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Sakal V: Indigenous Judaism in Colonial
Algeria

Indigenous Judaism in Colonial Algeria

French-colonial Policy, Rabbis and Halachic Writing

Taking the period from the collapse of the Ottoman Empire and the establishment of the Turkish Republic in 1923 to the present day, this book examines Turkey's political trajectory, its economic developments and downturns and its positioning in the international arena. Breaking away from the Cold War paradigm and its focus on military coups and international security as well as approaches to Turkey which over emphasise the Ottoman past, this book also engages with cultural and social aspects of the period. Following a clear chronology, the book charts the rise of the Turkish nation-state, Turkey in the Second World War, the beginning of multi-party politics, the political plurality of the 1960s, the upheavals of the 1970s, the neo-liberal politics of the 1980s, the crumbling of the 1990s and the religious politics and presidentialism of the 2000s. Each period is divided into three sections and each chapter is accompanied by boxes inserted into the text which provide more extensive information on one particular aspect, such as cinema, political satire and social media. The book takes readers through the period providing both a clear chronological structure and an understanding of each period both from the perspective of its political and economic development and its cultural and social concerns.

A History from 1918 to the Present

The Republic of Turkey

Oxford Studies in International History

Self-Determination and the Transformation of International Order, 1941-2000

The First Right

Exploring how Polish writers positioned themselves as neither colonized nor colonizers, In-Between Empire analyses their literary works on empire during the 19th and 20th centuries to explore how they negotiated their in-between position in the global imperial hierarchy. Leveraging this vantage point, they claimed the unique ability to represent the South to the West, constructing a Polish national identity in conversation with both imperial and anti-imperial currents, and influencing international discourse on colonialism and its legacy.
 
Written at the nexus of historical and literary studies of imperial and colonial discourse, Patton centres Poland and Eastern Europe in debates that have frequently excluded these perspectives. Showing how these Polish writers attempted to portray anticolonial solidarity with non-European victims of colonialism, yet also employed European colonial tropes, each writer demonstrated a distinctive ability to identify the tensions and flaws of imperialism, whilst simultaneously reconciling those tensions to themselves as 'exceptional Europeans', innocent of colonialism, by alternating between metropolitan and peripheral perspectives. In doing so, they informed transnational discourses and policies on colonialism, decolonization, the Cold War and beyond.

Exploring how Polish writers positioned themselves as neither colonized nor colonizers, In-Between Empire analyses their literary works on empire during the 19th and 20th centuries to explore how they negotiated their in-between position in the global imperial hierarchy. Leveraging this vantage point, they claimed the unique ability to represent the South to the West, constructing a Polish national identity in conversation with both imperial and anti-imperial currents, and influencing international discourse on colonialism and its legacy. Written at the nexus of historical and literary studies of imperial and colonial discourse, Patton centres Poland and Eastern Europe in debates that have frequently excluded these perspectives. Showing how these Polish writers attempted to portray anticolonial solidarity with non-European victims of colonialism, yet also employed European colonial tropes, each writer demonstrated a distinctive ability to identify the tensions and flaws of imperialism, whilst simultaneously reconciling those tensions to themselves as ‘exceptional Europeans’, innocent of colonialism, by alternating between metropolitan and peripheral perspectives. In doing so, they informed transnational discourses and policies on colonialism, decolonization, the Cold War and beyond.

Imperial Exceptionalism, Poland, and Colonial Travel Writing

In-Between Empire

Engaging Indigenous and Community Relationships with the Deep Past

Returns and Reconnections

Indigenous Self-Rule

The Indigenous Nation Building Glossary

The United Nations and Commonwealth Relations, 1946-1952

The South Africa Disputes before Apartheid

Jewish Lives

The Many Lives of Anne Frank

A Memoir with Manuscripts

The Migrants

The Politics of Global Health in Malawi

Unequal Worlds of Care

In this coming-of-age comedy, a 17-year-old virgin film nerd, Joseph Caldo, who sees himself as a real-life art film, experiences first love, first sex, and first heartbreak in the surreal setting of South Florida while trying to make sense of Shakespeare’s stupid plays.
Caldo has no real social life, unless arguing about film online counts. Having seen so many films while struggling romantically, he has formed a theory that women pick romantic partners the way they pick which movie to watch. He’s definitely not a blockbuster, a rom com, or even a horror film, he’s more of an indie art film that is unfortunately funny. He worries he’ll never find the person who will accept and love him, the way that he accepts and loves his favorite obscure films.
That is until he meets Alexia at his grandmother's retirement home. Alexia was court-ordered to do volunteer work for her DUI but it's cool, Caldo has issues too, and it feels like they have a real connection. But there's also Valerie. The new girl at Caldo's awkwardly small school. She's a straight-A student who is attending on scholarship and is assigned the difficult task to mentor him in Shakespeare's plays. The two opposites have nothing in common except for being romantics who do nothing but fail at romance.
With first jobs that go very wrong, untimely food poisoning, and fake prom dates, Caldo unintentionally reenacts Shakespearian tropes in the heart of South Florida. Humor award-winning author Christoph Paul’s Shakespeare in South Florida is a quirky romantic comedy about being 17 and falling in love.

Shakespeare in South Florida

Explaining how nations and narratives have been the products of transnational, cross-border forces of migration and cultural exchange, this open access volume presents a global history of the basic ideas that govern our understanding of the modern world and highlight the power of narratives in world history. From the Enlightenment forward, the nation and other global concepts have been conjured and repurposed to manage and make sense of what we now call globalisation. The authors in this volume show how social categories such as empire, race and labour were the centerpiece subjects of collective narratives. For the past two centuries, the practices of shared storytelling aimed to make sense of how groups like nations fit in the wider world. This volume explores how they created bonding narratives for co-members of these groups and bridging stories to explain how groups should relate to each other through trade, war, peace, and other worldmaking processes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Princeton University, USA.

Narratives, Nations, and Other World Products in the Making of Global History

How Central European Émigrés Transformed the British Twentieth Century

The Alienation Effect

Indigenous Judaism in Colonial Algeria

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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