 photographs by some of the greatest names in photography, both Spanish and international, together with an exhaustive essay by the writer Antonio Muñoz Molina on Madrid's illustrious history as a subject for photography. It includes the brilliant photographs of Alfonso, perhaps the greatest graphic chronicler of Madrid at the beginning of the 20th century; the prewar and wartime images of Henri Cartier-Bresson, Robert Capa and Gerda Taro; the postwar portraits of William Klein, Francesc Català-Roca and Ramón Masats, among others; the post-Franco developing society immortalized by photographers from Spain and elsewhere such as Gianni Ferrari; the mythical images of the Movida in Madrid by Alberto García-Alix; and the cultural and economic environment of the 21st century through the eyes of Cristina García Rodero and Thomas Struth.

Madrid: Portrait of a City

Classical Literature and Society

"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--

Euripides and Quotation Culture

Mind, Meaning and Metaphysics

An Interdisciplinary Approach

Language, Cognition, and the Way We Think

KINO - The Russian and Soviet Cinema

Observing the Body in Physical and Visual Culture

Soviet Spectatorship

Based on first-hand accounts, original documentation and unpublished images, this is a highly illustrated history of the Flakpanzer in World War II. As the war progressed, Allied and Soviet forces began to deploy ground-attack aircraft armed with cannons, bombs or rockets to halt German armoured columns. Consequently, field commanders began to demand for their units to be issued with effective armoured anti-aircraft weapons. Renowned armour expert Thomas Anderson explains how the weapons were first mounted on light trucks and then, more effectively, on the chassis of light, medium or heavy half-tracks before orders were issued for a dedicated armoured Flakpanzer - the 2cm Flakpanzer 38(t) based on the chassis of a Czech-built PzKpfw 38(t). The effectiveness of this type saw the development of four further vehicles on the PzKpfw IV chassis: FlakPz IV Wirbelwind (whirlwind), the 3.7cm FlaK 43 L/50 Ostwind (east wind), the 3.7cm FlaK 43 L/60 Möbelwagen (furniture van) and the 2cm Vierlingsflak 38 L/55. The final stages of the war also saw German field engineers mounting Flak weapons on all types of heavy truck or half-track chassis available. Drawing on after-action reports, original wartime documents and rare and previously unseen photographs, this is a comprehensive and fully illustrated study of the German development of Flakpanzers throughout World War II.

Flakpanzer

The General Strike of 1926: the tragic story of how the world's best organized working class confronted the world's most powerful, and self-confident, government. In May, 1926, nearly three million British workers downed tools to support nearly one million of their countrymen, miners whose employers meant to lengthen their working day and cut their pay. This General Strike brought the country to a grinding halt - which, according to Conservative Prime Minister Stanley Baldwin, represented a threat not merely to the nation but to the parliamentary system itself. For nine days, the world's best organized working class confronted the world's most powerful, and self-confident, government. And yet the outcome was never in doubt, for Britain's most important trade-union leaders thought as Baldwin did, although they kept saying they were engaged in a wages dispute only. Really, they feared winning even more than they feared losing. In Nine Days in May, award-winning author and historian Jonathan Schneer mines hitherto untapped archival sources to explain why and how the Strike came about, why and how it was waged and countered, why and how it ended. In addition to government reports and TUC reports, he uses reports of undercover agents and spies, "special" constables sworn in for the duration of the Strike, volunteer strike-breakers, Communist agitators, trade-union leaders and rank-and-file members of trade unions; also, of course, the papers of politicians of all parties. This is a tale of Shakespearian dimensions, replete with tragic heroes and villains and buffoons and opportunists and double-dealers, and contending, evenly matched, forces - both of which meant to do their duty whatever the cost. There may never be another general strike in Britain, but the General Strike of 1926 was one for the ages, illuminating the human condition.

The General Strike of 1926

Nine Days in May

Intoxicated Ways of Knowing

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